Zombiepirate

joined 2 years ago
MODERATOR OF
[–] Zombiepirate 1 points 1 minute ago

You're one of my favorite artists on Lemmy, with a whimsical illustrative style that is so much harder than it looks. Fantastic!

[–] Zombiepirate 45 points 7 hours ago

Everyone please wait your turn, we still have half a century of backlog before progress can be considered.

[–] Zombiepirate 29 points 7 hours ago (2 children)

On the other hand, when Seagal was asked about the incident, he directly denied the allegations, calling LeBell a "sick, pathological scumbag liar", and offered the name of a witness who could prove LeBell had fabricated the entire story. The claim garnered a heated response from LeBell's trainee Ronda Rousey, who said that Seagal was the one lying, and declared "If [Seagal] says anything bad about Gene to my face, I'd make him crap his pants a second time."

[–] Zombiepirate 10 points 7 hours ago (1 children)

A save-scumming wizard could be a great main character.

[–] Zombiepirate 4 points 8 hours ago

I'm glad you did. What craftsmanship!

[–] Zombiepirate 111 points 9 hours ago (22 children)

My favorite Steven Seagal story, from his Wikipedia page:

Seagal has been accused by former stunt performers who have worked with him, including Kane Hodder, Stephen Quadros, and Gene LeBell, of intentionally hitting stuntmen during scenes. Additionally, while serving as stunt coordinator for Out for Justice, LeBell allegedly got into an on-set altercation with Seagal over his mistreatment of some of the film's stunt performers. After the actor claimed that, due to his aikido training, he was "immune" to being choked unconscious, LeBell offered Seagal the opportunity to prove it. LeBell is said to have placed his arms around Seagal's neck, and once Seagal said "go", proceeded to choke him unconscious, with Seagal losing control of his bowels. Seagal bodyguard and stuntman Steven Lambert stated he was present and said that a confrontation did happen, during which Seagal elbowed LeBell before he could lock the hold on Seagal, after which LeBell flipped Seagal.

[–] Zombiepirate 1 points 1 day ago (1 children)

I'm amazed at how skeptical you are that elites use reactionary resentment to enrich themselves as matter of course.

And you're calling everyone else naïve.

[–] Zombiepirate 1 points 1 day ago* (last edited 1 day ago) (3 children)

If you're not going to care about what I actually said, then I see no reason to continue this discussion. I explicitly told you that I think they're going to deport a lot of people. You know... En masse?

Have fun arguing with yourself.

[–] Zombiepirate 1 points 1 day ago* (last edited 1 day ago) (7 children)

Nobody is saying they're not going to deport a lot of people or that Donald Trump and the GOP are not racist.

They're saying deportation isn't the point, which it clearly isn't. They want cheap, exploitable labor. Otherwise, they'd be attacking businesses who hire undocumented immigrants since that's the whole reason people come here.

They don't want to alienate businesses: those people are their donors. They want to drive the cost of labor down for their donors by exploiting the reactionary hatred of their base.

This has been the case for decades; Trump is being even more explicit, stupid, and cruel than his party had traditionally been, but he is very much in that same tradition.

[–] Zombiepirate 13 points 1 day ago (2 children)

And also to foster an economy of undocumented workers to drive down labor costs.

They don't want immigrants gone, they want them underpaid and unregulated.

[–] Zombiepirate 13 points 3 days ago

No point mentioning those bats, I thought. The poor bastard will see them soon enough.

[–] Zombiepirate 11 points 4 days ago* (last edited 4 days ago) (1 children)

Maintaining the "proper" social hierarchy is the highest good to conservatives.

Every position they advocate for and each hero they glorify make sense under this framework.

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submitted 1 week ago* (last edited 1 week ago) by Zombiepirate to c/artshare
 

I've never tried my hand at 3D stuff before, and this looked fun. Carved out of basswood.

Here's the tutorial I used if anyone else wants to get started.

 
 

"Flow, my tears" (originally Early Modern English: Flow my teares fall from your springs) is a lute song (specifically, an "ayre") by the accomplished lutenist and composer John Dowland (1563–1626). Originally composed as an instrumental under the name "Lachrimae pavane" in 1596, it is Dowland's most famous ayre, and became his signature song, literally as well as metaphorically: he would occasionally sign his name "Jo: dolandi de Lachrimae".

 

It's a rare example of English being simpler than other languages, so I'm curious if it's hard for a new speaker to keep the nouns straight without the extra clues.

 

A broadside ballad by this name was registered at the London Stationer's Company in September 1580, by Richard Jones, as "A Newe Northen Dittye of ye Ladye Greene Sleves". Six more ballads followed in less than a year, one on the same day, 3 September 1580 ("Ye Ladie Greene Sleeves answere to Donkyn hir frende" by Edward White), then on 15 and 18 September (by Henry Carr and again by White), 14 December (Richard Jones again), 13 February 1581 (Wiliam Elderton), and August 1581 (White's third contribution, "Greene Sleeves is worne awaie, Yellow Sleeves Comme to decaie, Blacke Sleeves I holde in despite, But White Sleeves is my delighte"). It then appears in the surviving A Handful of Pleasant Delights (1584) as A New Courtly Sonnet of the Lady Green Sleeves. To the new tune of Green Sleeves.

It is a common myth that Greensleeves was written by King Henry VIII. However, Henry did not write Greensleeves as the piece is based on an Italian style of composition that did not reach England until after his death.

 
 
 

Pope Paul III and His Grandsons is an oil on canvas painting by Titian, housed in the Museo di Capodimonte, Naples. It was commissioned by the Farnese family and painted during Titian's visit to Rome between autumn 1545 and June 1546. It depicts the scabrous relationship between Pope Paul III and his grandsons, Ottavio and Alessandro Farnese. Ottavio is shown in the act of kneeling, to his left; Alessandro, wearing a cardinal's dress, stands behind him to his right. The painting explores the effects of ageing and the manoeuvring behind succession; Paul was at the time in his late seventies and ruling in an uncertain political climate as Charles V, Holy Roman Emperor came into ascendancy.

Paul III was the last of the popes appointed by the ruling Medici family of Florence. He was socially ambitious, a careerist and not particularly pious. He kept a concubine, fathered four children out of wedlock and viewed the throne as an opportunity to fill his coffers while he placed his relatives in high positions. A talented and cunning political operator, Paul was precisely the sort of man the Florentines needed to assist them in their defence against French and Spanish threats.

419
Tanking a campaign (lemmy.world)
 
18
Sackbut (www.wikipedia.org)
submitted 1 month ago by Zombiepirate to c/wikipedia
 

A sackbut is an early form of the trombone used during the Renaissance and Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore, and its less-flared bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one.

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