spitz

joined 11 months ago
[–] [email protected] 2 points 7 months ago

It's still a work in progress. I've got the phonology, most of the basic stock vocabulary, a number system, a list of rules... but it's far from complete. I made some simple sentences and recorded myself saying them, and it sounds a bit like Latin with slight flourishes of English, German, Nordic languages, Greek, Russian, Celtic, Japanese... In writing, it looks sort of like a Welsh Latin. Once I build more vocab and finalise the fiddly grammatical stuff, I can share a bit and explain it.

[–] [email protected] 5 points 7 months ago

I have a weird head haha.

[–] [email protected] 3 points 7 months ago* (last edited 7 months ago)

Hmm. Maybe they were experts at some precursor to quantum physics, and viewed nature itself as 0s and 1s?

That binary conversion made absolutely no sense at all to me, so I'll research it now!

Edit: OK, it's pretty easy once you know how binary progresses. I think this micro-science binary theory might have legs. Thanks for the suggestion!

[–] [email protected] 1 points 7 months ago

I chose quaternary because you have to use decimal for time, weeks, months etc, because it would be a pain in the ass to have to convert everything all the time. So the quaternary system is the "ancient" system they used long ago. But in truth, it's so I don't have to come up with so many names for different numbers haha. I only needed a system that goes to 16 (decimal) so quaternary is a perfect fit in that regard. An example of it in use: the word for rainbow is d'ci'ka. It's a contraction of denci' ("ten-three", or 7) + kaza (color) Thirteen colors. Same process for the word weekend, which is d'ci'mw. Denci' + mw ("one"). 7/1. The 7th and 1st days of the week.

 

Hello.

I am currently inventing a language, and have created a base 4 number system for it. Unfortunately, I am horrible with numbers, even in decimal. So it was a hard slog. But I finally got there.

It would be great if I could know of any practical applications quaternary has (if any), so I can incorporate it into the language and make it more naturalistic. Thanks.

[–] [email protected] 9 points 7 months ago (4 children)

I've had a long period of writer's block, regarding songwriting. So I decided to invent a language, with a backstory of the peoples who spoke it. It's a real challenge but exciting to see a language form right in front of you! And since I've been focusing so hard on the language, I've been writing some really fresh sounding music, and enjoying the songwriting process again. I guess I just needed to stop fussing over the music so much.

[–] [email protected] 4 points 8 months ago

Decided to use base 4 for my conlang. I struggle with math and numbers, and it was an ordeal making several base 10 systems that were, to be honest, cheap knock-offs of existing base 10 systems. So I tried to assign names to each number, and my stupid brain kept dragging me to base 10 and I'd destroy an hours' work. Over and over again. Eventually the pattern jumped out at me and I finally grasped it. I'm mad at myself how long, and how much effort, it took me to understand something so simple. Grr.

[–] [email protected] 2 points 8 months ago

It's vague now because the modern world has become too precise, too complicated. So my language "evolved" to discuss things in a more Zen kind of way. The old language (as I imagine it) was very gutteral and full of sounds most modern day people couldn't pronounce. It evolved to a more modern day sound inventory to assimilate with the modern, technocratic population. It became private because the non-Atlandeans wouldn't approve. Esperanto speakers were executed by the Soviets AND the Nazis, for example. It's a way of keeping hold of their "Zen" lost world, and they don't want it interfered with. So it's not a terribly straightforward process to translate any of it unless you know it fairly well.

Assume you need to back up every statement you make.

Ooh, that's a good one!

Actually, this has all been very helpful. As we say in my language: spaqi! (thanks!).

[–] [email protected] 2 points 8 months ago* (last edited 8 months ago) (2 children)

Well it avoids any technical/hairsplitty nuance. It's intentionally vague, in a way that's actually very expressive. The base vocab is unique to the language ("evolved" that way), and the more nitpicky the words get, the more they resemble pidgin English/German/French/Spanish/Italian. Then it seemlessly fades into English/whatever for technical jargon. It's a sort of "intimate" language, meant for close personal relationships rather than to speak to millions of people.

I had a sort of fantasy idea for the backstory, but I don't know if it's stupid or not. I had the idea of the original Atlantis population survived in some way, a few people maybe. They have bred among themselves and other populations, lived among us in obscurity, hiding in plain sight, for many many years. So this language is their sort of creole, developed as they had to assimilate and learn other languages. The language has become anglified for broad communication (through necessity), but the intimate aspects are still true to their original language.

I'm not good at this stuff. Is that something of a starting point?

Edit: it's also very melodic, and not gutteral. It doesn't have the sounds th, j, r, sh, ks kh (like ch in loch), z, or ae as in cAt). So it sounds kinda like English, Latin, Esperanto, German, French, Italian, Spanish, Greek, Portuguese, Nordic, Irish, Russian, Japanese, Turkish... without really sounding like any of them.

[–] [email protected] 5 points 8 months ago

Hope it works out well for you!

[–] [email protected] 1 points 8 months ago (4 children)

Yes I'm trying to do that but I don't know where to start. My strengths are linguistics and music, not storytelling. It's a skill I have to find a way to develop. Maybe it just takes time.

[–] [email protected] 6 points 8 months ago

My brain is melted from working on the patois I'm making. It's coming along nicely, but it's amazingly hard to make it all fit together.

[–] [email protected] 6 points 8 months ago

Wealth and fame are like alcohol: they don't make you happy. They can only augment happiness that's already there. If someone isn't happy before getting drunk, they don't become a "happy drunk".

 

Hi all.

I'm making great progress on a language I'm constructing, and it occurred to me that I should build a sort of fictional world, for the language to "grow" in, if that makes sense. I have the name of the language, the name of the "country", the flag design... but I'm having trouble with everything else haha. Any help appreciated!

 

These are the two options for web apps on the Telegram website. Is there any real difference between the two?

 

From what I can tell, the only way is to scroll back through the channel and locate each message you've sent individually. That's a pain in the ass. Is there a way to find them in one place?

 

The movie was about gangs, and near the end of the movie, a lot of people die in a warehouse. Sorry I can't remember more. It was years ago.

The song was (I'm pretty sure) called Wildflower (the Chinese word for wildflower). It had a female singer, and sparse acoustic guitar accomplishment. It was a solemn sounding song.

I'd love to hear it again, if I can find it.

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submitted 8 months ago* (last edited 8 months ago) by [email protected] to c/song_i_love
 

I loved a lot of Trent's early stuff. Then he went to rehab, sobered up, and his music changed. This was one of the first indications I had of his changing style. A lot of fans didn't like it, but I think his songs became much more focused (especially lyrically). And thematically, this song will never not be relevant.

 

This song had a really big impact on me when it first came out. Sadly, it just seems to become more and more relevant as time goes on.

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Flobots - Handlebars (m.youtube.com)
submitted 8 months ago* (last edited 8 months ago) by [email protected] to c/[email protected]
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submitted 9 months ago* (last edited 8 months ago) by [email protected] to c/song_i_love
 

I hated this piece as a child. I was a fan of the "German school" of composers: strong functional harmony. Sections of music have to resolve tightly and correctly. So when I heard Clair De Lune, it sounded to me like a cat rolling around on the piano keys.

Then a few months ago, I heard it on the radio. It suddenly made sense. After years of training my ear with contemporary modal music, full of "weak" cadences, I was better able to understand this Debussy piece. The notes float, linger. The chords keep it grounded and add some tension. And of course, that section with the bubbling arpeggio chords is otherworldly.

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