this post was submitted on 22 Jun 2023
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LoglineCommander Una Chin-Riley faces court-martial along with possible imprisonment and dishonorable dismissal from Starfleet, and her defense is in the hands of a lawyer who’s also a childhood friend with whom she had a terrible falling out.


Written by Dana Horgan

Directed by Valerie Weiss

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[–] [email protected] 42 points 2 years ago (2 children)

This was a fantastic episode. One thing I liked in particular was that they had an actual lawyer defend Una, and not just have Pike do it.

[–] [email protected] 18 points 2 years ago (1 children)

They kept the tradition alive by having a starship captain handle the prosecution, though.

[–] [email protected] 18 points 2 years ago (2 children)

But in contrast, this lawyer (Neera) won by mainly by being a good lawyer (albeit in a tv legal drama kind of way). Setting things on fire with the first witness to create a bunch of fog and doubt about the premise of the case, realising that other important regulations impinge on the case and setting up testimony to substantiate the effect of those regulations.

My memory of most other officer-lawyers is that their methods tend to focus more on the moral "issyew" (Picard's pronunciation of "issue" in Measure of a Man).

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[–] [email protected] 38 points 2 years ago (3 children)

What a beautiful episode. The message was great and it wasn't ambiguous enough for people to really misinterpret or miss it while still remaining an indirect allegory for current times. The allegory was clearly about either homosexuality or undocumented immigrants and I appreciate that people from either group can likely relate to this episode. As a gay guy I have to say I definitely did.

Also, the scene with Spock's "outburst" was hilarious and I loved seeing the (on the surface) emotionless Spock once again.

Overall I loved the episode and I'm very glad to see one I love after personally disliking the previous one.

[–] [email protected] 40 points 2 years ago (3 children)

The allegory was trans people. Hence all the talk of needing to 'pass' to be accepted and the wonderful lil touch of Unas child cast being the colours of the Trans flag

[–] [email protected] 14 points 2 years ago (1 children)

Ah, I'd missed that detail. I was on the fence about whether or not it was a trans allegory because it didn't initially feel like there were as many similarities in her story to being trans as there was to homosexuality and being an undocumented immigrant but upon further consideration I have to agree. Though it does seem to me like it is also about those other groups I mentioned. I suppose it's a bit of a catch-all (which worked great).

[–] [email protected] 29 points 2 years ago (6 children)

The way Illyrians were segregated into Illyrian and non-Illyrian cities except for people who could pass echoes the Jim Crow era of US history, with black people being segregated and some of them trying to pass for white.

The refusal of service to those who were found to be Illyrian is like antisemitic attitudes in pre-war Nazi Germany, or the refusal of service to homosexuals. Most of what happened can be compared to any persecuted minority, racial or sexual.

That’s the beauty of a good metaphor. And the ugly universality of bigotry.

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[–] [email protected] 14 points 2 years ago

It is not unlikely that this is the allegory they had in mind primarily, but so much of the bigotry and hatred depicted applied to gays, blacks, jews, women and probably more groups, too.

We're rhyming history, every generation we're trying to overcome prejudice, oppression and hatred against a new minority, only for some to conjure up a new distinguishing feature to define a minroty to be ostracized. It feels like treading water sometimes, can't we just cut through the bullshit in one go, but no, we have to go through all the steps, while some new group (or a subgroup of a previous group) has to endure all the pain this brings. Sometimes it feels like we're not really getting better. But maybe we are. But it's still too slow, it still repeats itself, and nowadays we might experience multiple such cycles in our lifetime, when at some point it took generations to get that kind of progress?

[–] [email protected] 13 points 2 years ago (2 children)

There were also parts of it that could easily be interpreted as Jim Crow era politics. Passing was a thing for Blacks as well. Splitting into two different cities reminded me of both redlining and "separate but equal." Of course, history repeats itself, and this allegory could also be applied to Jews, Native Americans, and any other persecuted minority, including gay and trans people. Una's whole situation could pretty easily be mapped onto a "don't ask, don't tell" situation as well.

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[–] [email protected] 33 points 2 years ago (1 children)

Honestly, the trial episodes of Star Trek tend to be the some of the best. Drama without explosions are when it's different from most other sci-fi franchises, and it's good to see it come back. SNW really is the best current Trek show.

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[–] [email protected] 32 points 2 years ago (7 children)

“I regret that you had to witness that outburst.”

Best line in the show!

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[–] [email protected] 31 points 2 years ago (8 children)

Loved it. Star Trek has always been handwavy with legal rules in favour of a compelling debate and this was no exception.

As a Canadian, I instantly started thinking about the metaphor in terms of laws the Canadian government had against indigenous people practicing or teaching their cultural practices.

On the other hand, as a gay man, I was thinking about when homosexuality was considered a criminal practice and how sometimes gay men will stay in the closet to avoid discrimination.

One of the things that’s most interesting to me is how many minorities groups Una’s experience maps to in some rhyming way.

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[–] [email protected] 29 points 2 years ago

I really enjoyed it. Star Trek is at its strongest when it gives itself time to mull over philosophical, ethical, and social issues. This episode really knocked it out of the park. Just really well-written overall.

[–] [email protected] 28 points 2 years ago (2 children)

I really like the look fo the dress uniforms. Surprised that they never got Pike to the stand, especially after Una confessing that she told Pike 4 months ago.

Now that the cast has been reset, I'm ready for them to explore some strange new worlds.

[–] [email protected] 21 points 2 years ago (2 children)

Honestly, the sets and costumes for SNW are setting the bar for TV shows in general, let alone star trek. Just as much as the new plots, I've been looking forward each week just to the visuals.

[–] [email protected] 14 points 2 years ago

Yes, this. It’s setting a new bar. Fantastic design, well executed.

SNW seems to have hit a gestalt of not just production and costume design but also lighting and cinematography. Like TOS and early colour television, it’s making the most of the new UHD technology. Everything has come together and is reinforcing the impact.

Discovery was reaching for this in the 32nd century design, and even with the Enterprise bridge as originally built for Discovery season two. The principal ship sets from the first season were an ongoing constraint though. Costume designer a gersha Phillips found her initial attempts to put the Discovery crew into 32nd century uniforms did not stand out against the ship’s dark bridge.

It will be interesting to see if they can achieve something similar in the 32nd century with the new Starfleet Academy show.

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[–] [email protected] 17 points 2 years ago (7 children)

Surprised that they never got Pike to the stand, especially after Una confessing that she told Pike 4 months ago.

I think Pasalk was pretty out of line with his approach - his questioning essentially amounted to a criminal investigation of someone else. My knowledge of law isn't very strong, but that seems inappropriate.

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[–] [email protected] 28 points 2 years ago

In my opinion that might have been the perfect Star Trek episode. Well written, relevant to what we face in modern day society, and a celebration of the crew of the Enterprise as well as the world as we wish it to be. A civil rights trial for the 21st (and 23rd century). I needed to see this today.

[–] [email protected] 22 points 2 years ago (1 children)

This was an absolute gem. I don't have much of substance to add just now (except that those dress uniforms are very nice), but after being on the whole disappointed by the season opener I am extremely pleased with this episode. Definitely one of the strongest in the show so far, which is no small feat.

[–] [email protected] 10 points 2 years ago

I really loved the dress uniforms. Particularly the details on the collars and on the medals. I only wish they'd done a little more with the Admiral dress uniforms. Leaving them all in Federation Blue like early Discovery is a little odd.

[–] [email protected] 21 points 2 years ago (1 children)
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[–] [email protected] 20 points 2 years ago (1 children)

It's been a good while since we had a good old fashioned courtroom episode. Given how high the bar had been set in the past, well done to everyone involved that they managed to comfortably clear it.

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[–] [email protected] 20 points 2 years ago

This episode had me crying, it was so beautiful and strong. Especially the part where La'an is told that she isn't a monster. The thing is while yes this is a fictional case, as someone that is trans irl, it hits home strong..

[–] [email protected] 20 points 2 years ago

This really was classic trek, Star Trek as Star Trek should be.
Don't have much to add, but I really loved the episode

[–] [email protected] 19 points 2 years ago

Superb episode, a real high mark. The 1st episode was so disappointing I was worried they'd gone of the rails with the nonsense kung fu segment in the middle, but Ad Astra Per Aspera was a perfect episode.

The writing was great, and the pace and rhythm perfect with highs and lows, good use of emotions and a perfect ending. I love these character driven episodes - we learnt more about Una, and also La'an in effective way, but also about the context and imperfections of the Federation. The cast is also great, making the close family like dynamics of the Enterprise command staff feel real.

I'm glad they also didn't put Pike on the stand. It allowed Una and Neera to shine, and Neera (Yetide Badaki) who was a superbly crafted and acted character - she ran the gauntlet of dislikeable to a most loved character in one episode.

[–] [email protected] 19 points 2 years ago* (last edited 2 years ago) (1 children)

An excellent episode which is virtually certain to displace "Measure" as Trek's most venerated hour of space court.

One thing that always strikes me about SNW—even the middling episodes—is just how vivid, bright, and beautiful this show is. Grimdark has its moments, but this visual style is a much better and more natural fit for Star Trek.

[–] [email protected] 12 points 2 years ago (1 children)

It was good but don't think it will surpass jean luc

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[–] [email protected] 19 points 2 years ago (25 children)

I think this episode was really good...if the issue of discrimination was over literally anything other than a social practice of genetic modification. Star Trek's hardline stance on linking social genetic modification to eugenics is one of the things that I've really appreciated, especially as corrosive "thought experiments" about it have sort of entered back into the discourse. I don't think you can practice genetic manipulation on a society wide level without it going very bad very fast. At least I don't think humans can, and the episode doesn't really make a case for why the Illyrians are better at it.

The core message of this episode is so important, especially at this current moment, and the right of people to self determination and to safety and security in their identities and differences is right at the heart of Star Trek, so I'm glad to see SNW continue to affirm it. But...just...there are reasons, real reasons, with lots of horrific history behind them, for why normalizing genetic manipulation in the name of improving or "fixing" populations of people is still a real third rail for me, and I wish the episode had figured out how to engage with that specifically a bit more. This episode does not actually convince me that in the far future utopia of the Federation the dangers of genetic modification as a practice have been addressed, and in absence of that "It used to happen and its bad, but stuff is better now and can't we relax a little" is a bit...hollow

I think you could fix this for me if you made it so that Illyrian genetic modification was something that members of their species voluntarily entered into in adolescence or early adulthood. Make it more of a practice that people voluntarily keep up and less of a program that their society runs and the whole thing works way better for me. That also makes the loose analogy to transgender people in our current time, and really just the right of bodily autonomy and self determination, way more coherent.

[–] bulbasaur 11 points 2 years ago (2 children)

I really hated this episode for this reason. I hate the thought experiment of "what if we found a planet where everyone practices eugenics and so therefore it's racist to be against eugenics".

Like if the rest of the world had found an isolated Nazi Germany, would it have been discriminatory and prejudiced to be against their practices? To not let them into the military? Of course not

Like why even write that plotline? Why are the writers choosing to legitimize eugenics like this, like it ever could be neutral or good and not horrific? I'm unwilling to entertain the idea that there's a good way to do it, just as I'd be unwilling to entertain a fictional society that showed slavery in a positive light

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[–] [email protected] 11 points 2 years ago* (last edited 2 years ago) (1 children)

I think they kept that genetic manipulation is bad for the reasons you suggest...but also that the children did not have a choice and shouldn't be punished for their heratige or things they didn't choose. It was more don't single.out the individuals

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[–] [email protected] 18 points 2 years ago (2 children)

Ad Astra Per Aspera

A beautiful title, I remember watching the anime Ad Astra a few years back. They had a ROUGH time.

Through hardships, to the stars.

You had your playtime, acting like one of them. Accept your dismissal, take your licks and go home.

Una: No. (Why not?) Because I shouldn't have to hide anymore. None of us should. I know I should have done better. I didn't stand up when I should have. I'm standing up now.

YES! GIVE ME THAT STRENGTH!

So it was either dishonorable discharge OR Dishonorable discharge with 20 years in a penal colony.

That's a rough decision.

GIVE EM HELL UNA!

So La'An has an idea that the evidence against Una might have been illegally obtained. This is going to be a really in depth court drama from Star Trek!

La'An: We need to find out who turned her in. It might well be the only way to save her.

But Uhura strictly refuses La'An's illegal order. :|

Counselor: Admiral, it would seem that the rules of Starfleet only apply when a captain deems that they do. (Robert April: Is there a question Counsellor?)

You have shown that you have been repeatedly willing to break the very first order of starfleet and you are hailed a hero. you can break the law if you so choose. So, hiding behind order and protocol to explain why you would not have admitted Una Chin-Riley to Starfleet is a sanctimonious falsehood, is it not?

And of course the JAG gets pissed off at that type of reasoning, how convenient.

Counsellor: My client did not ask to be genetically modified. It is an Illyrian cultural practice done to children before they are even born. It is done for survival and yet she has been arrested because of a violation of a law. But the Admiral has just shown us that Starfleet regulations are are flimsy and subjective at best.

Spock's line about what una was hiding OMG!!!

Spock: Yes, I did get the feeling that she was hiding something.

Neera: What was she hiding?

Spock: An affanity for Gibert and Sullivan musicals.

A BRITISH TAR IS A SOARING SOUL AS FREE AS A MOUNTAIN BIRD HIS ENERGETIC FIST SHOULD BE READY TO RESIST A DICTACTORIAL WORD

Spock: Perhaps. Although I think it is illogical for Starfleet to punish itself.

Neera: I'm afraid I don't understand.

Spock: The loss of Una would be destructive to Starfleet as an organization. She is an extraordinary officer.

Una: She is a Mentor Spock: I have learned a great deal about leadership by serving under her.

M'benga: She puts the lives of her crew above her own. Always.

Spock: She is a friend.

La'An: Family. Una is Family.

And we get more into exactly That.

Counselor: Could it be that you carry your family's augmentations, and you believe that because of them you may become dangerous?

Una: Yes, I do.

OH MY GOOOOOOD...

Counselor: There is nothing wrong with you Lieutenant, no hidden monster inside. But I do know how they make us feel. They look down at us for so long that we begin to look down at ourselves. Genetics is not our destiny despite what you may have been taught. The fear of yourself it's not your own. It was drilled into you. You're not born a monster. You were just born with a capacity for actions, good or ill. Just like the rest of us... i guarantee you are not the the person who leaked Una's true identity to Starfleet.

"Ad Astra per aspera"

To the stars through hardship.

.......

Una: My family, we went to the non-illyrian city. You see, some of us could pass. We could blend in, so we did. We left everyone else behind. Our families. Our friends.. We left them all. I regret it to this day.

...

I wanted my crew to know who me for who I really was. I thought maybe if they did, I would finally be safe. And starfleet would finally understand Illyrian's better.

So it was four months in between Ghosts of Illyria and last season's finale.

Neera: She believed in the best of Starfleet, and that through it she could find salvation from the hardship and danger of her everyday life. Danger she faced just for being born an Illyrian. Dangers born on prejudice. Spurred on by laws against people like her. But through her hardhsips, Una saw the stars. Una joined Starfleet because she believed it was the only thing that could save her life. She fled persecution, and within Starfleet she sought safettu. She Asked for Asylum and Captain Pike granted it.

What an amazing courtroom episode! Did a lot of work for equality in the current moment.

I was recalling a lot of the classic courtroom episodes too, The Menagerie, Drumhead, Measure of a Man. This is top tier stuff.

I also feel relevant to our current controversies.

[–] [email protected] 12 points 2 years ago (1 children)

I loved April getting called out for bending/breaking rules.

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[–] [email protected] 17 points 2 years ago (6 children)

Minor nitpick in an otherwise really good episode, but it was weird how they put in flashbacks of Una's testimony when Neera was reading the asylum law. That scene had literally just happened, did they make this episode expecting people to be on their phones half paying attention because there aren't any explosions or something?

[–] [email protected] 13 points 2 years ago* (last edited 2 years ago) (2 children)

I think it was to highlight how neera had led Una to say exact phrases. the testimony was many paragraphs long and that flashbacks were to pick out the exact sentances neera had brought out

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[–] [email protected] 12 points 2 years ago (1 children)

It was hand holding for the politically opposed viewer. Just saying the law doesn't make the point to those who have a more narrow view of what asylum is.

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[–] [email protected] 16 points 2 years ago (2 children)

That was a beauty! I love this crew! Seeing them all back Una up made me quite emotional. I'm a soppy git.

Is it me or is SNW the best looking trek ever? Everything just looks so cool. I bloody love it.

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[–] killerbees 16 points 2 years ago (6 children)

One of the things I really liked about it is that there was no explosive denouement (apart from PIke's hug), and Una and Neera didn't automagically become BFFs again at the end. 25 years is a longass time. Even excluding ideological positions, they're strangers now. They probably won't send each other birthday cards. They won't send each other memes on Whatsapp. They won't invite each other to weddings and shit.

And that's okay. Or maybe I'm just projecting. Sometimes I see friends I haven't spoken to in 10+ years on social media, and I think damn back then we couldn't let a day pass without at least a text. But whatever the reason for falling out of touch, I would say I'd be glad if they're thriving and hope things get better for them if they're not. But no interest in rekindling the friendship or initiating contact. And that's okay.

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[–] [email protected] 16 points 2 years ago (2 children)

I loved it. I do not understand the joke about Spock "outburst", was there something in that body language that I am missing? And was this a joke inspired by Lower Decks ?

[–] [email protected] 17 points 2 years ago (1 children)

It was so suttle that it isn't noticeable for humans, but obvious for Vulcan who don't normally show emotion.

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[–] [email protected] 11 points 2 years ago (1 children)

The fact that there was no body language is the joke. The actors were told to sit there as impassionatly as possible.

Meanwhile Ortega is the audience eyes, it is just two people sat there with zero emotion.

Embenga can see a difference as is skilled people person and knows other races but we can't see (future doctors must be more akin to vetenarians knowing hundreds of biological systems not just their own like a current doc)

Then the joke is that while on the outside it looks impassionate to a Vulcan that was a "massive outburst". It's a joke on Vulcan lack of emotion

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[–] [email protected] 15 points 2 years ago (7 children)

For an episode whose argument hinged on genetic engineering being a cultural practice for the Ilyrians it is strange they never actually had anybody testify as to what significance it has in Ilyrian culture. Or how it is done and why.

If the genetic engineering is done to adapt to their inhospitable atmosphere why are they doing it to every child? They could just edit the germline once and be done with it.

Altogether it felt like the writers just got very attached to the idea of genetically modified individuals as a metaphor for real world marginalized groups that they lost track both of the in-universe practicalities of the metaphor and the real world implications for the metaphor. This was just outright sympathetic to eugenicists, an ideology that has led to the deaths of millions of marginalized people.

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[–] [email protected] 14 points 2 years ago* (last edited 2 years ago) (3 children)

I always thought the genetic modification ban was pretty flimsy. It wasn't even established until DS9 since TNG had the Darwin Research Station.

I really don't like how strict they made it in SNW. Why should humans dictate the laws for all races in the Federation? What happened to the Denobulans? Phlox said that they genetically modify themselves.

DS9 said that genetic modification was still allowed for the treatment of serious illnesses. So it doesn't make sense for all permanent genetic modification to be banned.

Also, in DS9, genetic modification was more like performance enhancing drugs. Bashir's modifications gave him an unfair advantage over other people. It's kind of like someone cheating to get into a good school. But that argument also has problems since there are aliens with naturally superior abilities compared to humans. Vulcans have perfect memory, superior physical abilities, and telepathy, they would have a big advantage over humans in a lot of things. But Vulcans aren't banned from Starfleet.

[–] [email protected] 13 points 2 years ago (2 children)

There’s a theory that every major race has gone through some version of Earth’s Eugenics Wars, or at least the most influential ones, such that the laws against genetic modification were pushed through. Other races simply didn’t care enough to protest or protest much.

As for the Denobulans, it could be that they wound up on the wrong side of the Neutral Zone after the Romulan War when borders were drawn, so they were never Federation members. This also explains why they weren’t seen between ENT and, chronologically, their appearance in PRO.

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[–] [email protected] 11 points 2 years ago (9 children)

DS9 said that genetic modification was still allowed for the treatment of serious illnesses. So it doesn’t make sense for all permanent genetic modification to be banned.

The franchise is fairly consistent about genetic enhancements (i.e., augmentation) are illegal, while medical procedures are not. The Darwin station is the biggest outlier.

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[–] [email protected] 10 points 2 years ago

Well, SNW predates DS9, right, so this seems consistent with and even complementary to continuity, unless there’s something in TOS I’m missing.

[–] [email protected] 11 points 2 years ago

I've seen it said a couple of places that this should have been the season premiere and I think I agree, but I haven't seen much mention of the episode's impact. We know that on the larger timeline, Federation policy on gene manipulation remains unmoved, but there's more going on here.

It becomes evident in the arbiter's closing statement on making an effort to judge augments on their individual circumstances rather than applying the "broad brush" approach, and that is significant. This episode retroactively sets a precedent for Bashir and Dal's cases later.

... also the "Don't Ask Don't Tell" allegory is subtle as Tsar Bomba and I am fucking here for it.

Trek and courtroom dramas name a more iconic duo

[–] [email protected] 11 points 2 years ago (1 children)

This episode restored my faith in the series. It one of the best single episodes of Trek to have blessed my eyes.

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[–] [email protected] 10 points 2 years ago

My DaystromInstitute annotations are up at: https://startrek.website/post/90038 (spoilers, naturally).

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