this post was submitted on 22 Sep 2023
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Alternative Nation: The Fediverse's Alternative and Indie Music Community

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Alternative Nation : The Fediverse's largest alternative and indie music community! All things alternative music, from 80s college rock to today's indie and all the amazing alternative music in between. Welcome home, music nerds!

Some of y'all may remember MTV's Alternative Nation or 120 Minutes, awesome programs & incredible ways to discover #music back in the 80s & 90s...

Welcome, to the Fediverse edition!

🎵🎧🎶

Subscribe, share, & chat!

Share youtube, songwhip, spotify, bandcamp links, music memes, album art, articles, whatever! But avoid links to directly download music (don't want to get Lemmy.world in trouble). Songwhip links always appreciated!

See this post on recs on how to post!

The Golden Rule: Music taste is subjective so don't be a gatekeeping asshole. There's no "bad music", only music you like or don't like.

We Are A Community: So no racism, sexism, homophobia, transphobia, ableism, or spam.

🎵 Let's get lost in the Fediverse's record store together! 🎶

Other Lemmy music communities to explore and support:

Where to find ren:

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[–] [email protected] 3 points 1 year ago

Some interesting sound design. Grungy, though more in a Photoshop collage sense than a Seattle-sound sense. I’ll have to listen to this one more.

I’m reminded slightly of Kero Kero Bonito’s “Time And Place”, though they don’t really sound alike.

[–] [email protected] 2 points 1 year ago (2 children)

This is less interesting to me than her previous album Glitch Princess. This sits more firmly under the alternative rock unbrella unlike Glitch Princess which was experimental glitchy pop.

So maybe check this out if you DIDN'T like her previous album haha

[–] birdpatch 2 points 1 year ago

That’s a change up I wasn’t expecting. I’ll give this a listen, but now I’m almost expecting to be disappointed lol

[–] [email protected] 2 points 1 year ago

Glitch Princess felt awkwardly transitional: them abandoning the Cuushe-esque dreampop aesthetic of Serotonin II and their EPs and setting out for a more direct sound, replacing reverb with distortion, and flirting with PC Music-style hyperpop though shying away from its full maximalism. In Softscars, they seem to have more of a feeling for this sound, whilst also leaning into the 90s grunge/alternative retro aesthetic, à la Beabadoobee.