Ridge Racer 4 on PlayStation. Such great mechanics. It’s genuine fun.
MisterMoo
Fighting the good fight. “Woman” is no more an adjective than “man” is, and no, people don’t write it that way because of the relatively new incel phenomenon. They write it that way because they’re using the word incorrectly.
Not the most important thing but god I hate this website’s image. “WYEA?” [rock man smiling smugly]
But the cake was chocolate….
Anything that would make a kid today instantly say “ew, that old thing?” is retro to me. That includes everything up through PS2/Gamecube/Xbox to me.
Believe it or not that doesn’t appear to answer the question of what book it is.
Daystrom’s dream comes true.
You had your chance, NYT, and you helped him get elected for clicks. Now I’m not reading your rage-bait bullshit.
People really do end up with the face they deserve.
The Letterboxd reviews are hilarious:
“Like a schizophrenic group therapy session on haldol. Couch lock inducing madness where somebody left the gate to the primate cage open and now all you can do is sit staring with glassy eyes and drool on your chin while you wait to see what insanity will happen next as the chimps run around wildly blasting each other in the face with fire extinguishers filled with springy rubber snakes and soapy bubbles.”
“Truly an unheralded kitchen sink of a movie, constantly just happening at you.”
“Post apocalyptic backdrop. Amazon warriors. A giant dude in a ballerina outfit. A Frankenstein kill bot. A werewolf party. Robotic dudes who spout pop culture references nonstop and multiply when u cut off one of their limbs. Mummified mutants with chainsaws. Protagonists who aren't good or bad but u love em anyway. Nazi punkrockers in weird helmets. Badly choreographed sword fights aplenty. Poisonous gases. Cults. Ohhh and a hairy little monk/cult leader with glowing green eyes and telekinetic abilities...”
“Words aren't enough to describe She. It's not that it's impenetrable or especially hard to follow but the world it establishes seems to reset from scene to scene.”