Music Theory
A community to discuss the technical workings of music.
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#Rules
1. Stay on topic. All posts must relate to music theory.
2. Civility. Disagreements and discussion are great, but hostility, insults, and so on aren't. Any critiques should be focused on ideas, never on individual users.
3. No homework help on specific assignments. It is against the Academic Honesty Policy of most schools and courses. Our subscribers generally dislike this kind of behavior. Please ask your IRL teacher/tutor for homework help instead. It's important that we get such posts taken down ASAP, so in addition to reporting, please report such posts.
4. Don't make this place annoying. Memes and so forth are fine, but mods reserve the right to remove inappropriate or overposted material.
5. Promotion. Promotion of one's content is allowed, provided it is not excessive or mindless. If you regularly post your content but do not otherwise interact with the community, you will be banned. If you link to something that costs money, you must say so in your post.
#Related communities:
- Composer
- Song-a-Week
- Musicology
- Ethnomusicology
- Historically Informed Performance Practice (HIPP)
- Piano Discussion
- Classical Music
- Jazz
- Harpsichord
Regarding moderation and reporting: https://join-lemmy.org/docs/users/04-moderation.html
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Good take. My knowledge of music theory barely runs beyond what I am interested in as a composer (have forgotten so much, of course) so I don't really have a good way to judge his other theory videos.
The tritone video was one that I was thinking of that I liked and then also his anti-432 video. After that, I am realizing that I don't really watch many of his videos. Very few, actually, so who knows what gems I'm missing out on.
That's definitely a problem. I think he does try to be accurate but when he messes up he doesn't handle it well.