this post was submitted on 03 Jul 2023
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[CBR] D&D: How To Write & Run An Old-School Dungeon (www.cbr.com)
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[–] [email protected] 7 points 1 year ago* (last edited 1 year ago) (2 children)

That's an apt observation!

I struggled with traps a lot in the past, both as GM and as player, because the "Oops, your forgot to say..." you describe just never felt like an interesting or satisfying outcome, and handling traps speculatively dragged the pace down and distracted a bit from the core of what's fun for my groups.

What opened my eyes was Chris McDowall (of Into the Odd & Electric Bastionland), saying that how one reacts to obvious danger, so to paraphrase: taking decisions on known and open ended problems, is one core element of RPG gameplay. You cannot make useful decisions, if you are missing too much info, otherwise it starts becoming gambling. And this really turned my mind around on using traps. I generally try to follow these recommendations from old-school or old-school adjacent games:

  • Characters generally see signs of traps, if they are not running, distracted, etc. So for example: obvious holes in the wall, prior unlucky adventurer's remains with and obvious appropriate wound, etc.
  • Taken from old-school DnD: traps do not trigger reliably, but only on a 33% or 50% chance.
  • Traps mostly cannot be disarmed by character skill alone, but rather the players should figure a way around it.

And in my experience, this transformed the "Oops, Take 2d6 damage!" into a fun bit of "How do we best get through this hall of spears, without getting skewered?" problem solving.

[–] stick 4 points 1 year ago (1 children)

The Angry GM has a recent article on exactly this!

[–] [email protected] 2 points 1 year ago

Thanks for sharing! I was not aware of The Angry GM, but this article looks pretty well thought out at first glance. Will add it to my reading list!

[–] [email protected] 3 points 1 year ago (1 children)

Yeah, I'm thinking in particular of the way traps and other hazards are handled in Pathfinder 2e. In that, there are two kinds of hazard: Simple and Complex. Simple hazards are the "Oops, take 2d6" variety. Complex hazards basically function like a monster, except they don't necessarily occupy a space. They roll for initiative and on their turn they follow a "routine". Often they end up having some particular trick you need to do in order to circumvent them, so it ends up being about figuring out how to neutralize the hazard before its next turn in initiative rolls around. And the hazard system is also used for things like natural hazards like a thunderstorm, as well as supernatural "haunts" like a library where all the books fly off the shelves to attack you.

[–] [email protected] 3 points 1 year ago* (last edited 1 year ago) (1 children)

That sounds interesting, and an approach I have not seen before. But the increased potential for interaction and reaction here sounds quite interesting - although I am not sure if initiative would slow it down too much for my tastes.

Did you apply these way of approaching traps and hazards in play yourself? What was your experience?

[–] [email protected] 2 points 1 year ago (1 children)

I have at least once. I just started running PF2e fairly recently but there is a complex hazard in the beginner box adventure. It's like a room with a statue that activates when players step on a pressure pad in the room. The statue does a random thing on each of its turns, either attacking a single random creature in the room, attacking all of the creatures on one side of the room (left or right), or attacking every creature in the room. The statue can be disabled by disarming clockwork mechanisms at its base (or by smashing it), and the damage it can do is about 2/3 of a PC's HP in that adventure (note that PF2e kinda assumes PCs go into every encounter fresh; there's lots of out-of-combat healing).

When I ran this encounter recently, the PCs played it in a very interesting way, and it felt a lot more like a combat. They tried different approaches, and eventually figured out how the statue worked enough to circumvent it. But during those first couple rounds where they didn't know what was going on, they had to frantically try things while the statue threatened to kill one of them every time its turn rolled around. They knew they could leave the room at any time, but they also knew that if they could survive one extra turn then it would mean a little bit more time to disarm the statue. It made for a very tense and exciting encounter.

[–] [email protected] 2 points 1 year ago (1 children)

Thanks for the thorough report, sounds like it was quite successful in making an interesting trap.
Now I am interested to check how this hazard is described in the beginner box. I believe I got it in a Humble Bundle once, but I did not take the time to read it.

[–] [email protected] 2 points 1 year ago

No problem! You can also check out this video which goes over the hazard system