this post was submitted on 29 Sep 2024
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An artist who infamously duped an art contest with an AI image is suing the U.S. Copyright Office over its refusal to register the image’s copyright. 

In the lawsuit, Jason M. Allen asks a Colorado federal court to reverse the Copyright Office’s decision on his artwork Theatre D’opera Spatialbecause it was an expression of his creativity.

Reuters says the Copyright Office refused to comment on the case while Allen in a statement complains that the office’s decision “put me in a terrible position, with no recourse against others who are blatantly and repeatedly stealing my work.”

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[–] dreikelvin 2 points 1 hour ago

no artist to begin with

[–] jimmy90 3 points 2 hours ago

they can copyright the prompt, right?

[–] [email protected] 4 points 3 hours ago (1 children)

The copyright office's policy isn't perfect, but denying copyright to AI slop is probably the best we can expect from the system as it currently exists.

Besides I'm pretty sure you can still use AI in the production of an image and still claim copyright on the final image, just not any of the raw generations.

[–] [email protected] 2 points 1 hour ago (1 children)

This is correct. If a painter uses AI to generate a concept and composition, then does a classical oil painting of it on canvass they can claim right to the image of the oil painting.

It's no different than an artist painting a public park or forest. They can't copyright that location, but they can copyright the painting of that location.

[–] 11111one11111 1 points 15 minutes ago* (last edited 2 minutes ago)

So why can't he copy right the prompt which created it? Obviously not being 100% cereal about this specific scenario but in the early days of GPT4 I fed it fucking dissertation length prompt threads writing ridiculously niche and in depth scripted functions. I don't know how to code but used a tool to create something extremely useful for my job. Some of the project took weeks to fully put together.

So what Im really asking is, why would it matter if I used cnc lathes to make something id want copywrited/patented or if I use a LLM to make it? Should it be any less protected because it's taking the "muscle" or "legwork" out of it? Should engineers only design prototypes destine for copywrite/TM/R/patent office if the prototype can be made on manual machines? Again, I kinda understand I went over the top with this but I am fascinated with how the fuck people are guna come up with regulatory frameworks to define the modern age of intellectual property and all the TM/C/R/P drama to follow.

Edit: To expand, the shit I have made using GPT having limited but interested experience with IT work also didnt stike me as anything marketable until I got feedback from vendors and customers I gave it to but from reps that didn't know I made it. It's not the point of me asking I just thought itd help anyone who is guna respond to see that my questions are coming from more of a manufacturing a tool type of understanding rather than the AI toookurjerbs from the suffering artist or musician type of understanding.

[–] Fedizen 49 points 18 hours ago* (last edited 18 hours ago) (7 children)

its debatable who the artist is, however, because if you remove the ai from the picture he could never have made this, and if you remove the training data the results would also be different.

Realistically: everyone whose data this was trained on should be included as authors if its not just public domain

[–] Hugin 15 points 13 hours ago

There were similar debates about photographs and copyright. It was decided photographs can be copyrighted even though the camera does most of the work.

Even when you have copyright on something you don't have protection from fair use. Creativity and being transformative are the two biggest things that give a work greater copyright protection from fair use. They at are also what can give you the greatest protection when claiming fair use.

See the Obama hope poster vs the photograph it was based on. It's to bad they came to an settlement on that one. I'd have loved to see the courts decision.

As far as training data that is clearly a question of fair use. There are a ton of lawsuits about this right now so we will start to see how the courts decide things in the coming years.

I think what is clear is some amount of training and the resulting models fall under fair use. There is also some level of training that probably exceeds fair use.

To determine fair use 4 things are considered. https://www.copyright.gov/fair-use/

1 Purpose and character of the use, including whether the use is of a commercial nature or is for nonprofit educational purposes.

This is going to vary a lot from training model to training model.

Nature of the copyrighted work.

Creative works have more protection. So training on a data set of a broad set of photographs is more likely to be fair use than training on a collection of paintings. Factual information is completly protected.

-> Amount and substantiality of the portion used in relation to the copyrighted work as a whole.

I think ai training is safe here. Once trained the ai data set usually doesn't contain the copyrighted works or reproduce them.

Effect of the use upon the potential market for or value of the copyrighted work.

Here is where ai training presumably has the weakest fair use argument.

Courts have to look at all 4 factors and decide on the balance between them. It's going to take years for this to be decided.

Even without ai there are still lots of questions about what is and isn't fair use.

[–] [email protected] 13 points 18 hours ago (3 children)

Hmmm. This comment made me realize that these ai images have something in common with collages. If I make a collage, do I have to include all the magazine publishers I used as authors?

Not defending the AI art here. Imo, with image generating models the mechanisms of creation are so far removed from the "artist" prompter that I don't see it any differently than somebody paying an actual artist to paint something with a particular description of what to paint. I guess that could still make them something like a director if they're involved enough? Which is still an artist?

I dunno. I have my opinions on this in a "I know it when I see it" kind of way, but it frustrates me that there isn't an airtight definition of art or artist. All of this is really subjective

[–] Hugin 3 points 13 hours ago

It comes down to how transformative the work is. They look at things like how much of the existing work you used and how much creative changes were made.

So grabbing your 9 favorite paintings and putting them in 3x3 grid is not going to give you fair use.

Cutting out sections of faces from different works and stitching them together into a franken face could give you enough for fair use if you made it different enough.

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[–] Smoogs 25 points 20 hours ago

Oh gee so scammers aren’t getting protection for lying? Dang what a cruel world poor him…

/s

[–] [email protected] 11 points 18 hours ago (1 children)

The problem is "intellectual property" and capitalism more generally. As technology makes art harder to define and control, the absurdity of violently controlling art will hopefully collapse along with capitalism in general.

[–] [email protected] 8 points 16 hours ago

Intellectual property as a concept is incompatible with the continued advancement of human knowledge. Before copyright and patenting, we still had trade secrets and sensitive information, and those things cost us insights into metalworking we are still slowly recovering to this day. We still can't figure out how Roman's stumbled upon some of their glass blowing breakthroughs, and we just recently figured out Roman concrete.

Capitalism didn't invent greet, but it's certainly allowed greed to flourish as a core precept of its design.

[–] Tattorack 6 points 16 hours ago

"Artist" needs to be in quotation marks.

[–] [email protected] 57 points 1 day ago (35 children)

If you didn't make it how the fuck can it be stolen from you?

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