Digital Art

My newest artwork, all made in 3D using Blender and rendered with Cycles (250 samples + denoising), composited with Photoshop. Hope you like it!

caricature made turning off saturation of my monitor. reference photo of paul blanca. a timelapse youtube video here if anyone's interested

https://salmon.atomova.eu/work/xrayvisions

Other variations:

Her Instagram.

https://media.kbin.run/23/ee/23ee632040335f76bed04431a6e3e4192ac86854e68a22f982b698e567e68da2.jpg

Source: Fractured Glitch (by Michal Kváč - ArtStation)

When I found an old sketch of cancelled commission, and tried recreate it, the working progress came over completely in different direction. And after magic experimenting I created this unique piece. It’s a result of random coincidences.

Instagram: www.instagram.com/kvacm/

Twitter: twitter.com/kvacm

ArtStation profile: www.artstation.com/kvacm

RSS Feed: www.artstation.com/kvacm.rss

I won this beautiful art in a raffle. 💙 Please support her if you can!

Not a member, but thought I'd share this for the artists here in case they haven't seen the news.

My latest thingy made in Blender with light post processing done in Photoshop!

cross-posted from: https://lemmy.world/post/6112950

What do you think of this? Do you think it is a good idea and could take off?

https://www.artstation.com/artwork/3dQAlg

An illustration for my work-in-progress novel Sailor for the Second Dusk.
Depicted is the interior of Alazir Station, a space habitat built into the tail of a comet in the Deltauri system, and the last free nation of the Hyades Cluster. Due to the overwhelming presence of water ice in the rock surrounding Alazir's primary centrifuge drum, excess moisture has seeped inside and given the station a distinctly rainy and miserable climate. Nonetheless, Alazir is a city famed for its lively streets steeped in bright neon, casting gaudy rays to mingle with the colourful fabrics of merchant tents, dappled and wavering in a wet and heavy mist which carries every manner of culinary scent high into the cold air.
Source
Personal Website

agraphie

Source

Artists gallery

The second photobash in what I hope will be a series; a bit larger and more visually interesting than the first. I’ve started thinking of these as 'postcards from a solarpunk future.’ They might not show the width and breadth of this world, but nice scenes of what this fictional solarpunk society would consider aspirational, or values worth showing off.

I feel that for a genre/movement with such a focus on intentionality, there’s a lot of AI art setting the tone online, along with a tendency to accept anything that looks partway futuristic and green, even if it’s a massive cityscape or sort of generically utopian. I want to try to pull the visual aspect towards a more lived-in, human future that sets out to show possibilities/options.

My goals for this one were pretty simple: I wanted to show a setting where cars are no longer the priority, and to show that a solarpunk society will embrace new technology and infrastructure where it’s a good use of limited resources (in contrast to the focus on reusing what’s here that I’m trying to include in other images). I also wanted to show that there’s room for more than one solution (and more than one kind of lifestyle) as with the bicyclist towing a kind of traditional-looking wagon.

As with the other photobashes, there are ruins in this scene. One of my overarching goals is to keep these pictures from looking utopian or like some kind of scratch-built future. Things will be messy, resources will be scarce, and tasks will go undone. As in our world, the debris of abandoned projects will pile up around human society, no matter how good its intentions are. I’m pessimistic enough to see bad times ahead, but I want to emphasize in these that that doesn’t mean giving up. For me, that’s a big part of the appeal of solarpunk, that the people in it keep working to mitigate the damage at any level they can access, and will try to rebuild more deliberately, carefully when they can. So these scenes are a little postapoclyptic, with hopefully a more inclusive, vibrant, and colorful society on the other side.

3D showcase here: https://youtu.be/ID7GuyEN7V0

If you look closely this one actually features me in it!

As usual all made in Blender and rendered with Cycles