The film so nice, they podcasted it twice...
Covering the era from The Original Series, to Star Trek: Enterprise, and the films, the franchise is known for celebrating the beauty of exploration and analyzing ethical dilemmas largely based on societal issues.
Interesting - I guess the newer stuff is covered by a separate license.
Why must the lowest-hanging fruit taste so sweet?
I think we have to assume it is - there's kind of an unspoken contract with the writers that any universe containing the trappings of the Mirror Universe must be the Mirror Universe.
And there's certainly precedent for the shows and movies nicking elements from novels and comics. It doesn't have to mean that the works have been "canonized," but it's nice to see them using bits from those stories when it suits them.
I'm no DPS chaser, and the character I used is weirdly weak against Borg for reasons I've never bothered trying to uncover, but I think you could probably complete it more quickly than "Wanted." I'm sure the XP rewards are far smaller, though.
That's probably a good comparison. I don't know whether the final battle is time-gated like those Klingon patrols are, but if they are, it's a much shorter time limit.
Patrol: "Unwanted Guests"
This one is less interesting than "Out of Control" - close a couple portals, fight a few Borgs. Not much to say, really.
Moving forward, I'll probably stick with the TFO - it's not too complicated, and lets us knock out both daily points at once.
It felt similar to the TFO with the multiple shipyards and genocidal Klingon lady.
I've only run it once, but agreed. I did find the geography of the map a little confusing, but I'm sure I'll learn the lay of the land after some more runs through it.
Patrol: "Out of Control"
It's a pretty standard "defeat 5 groups of enemies" patrol, with the added wrinkle of the timed AoE attacks from the Borg. I actually enjoy this mechanic, especially when I'm in a slow-as-shit cruiser like I was when I ran the patrol today.
The story is nothing to write home about, as is usually the case with patrols. Alt-universe Iconians need our protection, blah blah blah.
For a brief moment, I thought maybe the other shoe was going to drop re: the Aetherians, but it was not to be (it also would have been very strange for that to happen in a patrol).
Producer David Richardson said: “This was an absolute treat to work on. The Fugitive Doctor is such a brilliant, head-turning twist in this amazing long-running show we all love, and script editor Robert Valentine and I had such fun making plans.
“Thirteenth Doctor showrunner, Chris Chibnall, very generously gave up his time and met with us on Zoom while we threw around ideas and he gave us some clarifications about this most enigmatic era of Doctor Who. We came out of that meeting elated, full of purpose and sure of our direction.
“Chris told us that Jo was fantastic and a gorgeous person to work with, and he was absolutely right of course – she came into the studio full of joy for the part, always smiling, always brilliant and charismatic. The Fugitive Doctor now has her own audio series – and as the saying goes, it’s about time…”
Okay, I actually think it's pretty cool that Chibnall is taking an active interest in the audio stuff.
CBC has this to add:
Bell Canada Enterprises (BCE Inc.), which owns 37.5 per cent of MLSE, said in a Wednesday press release that the deal is expected to close in mid-2025.
The company said that it is selling its ownership stake to reduce its debt and "support its ongoing transformation" from a telecommunications firm to a tech company.
What the hell are they doing over there?
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Heh, I don't think I agree with either of these takes.
It seems to me like season 1 was very much Michael Chabon's vision - indeed, they've said in interviews that it didn't bear much resemblance to the original pitch that sold Stewart on the series.
I've always felt that Chabon had a lot of great ideas (and to be frank, I still think that first season is the best "Picard" season), but was perhaps too inexperienced to get those ideas implemented in a timely and affordable fashion.
Del Arco not being informed of Hugh's death is a bit of a non-issue, I think - the guy was a guest star, so it wouldn't be right to expect them to treat him like a principal cast member.