jimmycrackcrack

joined 1 year ago
[–] jimmycrackcrack 5 points 1 week ago* (last edited 4 days ago) (1 children)

Did you guys ghost one another or just lose contact? Because I think those are different.

[–] jimmycrackcrack 4 points 1 week ago* (last edited 1 week ago)

The problem with answering that, is that there's no set standard for the appropriate amount of apathy so really however much there is, that's how much there should be and not too little or too much, that's just how apathetic humans are and there's nothing to compare against for judging appropriate levels. Why are we as apathetic as we are? In my opinion it's pretty similar to why climate change is so difficult to address, which makes sense as apathy is one of the biggest stumbling blocks to addressing it. In general, it's more difficult to energise, co-ordinate and sustain collective human effort on a large scale for issues that don't seem immediate, tangible, easily attributable, physically visible and where the solution and action to be taken isn't simple to understand, or the improvement simple to observe and also reasonably short term (or at least promises to be). Long term, society wide projects usually require more than just an appeal to better nature. People caring, people wanting to help each other, people wanting fairness or kindness or just treatment, as innate desires does work to motivate, but I think tends to work on mostly on the smaller scale, when it's for small in-groups, preferably people we've actually met and with immediate social pressures to reinforce these pro-social desires.

Human beings are capable of complex, difficult, awe-inspiring projects for "good" or "bad" but those tend to involve more diffuse motivations and more immediate rewards/incentives where those motivations are their most removed from the original instigators. Some few people involved might be motivated by altruism or something esoteric like an interest in science or a religious belief, but if their goals involve the masses it's usually going to mean filtering their motivation down through stakeholders, to careerists, money makers and then on down to people looking for subsistence and in many cases down to people who are enslaved and don't want to be killed or harmed and so work.

To top all that off there's the more obvious problem of the difficulty in keeping more and more people in bigger and bigger projects all on the same page about what to do, how to do it, or if we even want to do it. If the important issue you're thinking of is for example inequality, it's going to be very hard to get agreement on what that actually is, if that's even a good or bad thing, how we should deal with it or even if we should deal with it and many of the people in this debate will probably be passionate in their position. Complex "important" issues also tend to involve beneficiaries who would somewhat understandably not want to work against their own interests and so shape their environment to the best of their ability such that the easier thing to do is tolerate the issue making the near impossible mountain of getting human beings together for the greater good harder still by design. This theory maybe has some flaws, depending on how you frame the important issue. If for example the important issue were crime, you could argue that for the most part for most people it's fairly easy to get them not to just murder strangers on a whim or for some petty gain, even racists probably walk through an average day surrounded by people of many ethnicities and cultures but don't generally (with notable exceptions) need to be convinced or induced not to physically harm everyone they walk past and this tends to hold true on a larger scale not just the in-groups as I described, but as a rule of thumb, in my view I think this is basically how we operate. How much we care, how much we can muster courage, how much personal risk or resources or energy we can spare for manifesting ideals is usually proportional to the degree of direct impact they have upon us personally, how close we are to the people affected by an issue and how easy it is to identify and rectify the issue and also how long it will take and how often you'll have to act. I think you could probably draw direct, inversely proportional lines on a scale of how much apathy is shown and a declining slope on any of those measures. I suspect this is from our nature and biological origins, but this is not an assertion I can back up rigorously.

Finally, depending on the issue, sometimes it really is rationally better to tolerate an issue where all the solutions are bad and could make things worse. Tends to be difficult to reach consensus on when we're in such a situation.

[–] jimmycrackcrack 1 points 1 week ago

Well if we're here seeing the post and responding...guess

[–] jimmycrackcrack 4 points 1 week ago

That was interesting, it was quite a bit more boring than I expected, I know that sounds glib and immature but it's just when I hear about figures like that whipping people in to a frenzy I kind of assumed there'd be a bit more emotional appeal and a lot more peaks and valleys to the emotional affect. There's definitely times where I see it working, at the very beginning of the clip shortly after the original audio sample it seemed compelling, it's a bit more theory dense than I'd have expected but I guess I tend to forget that that was what he was selling, not just the warmongering he's famous for in English speaking countries.

I think this offered a bit of a window in to what it must have been like, but unfortunately the AI seemed to suffer a bit as time went on, especially accent wise. He started out sounding like a particular variety of English, as in from England in the UK, but with an oddly Australian lilt then briefly dipped in to just Australian without the English then a very long section of being an American which also corresponded to a change in the vocal quality to being more hoarse and broken. I don't know a lot about AI tools but I would wager this might have had to do with limited training data, maybe only that speech itself was used, in fact given the pretty short section at the beginning that said "original audio sample", maybe just that snippet was used to extrapolate the rest of the AI rendition of the rest of the transcribed and translated speech. That would explain why it seems so emotionally homogeneous throughout which probably lessens the charisma that's supposed to have been so famous. Judging by his physicality in that original sample I get the impression that even within the context of raving anger and self righteousness that in reality he imbued his speeches with more variety of tone than we're getting here. It feels like the AI had to do the best it could over a pretty long and dense text of the speech from an audio sample smaller than the resulting output, that might explain the meandering accent too. Also worthy of mention is the part where there's a particularly hard to parse and pretty long sentence that bafflingly leads directly in to a verbatim repetition of that exact same sentence, which definitely sounds like a glitch, I feel possibly like the confusingness of the sentence itself might perhaps be a translation issue as well.

An interesting aspect to me is how the tone and style of the speech, especially in the early section before things start going off the rails feel really reminiscent of an Australian politician called Malcolm Roberts and lo and behold if Hitler had to pick favourites from Australia's current political landscape, I think he'd be making his top ten.

[–] jimmycrackcrack 2 points 1 week ago* (last edited 1 week ago)

I had one once, here in Australia, in a house my family lived in for a few years. It was novelty as I'd never seen one before or since.I seem to recall thinking it was very useful but for some reason, even though there's really no chance of it happening, I always had like intrusive thoughts of sticking my fingers in there. Also my grandpa stayed with us for a little while and he kept throwing nectarine cores in there which it really couldn't handle even though we asked him not to. It also used to make a deafening noise like the awakening of Cthulhu at rhe best of times, hearing it sound like it was about to spectacularly break was really distressing. I don't know how legal it was to have that thing, they just don't seem to exist here in Australia so it was very odd that this place had it.

[–] jimmycrackcrack 1 points 1 week ago

I'm from Australia, I haven't seen them for a long time but around the mid 2000s to early 2010s we had products that were like set-top boxes that were variously referred to as PVRs (personal video recorder) and DVRs (digital video recorder). They had digital TV tuners in them and hard drives and would prebuffer paused TV up to a set amount of time allowing you to skip through ads and pause a show as you describe and they usually had more than one TV tuner in them so you could go through the Electronic Program Guide menu and set it to record another show while you watched or recorded a different one. My parents had one and it was great. I guess growing up with Free to Air TV, the novelty and unusualness of consuming media this way and not having to miss the show to get up for tea or not having to suffer the ads and just hitting fast forward still resonates with me even though now the idea of having to watch stuff on a schedule is becoming a weird and alien limitation that shouldn't be there in the first place. Ironically though now you'd have a tougher time evading the ads in some contexts despite watching almost whatever you want whenever you want.

[–] jimmycrackcrack 3 points 1 week ago (3 children)

DVRs are great. I don't think they're really a thing much anymore, I guess because of the declining popularity of FTA TV. Is this a feature that's built in to your TV or is it a separate DVR? How long have you had it?

[–] jimmycrackcrack 2 points 1 week ago* (last edited 1 week ago)

In circa 2001 we were supposed to visit the website for channel 10, the broadcaster as part of an assignment. I can't actually remember what the assignment was that involved going to this commercial broadcaster's website but I think it was supposed to help learn internet research skills. They took us all up to the library so we could use their computers.

This took place in Australia. Everyone assumed the website was www.ten.com, but at the time it was www.ten.com.au. Also at that time, www.ten.com was a porn site. Godamn that was funny. Cracked me up hearing the librarians hurriedly telling everyone in the rows of computers not to visit that site so of course the few people who typed the correct site to begin with or found it through Google immediately went to www.ten.com to check it out because now if anyone saw them they could just claim to have gotten there via the same honest mistake as everyone else.

[–] jimmycrackcrack 9 points 1 week ago (1 children)

The cost of this and thousands of other pointless assessments by qualified medical professionals probably costs more than people receive in benefits in the first place let alone the cost of a handful of cases of actual fraud.

[–] jimmycrackcrack 1 points 3 weeks ago* (last edited 2 weeks ago) (1 children)

They don't sell that brand in my country so I can't speak for the wrapper but I checked the Wikipedia page for the company and their website. The wiki page doesn't really help with the claim but provides some helpful context for how the company was founded and about Tony himself who you could say did indeed go out and check in his capacity as a broadcaster, though prior to forming this company.

I think it's probably more accurate to say that Tony's puts high standards and systems in place in addition to external certification programs to make it more likely that when they're assured that production in their supply chain doesn't involve slavery, it's more likely to be true. I guess we haven't set a definition for what going out and checking vs taking someone's word for it means here but to the extent that I wondered how exactly they were able to physically go and inspect without endangering themselves the answer seems mostly to be that they don't actually send people from the company to go and check as far as I can see. I think it's worth pointing out as well that they're probably not best viewed as a good manufacturer in contrast to a Fairtrade certified manufacturer because they seem to think those certifications are good and credible and are themselves Fairtrade certified, it's just that according to them that's really only a baseline minimum to try to avoid slavery creeping in to the supply chain. The other steps they take seem to be more around fair practices and traceability to make slavery less likely to occurr and a lot of this depends on their careful selection of partners and the formation of co-ops.

The closest claim I could find that resembles my interpretation of the idea that they go out and check rather than just taking the word of a supplier or external certification body is something they have an article about on their page called Child Labour Monitoring and Remediation System. CLMRS seems to be a set of practices that co-ops that Tony's has partnered with are encouraged to adopt and relies upon volunteers from the community (unclear which community, is that the co-op or the physical area where most members are from?) to go out and inspect so that's pretty close to what you say. Their description of this system is entirely focussed on "families" found to be employing child labour and child labour specifically as opposed to anything else. None of this is a critique of this approach I should say right now, but in terms of the claim of how they go about actively checking for themselves rather than taking the word of others, this approach seems a little more complicated than that and not entirely aligned with that description. It's volunteers from a community not Tony's representatives or employees, and they're specifically focussing on a kind of slavery where such a form of inspection could reasonably be done with any safety where it's household farmers likely using their own children for labour. Their approach to that specific situation is great I should add, and doesn't just cut people loose likely making the problem worse and tries to work with them to eliminate the practice.

Great though they sound and certainly an option I'd consider if I could, I think from my initial research that the fact that the closest thing to your claim is CLMRS and that this is done by the co-op themselves, with verification done by unnoficial volunteers, not Tony's themselves, and that adopting CLMRS seems not to actually be mandatory to become a Tony's partner does I think put the idea that Tony's checks rather than just accepting claims in to a different and more nuanced light.

I will express once more it sounds like to my non-expert ears that they are doing this right and I don't criticise their approach, I'm just clarifying because based on what you said I was imagining people from Tony's making random inspections of cocoa plantations that may have many types of slavery going on (not just child) and which may be run by more sophisticated criminal networks that might violently defend their interests rather than just family run farms.

[–] jimmycrackcrack 3 points 3 weeks ago (3 children)

How do they check this? Seems like a good way to get yourself shot trying to walk in to a covert slave operation to see if it's really a covert slave operation.

 

The confirmation page says the order is confirmed but instead of providing tracking information, it has a button that says 'Download Shop to track package'. Obviously I'm not going to do that, but I do want to track my package.

I thought I could at least click the link to see if somewhere in the chain of steps that would normally follow if one were going to download the app, I might glean the tracking number so I can track the package, but unfortunately, the shop app that I refuse to get on principal because of the shady tactics used to coerce people in to downloading it is even worse than I expected because it can't even scam people competently. The download button is supposed to generate some kind of QR code for you phone. I hoped this QR code might actually have embedded the tracking number in it, in which case I could just grab it that way, but it looks as though the QR code is failing to generate, instead I'm seeing what looks like a heavily zoomed in screencapture of a website with home search trolley and account icons and a sentence partially covered up by a swirly arrow logo. I thought it might have been my browser, but it's the same even on Chrome.

I now can't even use the shop app even if I wanted to, because whether I allow it to be installed on my phone or not, there will be no means I can think of where the tracking number can be transmitted to it so, and because the online store hasn't provided a real tracking number I can't do things the normal way either. Anyone know how to get around this? Or at least force the QR code to actually generate so maybe I can extract something useful from it?

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submitted 5 months ago* (last edited 4 months ago) by jimmycrackcrack to c/googlepixel
 

I'm backing up my photos from a trip to my computer and have just discovered how frustratingly difficult it seems to be to use a computer to make my selection of a single still from the image sequences the Pixel sometimes takes (forget what it calls them).

I know you can you use the photos app but I want to use my computer (a mac). Preview just considers them stills, so it essentially picks one for me (I assume it's the last still in the sequence), that's usually what I want but they take up more space and if I can't choose a different still then it defeats the purpose.

EDIT: As it turns out, Top shot (the Google name for these 'image sequences' I was referring to), doesn't do what I thought it did. I thought it was just fancy burst mode where the shots in the burst are treated as one file on storage, and where the decision to use burst or not is automated with clever 'AI'. That's not totally wrong except that it isn't an 'image' sequence in the sense that I know it. It records a video and a still when you take a top shot. I'm not exactly sure, but I think basically the last frame is a still and everything you see before is a 'video'. The distinction here is that the video is a video in the sense that it isn't comprised of still images in common stills formats nor at the resolution and other capabilities of the pixel's still cameras. The video is a video file recorded in a video format, using a video codec, at a lower resolution, minus HDR and with the compression techniques of video leading basically to just drastically lower quality images. In essence if you use the photos app as intended to select a still from the sequence recorded as a top shot, you can select between 1 photo of the best available quality (depending on your stills settings) and multiple useless video stills of poor quality. This explains why all the posts I found whilst researching my query were from people who wanted to extract a video and a still, which I thought was odd because surely you would want the constituent stills comprising the video with which you could do whatever you wanted including making a video from them for some reason if it floats your boat. Now I realise it's because there is only a video and a still inside the 'MP.jpg' files and they just want to split those 2 elements apart, in fact I think a lot of those asking were trying to split them apart so they could delete the useless video and save space. Not thrilled to learn this. Definitely switching off top shot from now on as it is both useless in almost ever scenario, but also, due to the automated nature of when its used, taking up greatly increased storage space whilst delivering so much less benefit than I had presumed. Icing on the cake, Google apparently introduced this top shot feature some time ago and replaced an existing burst mode that actually worked as one would expect so now I can't invoke an actually useful burst mode on demand when I want it as one would have done in the past because the function... doesn't exist anymore, great!

 

Planning a trip to 2 countries. Want to buy travel insurance for the leg of the trip taking place in the second country, after the first.

As far as I understand, this should be fine, I specify the dates of the trip to the insurance company from the day I arrive in the 2nd country to the day I leave it and if need be I'll be able provide proof that I was there (boarding passes, tickets, passport stamps) if needing to make a claim. I'd also buy the insurance prior to leaving my home country, which I know is important. It all sounds theoretically fine but I'm just worried there's going to be some unexpected gotcha in doing this.

Obviously this will depend on the fine print of my specific chosen insurance and I'm reading through all 100+ pages of it, but nevertheless the ability for this to somehow contravene something in a counterintuitive or unexpected manner even if I don't see it explicitly spelled out worries me given how tricky insurance companies can be and I wondered if this was something generally known to be a problem.

UPDATE: called the insurance company I was considering. They said there was no problem with this, as long as I bought the insurance prior to leaving my home country, which was always the plan anyway. Otherwise, it doesn't matter if the 'journey' as they define it begins after departing from a different country to my home country.

 

Really as similar as possible but I guess the must haves for me are:

  • Dark theme
  • Swipe to type ability (I usually tap but definitely want swiping as well)
  • Searchable emoji's
  • Word suggestions

Nice to have:

  • Text editing tools for moving cursor just one character at a time through button presses
  • Clipboard button
  • Copied text automatically becomes next suggested word the first time the keyboard is invoked after copying the text
  • Suggested next word.
 

I want a still image layer to come on to screen by seemingly having been poured on. This is a 2d image in a 2d composition so it's all flat as if looking straight down at the surface having liquid poured on to it.

I have found a lot of liquid simulation tutorials that seem promising but they tend to look more like fairly realistic drips. What I want is for the image itself to initially become visible in a localised portion of the screen which would represent where the bottom of the stream of liquid poured off-camera from a height initially hits the solid 'surface' which in this case I guess would be the background of the composition and then for there to be disturbances like ripples radiating from this point and in their wake revealing and also displacing the image. I'd then have these ripples calm down and displace the revealed portions of the image less and less until I eventually have a fully revealed still image layer.

The exact mechanics of how this water pouring effect exactly 'reveals' the layer I haven't quite worked out, but I think if I could at least simulate the pouring liquid, ignoring the actual still image that will use this as a transition, I'll at least be part of the way there. The tricky thing is creating that kind of corona effects that you get when pouring liquid first hits a surface with a wavy little crown from which traditional circular ripples begin to radiate out.

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