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It was real and loaded. The actor was commited to any outcome including being murdered on stage.
The audience first tested the waters and gradually escalated to more extreme forms of violence. When the violence started the audience factionalized into those who were committed to stopping her from being shot, arguing and shaming aggressors or physically stepping in.
While I don't know if I can condone the piece ethically it certainly says more about human nature than most art pieces.
Weirdly I don't know if I could class her as a "poor woman" ? She was the one who set up all the objects on the table which included ones that were potentially lethal and she specified the parameters of the piece and very specifically could have stopped the performance at any time by moving of her own volition and speaking. She went into it accepting her own murder as a potential outcome and was committed to carrying on regardless of what happened. It being an art peice would not have protected a participant from a murder charge while assult charges have to be made by the victim of the assault... So there was at least that.
While she may not have been able to account for the long term psychological effects and may have had some initial optimism that people would not choose the darker options made available... I think terming her a "poor woman" might actually be dismissive of the actual volition and personal grit she had in the construction and performance of the piece? While it may have been ballsy to the point bordering madness dangerous stunt performances where athletes risk death for their audiences are a thing and those performers go in with the same expectation of potential fatality.
Not saying that I am blaming her. The people who hurt her were definitely not good people... Just saying that I feel weird about her being called "poor woman" - like it minimizes the guts of what she did.