Zombiepirate

I've never tried my hand at 3D stuff before, and this looked fun. Carved out of basswood.

Here's the tutorial I used if anyone else wants to get started.

"Flow, my tears" (originally Early Modern English: Flow my teares fall from your springs) is a lute song (specifically, an "ayre") by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo: dolandi de Lachrimae".

It's a rare example of English being simpler than other languages, so I'm curious if it's hard for a new speaker to keep the nouns straight without the extra clues.

A broadside ballad by this name was registered at the London Stationer's Company in September 1580, by Richard Jones, as "A Newe Northen Dittye of ye Ladye Greene Sleves". Six more ballads followed in less than a year, one on the same day, 3 September 1580 ("Ye Ladie Greene Sleeves answere to Donkyn hir frende" by Edward White), then on 15 and 18 September (by Henry Carr and again by White), 14 December (Richard Jones again), 13 February 1581 (Wiliam Elderton), and August 1581 (White's third contribution, "Greene Sleeves is worne awaie, Yellow Sleeves Comme to decaie, Blacke Sleeves I holde in despite, But White Sleeves is my delighte"). It then appears in the surviving A Handful of Pleasant Delights (1584) as A New Courtly Sonnet of the Lady Green Sleeves. To the new tune of Green Sleeves.

It is a common myth that Greensleeves was written by King Henry VIII. However, Henry did not write Greensleeves as the piece is based on an Italian style of composition that did not reach England until after his death.

Pope Paul III and His Grandsons is an oil on canvas painting by Titian, housed in the Museo di Capodimonte, Naples. It was commissioned by the Farnese family and painted during Titian's visit to Rome between autumn 1545 and June 1546. It depicts the scabrous relationship between Pope Paul III and his grandsons, Ottavio and Alessandro Farnese. Ottavio is shown in the act of kneeling, to his left; Alessandro, wearing a cardinal's dress, stands behind him to his right. The painting explores the effects of ageing and the manoeuvring behind succession; Paul was at the time in his late seventies and ruling in an uncertain political climate as Charles V, Holy Roman Emperor came into ascendancy.

Paul III was the last of the popes appointed by the ruling Medici family of Florence. He was socially ambitious, a careerist and not particularly pious. He kept a concubine, fathered four children out of wedlock and viewed the throne as an opportunity to fill his coffers while he placed his relatives in high positions. A talented and cunning political operator, Paul was precisely the sort of man the Florentines needed to assist them in their defence against French and Spanish threats.

A sackbut is an early form of the trombone used during the Renaissance and Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one.