Naturally artificial... artificially natural?
Sounds like something Nestle might try and get away with in the package labelling.
niktemadur
Chinese writing is a vast world of art and ideas, with probably over 30 thousand different characters, nobody knows for sure how many there are. Not knowing what a character is, to strip it of meaning or cultural baggage, kind of frees one up to appreciate the rhythm and delicate balance of lines as their own thing.
Then again, you do not want to end up with PIG SWAMP MOUNTAIN DWARF NOODLE in permanent ink on your skin.
If you want to see Ewan McGregor naked and his body covered in Chinese calligraphy, sometime between Trainspotting and Star Wars, do check out Peter Greenaway's bonkers visual masterpiece The Pillow Book.
Then as it turns out, a current tech challenge in astronomy concerning gravitational waves, is to parse them through a detector analogous to a prism, to break these waves up into component parts, not unlike a gravitational rainbow.
So it turns out to be not just a poetic flight of fancy, it may describe something that might actually exist. The Universe is always stranger and more wondrous that we can imagine at any given point in time.
translations of bronze and iron age holy texts
Wait, what do you mean by that? I know Tolkien borrowed a lot from old texts like the Norse and Icelandic sagas, but I have read only the four popular Middle Earth books, and have dipped up to my ankles in Icelandic sagas, so that's as much as I can say for certain.
There's also Beowulf - of which I have read a version, a translation - and the myth of Arthur and Camelot, what I know is what I've seen in Excalibur, which is one of my all-time favorite movies, in my personal Top Twenty to be sure.
But Bronze Age and Iron Age? To put the history of Middle Earth in these terms is blowing my mind a little bit over here, as I have only recently understood the differences between these two surprisingly different eras.
Ancient was ancient and it was all one blurry smudge of names and land and years counted in negative numbers. Then I started to delve a little bit, particularly on YouTube, and it's like the past popped into 3D and in color, in my mind, to suddenly understand the difference between Sumerian and Akkadian, or between the Medic and the Punic wars.
And frankly, I find the Bronze Age to be much more fascinating and compelling, the first great spurt of civilization, suddenly finding itself with time for organized contemplation for the first time, as well as that most astonishing of inventions - writing, allowing the arts, engineering, infrastructure, sciences, etc. to flourish.
The old Greeks themselves codified this concept into their mythologies:
Kronos (Time) + Mnemosyne (Memory) = The Muses (the inspirations of man).
When that memory got transferred to clay tablets or papyrus scrolls, the curve of knowledge started going exponential, more knowledge in ever shorter cycles.
To now realize that there is a similar level of depth perspective in the Silmarillion, is making Middle Earth pop a bit in 3D and in color in my head.
Jackie Coogan
Chan Marshall
Jackie Chan
F U C K !
Sounds like physics in a way, a chaotic and random energy and focusing itself into positive work, creating something with order.
The different ways in which numbers slide up, down, sideways, diagonally.
Is the example in the post part of the fifth type of arithmetic?
- Addition +
- Subtraction -
- Multiplication x
- Division /
- Modulo %
The first time I learned about modulo as its' own branch of arithmetic was long out of school already, I had only hazily heard of it, on a PBS Nova documentary in the 1990s about Fermat's famous theorem and when it was proven after centuries of failed tries.
How many chuckles = one laugh?
It's a fool's errand to try and reason with the rabid right wing.
Reason and facts don't work on someone who lies and cheats with every breath and they know it and relish in it.
The best course of action to take with their bad-faith opinions or arguments on anything is to regard it all as sewer stench and treat it as such.
Speaking of Ridley Scott.
But then in an astute creative move, the sequel was put in the hands of one of the truly best directors working today, in fact it could be said that Dennis Villeneuve is the Ridley Scott of his day. Like Michael Mann has been the John Ford of his day.
Although Villeneuve so far has been a guarantee of quality both in content and presentation, while Scott's erratic career is sprinkled with quite a few mediocre efforts and misfires, like he gets easily distracted, and you can even get a whiff of that in the way he fidgets unnecessarily with his older movies (speaking of Blade Runner) like Lucas did with the Star Wars original trilogy.
But has he heard of Isildur and his bane?
Bane... Brisbane?