Lemmy.World

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The World's Internet Frontpage Lemmy.World is a general-purpose Lemmy instance of various topics, for the entire world to use.

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founded 1 year ago
ADMINS
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Pleaser - Pleaser (2023) (pleasercph.bandcamp.com)
 
 

cross-posted from: https://lemmy.world/post/4755602

Following up on their incredible 2021 demo, this Copenhagen group delivers an equally exciting debut full length. On one hand, this sounds vaguely familiar as the local legends Lower and (early) Iceage have sure left their mark on Pleaser's music - having a similar appeal of larger-than-life drama tangled up in chaotic and emotional no-holds-barred performances - in addition to lesser known Copenhagen groups like Melting Walkmen, Echo People and Spines. But then again, Pleaser totally hold their own owing to top-notch song substance and plenty of neat little surprises like some black metal flourishes in the instrumental The World Says Its Name, Morricone stylings and a Murderer-esque psychedelic cowpunk haze in Drive of Distress while Light and Fire and This Is How I Die have some distinct Poison Ruïn vibes to them. Last but not least, in The Dream, a good bit of Rites of Spring, Dag Nasty collides with some 90s Leatherface or Samiam vibes as well as somewhat younger noise pop acts á la Star Party, Times Beach, No Age, Male Bonding or Joanna Gruesome.

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Pleaser - Pleaser (2023) (pleasercph.bandcamp.com)
submitted 1 year ago by Groschi to c/postpunk
 
 

Following up on their incredible 2021 demo, this Copenhagen group delivers an equally exciting debut full length. On one hand, this sounds vaguely familiar as the local legends Lower and (early) Iceage have sure left their mark on Pleaser's music - having a similar appeal of larger-than-life drama tangled up in chaotic and emotional no-holds-barred performances - in addition to lesser known Copenhagen groups like Melting Walkmen, Echo People and Spines. But then again, Pleaser totally hold their own owing to top-notch song substance and plenty of neat little surprises like some black metal flourishes in the instrumental The World Says Its Name, Morricone stylings and a Murderer-esque psychedelic cowpunk haze in Drive of Distress while Light and Fire and This Is How I Die have some distinct Poison Ruïn vibes to them. Last but not least, in The Dream, a good bit of Rites of Spring, Dag Nasty collides with some 90s Leatherface or Samiam vibes as well as somewhat younger noise pop acts á la Star Party, Times Beach, No Age, Male Bonding or Joanna Gruesome.

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