Ask Lemmy
A Fediverse community for open-ended, thought provoking questions
Please don't post about US Politics. If you need to do this, try [email protected]
Rules: (interactive)
1) Be nice and; have fun
Doxxing, trolling, sealioning, racism, and toxicity are not welcomed in AskLemmy. Remember what your mother said: if you can't say something nice, don't say anything at all. In addition, the site-wide Lemmy.world terms of service also apply here. Please familiarize yourself with them
2) All posts must end with a '?'
This is sort of like Jeopardy. Please phrase all post titles in the form of a proper question ending with ?
3) No spam
Please do not flood the community with nonsense. Actual suspected spammers will be banned on site. No astroturfing.
4) NSFW is okay, within reason
Just remember to tag posts with either a content warning or a [NSFW] tag. Overtly sexual posts are not allowed, please direct them to either [email protected] or [email protected].
NSFW comments should be restricted to posts tagged [NSFW].
5) This is not a support community.
It is not a place for 'how do I?', type questions.
If you have any questions regarding the site itself or would like to report a community, please direct them to Lemmy.world Support or email [email protected]. For other questions check our partnered communities list, or use the search function.
Reminder: The terms of service apply here too.
Partnered Communities:
Logo design credit goes to: tubbadu
view the rest of the comments
When it's done right, it's thematically about how violence begets violence, or maybe the writer is making their rivalry more personal. Without specific examples to dissect it's impossible to make that call though
It makes sense, I suppose. maybe I'm just a bit jaded about villain writing. I just feel like a lot of the time villain motivation seems to come after the villain themself. Like the villain and their methods was created, and then a motivation for that was created to make it make sense. Rather than creating a motivation and then designing the villain off the motivation. Not all villains, of course. there's some pretty complex and fantastically written ones out there. But sometimes, there's a lot of villains where it seems the writers just REALLY needed some kind of relatable motivation.
You might just not like bad writing.
I mean, they're writing a comic book. The superhero and every other character started as a concept doodle and a story was written around them.
I'm now curious why that detail bothers you for only villains.
It doesn't only bother me for villains, I just had villains in particular on the mind. I get it though. I was just watching TV and Aquaman came on and I've seen a bunch of other superho movies on TV lately, so I was just thinking a lot about the tropes I see a lot, and that particular example was at the front of my mind.
I'd also recently scene Age of Ultron, where the twins had, in my opinion, a really questionable reason for siding with Ultron.
I also love writing fiction myself, and I have a terrible habit of disecting just about every plot point I encounter in media to see what "makes them work", or not work, to see what I can learn from them for my own writing. Makes me awful overly critical of some things.
Villains must be tricky. It's hard to make evil motivations relatable to most people. (who I'm assuming are good people)
We really want to believe that some horrific event caused the downfall of this person, but sometimes "I just wanted to see if I could" is a legitimate, although unsatisfying, evil reason to do something.
Doesnt real life work that way? All the ways of doing crimes were pretty much figured out before any of us were born.