flux

joined 1 year ago
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[–] flux 7 points 1 day ago* (last edited 1 day ago)

I just realized that the most obvious choice for new players is Stardew Valley. I never really thought about it. Even newer Mario or Minecraft could be a barrier. Controlling cameras can be confusing and difficult for newer players. Stardew doesn't require you to be good at twin stick mechanics (although that is used for the slingshot if you want to do that). It gives you lots of encouragement and is very straightforward with missions. The screen is never cluttered with junk or pop-ups. It gets more complex as you progress but you'll never be "stuck". The fishing and fighting games teaches how to use button control and timing. Everything feels rewarding like you are making progress. Not to mention it's pretty universally loved and will run on almost any PC and is available on all consoles or tablet or mobile devices

[–] flux 2 points 1 week ago

Oh I know. But minor threat and black flag used to have these neoNazis show up at their shows. I think he acknowledged that once he realized they wanted to use his frustration for oppression they stopped playing it. I think it was in, "this band could be your life". Much like X hating the fans who cheered on "Johnny hit and run Pauline" from "decline of the western civilization". It's crazy how people twist things.

[–] flux 8 points 1 week ago

For some of us. Yes the game is incredible. The detail to menus, maps, management and playing control is very very good. Now I won't try and change any minds. The game is very "slow" and isolating but it's an entirely different mood than most games. It's like the film 2001. It can be a slow methodical well crafted movie but maybe not as exciting as say Star Wars. Kojima games always seem to take 10-20+ hours to "get momentum" but I've always enjoyed them.

[–] flux 4 points 1 week ago

Yah I think you are right. More articles that suggest Kojima just had a 5 year deal with Sony. I could see them negotiating IP rights if sales aren't met or something else. Just glad they own it. Must feel good. "On November 9, 2024, the five-year anniversary of the game's launch on PlayStation 4, Kojima Productions announced that they had re-acquired the intellectual property (IP) rights to Death Stranding from Sony Interactive Entertainment, and that they had planned to bring the game to additional platforms, coinciding with the immediate launch of Director's Cut on the Microsoft Store for Windows, Xbox Series X/S consoles, and the Amazon Luna cloud gaming service."

[–] flux 14 points 1 week ago (2 children)

This article is so confusing. Pretty sure Kojima productions always owned the game/ip. Sony was first to publish then 505 for PC versions. I very much doubt they handed any IP over to Sony or 505 games except to publish on platforms most likely they had a clause they couldn't do anything with the IP to interfere with the publisher sales like a movie, etc. The contract for 505/Sony to death standing most likely expired and now Kojima has other options for what to do with the series. This might be splitting hairs but I think it important to point out Kojima is not going to give any creative IPs away ever again to shitty companies that want to bastardize his ideas.

[–] flux 3 points 1 week ago (1 children)

Sure but I think it is less immediate. In music we have to make a decision if they are speaking about themselves nonfiction or fiction and in a book or movie we assume they are creating fictional character.

[–] flux 9 points 1 week ago (5 children)

I think it's really interesting how people interpret music completely different than other forms of art. People sometimes assume the worst instead of realizing that the singer is speaking from another perspective. So for example if a writer has a first person perspective of a killer/rapist you wouldn't make an association that the author is anything of the sort. But if they wrote a song and sang it then people would question if they really felt that way. Polly is a great example. By many accounts (Kathleen Hanna , Kim Gordon) Cobain championed feminism and woman's rights but the lyrics of Polly are brutal and from the perpetrator view. Randy Newman's - Rednecks is a tough one to listen to. You can understand how it is trying to point out ignorance and racism like Blazing Saddles but it's sung in first person and should never be played in a public setting. Oingo Bongo's - Little Girs was always a bit creepy now seems to age poorly the more time has gone on. Minor Threat - Guilty of being white is a tough listen because you know racist people think this is a rallying cry instead of the emotionly reaction from a a teenage kid who was bullied in highschool for being white.

[–] flux 45 points 3 weeks ago* (last edited 3 weeks ago)

"A lot of people say, 'Why did that woman wait 30 years?' I'm like, fuck off, they didn't wait 30 years. No one was listening" - Alanis Morissette.

[–] flux 3 points 3 weeks ago (1 children)

No. This was plenty. Thank you. The NMS community seems pretty great just from reading everyones responses here.

[–] flux 2 points 3 weeks ago

So good to hear. Love single player offline games.

[–] flux 1 points 3 weeks ago
[–] flux 2 points 3 weeks ago (3 children)

This is amazing info thank you!

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submitted 5 months ago* (last edited 5 months ago) by flux to c/vinyl
 

Thought people might want to know it's the 30th anniversary and Aphex Twin is releasing SELECTED AMBIENT WORKS VOLUME II LIMITED* BOX SET | VINYL | CASSETTE | CD *box set pre-order window open until 24th June, 10am BST https://aphextwin.warp.net/ $50 seems ok for a 4LP pre-order

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

official - listen - discogs - Bandcamp - wiki

PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless is the 24th studio album by Australian rock band King Gizzard & the Lizard Wizard, released on 16 June 2023. A return to hard rock and metal previously explored on 2019 Infest the Rats' Nest.

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

Hello. I'm hoping this will turn into a great place to discuss albums and maybe find some new favorites.

template for posting for me is the following

URL: upload or find and image of the original cover discogs or wiki link will do. It has to have an image link address like https://image.jpg or it won't show as a preview.

Title: Artist - Album (release year)

Body: [official](https://) - [listen](https://songwhip.com/) - [discogs](https://www.discogs.com/) - [wiki](https://www.wikipedia.org/)

Summary of the album

Optional: track listing, other links, other details, personal stories, reviews, additional images of album or alternate covers

Lets have fun!

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

official - listen - discogs - wiki

Tom Waits continues his transition that was started in Swordfishtrombones with his 9th outing Rain Dogs in 1985. Some call it his best work and a pivotal move from the singer songwriter’s previous material before he leans into the cathartic carnival barker of bone machine and beyond. A loose concept album about "the urban dispossessed" of New York City, Rain Dogs is generally considered the middle album of a trilogy that includes Swordfishtrombones and Franks Wild Years.

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

official - listen - discogs - wiki

The Jesus and Mary Chain’s debut album, Psychocandy, is considered to be one of the most influential albums of all time. Released in 1985, the album helped to define the shoegaze genre, characterized by its use of distorted guitars, feedback, and lush melodies. Surprisingly Psychocandy was a critical and commercial success upon its release. It reached number 31 on the UK Albums Chart and was certified Gold by the BPI. It is now considered to be one of the most important albums of the 1980s alternative rock / noise rock / indie rock scene.

 

Psychonauts was always one of those games I was meaning to play ever since it came out. I've played most of the double fine titles but I started it and it didn't instantly click so I put it down and never got back to it. The second one came out and I thought alright time to go for it. Wow! What a debut from double fine! Clever and fun mechanics, well defined characters, engaging story and actually laugh out loud moments! If you have kids the game dialogue is snappy like a Pixar movie. I made it to the tower and just can't wait to see what happens next. There are a few small things like camera angles or controls that can be a little frustrating after all it's almost a 20 year old game but if do yourself a favor and grab it for $2 on steam or Xbox store right now if you think you might like it. I've already got #2 in the queue.

steam Xbox

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

official - listen - discogs - wiki

Strange Cargo 3 is the third album in William Orbit's Strange Cargo series. It was released in 1992 and features a mix of electronica, ambient, and world music. The album was a critical and commercial success, reaching number 12 in the UK charts.

The album's title is a reference to the cargo cult phenomenon, which is a belief that by imitating the actions of technologically advanced cultures, one can achieve similar results. Orbit has said that he was inspired by the cargo cult phenomenon, and he wanted to create an album that was a "cargo cult of electronica."

The album features a variety of guest musicians, including Beth Orton, Divine Bashim, and Jah Wobble. The album also features a number of unusual instruments, such as the theremin, the sitar, and the kora.

discogs

 

Listen: https://songwhip.com/the-boo-radleys/giantsteps

Giant Steps is the third studio album by the Boo Radleys, released in 1993 on Creation records. The title is inspired by John Coltrane's album of the same name, and the record features an assortment of influences — their previous shoegazing sound backed by pop, reggae, noise pop and orchestral sounds.

  1. "I Hang Suspended" 3:57
  2. "Upon 9th and Fairchild" 4:50
  3. "Wish I Was Skinny" 3:37
  4. "Leaves and Sand" 4:25
  5. "Butterfly McQueen" 3:28
  6. "Rodney King (Song for Lenny Bruce)" 2:45
  7. "Thinking of Ways" 3:48
  8. "Barney (...and Me)" 4:42
  9. "Spun Around" 2:31
  10. "If You Want It, Take It" 2:47
  11. "Best Lose the Fear" 4:12
  12. "Take the Time Around" 4:07
  13. "Lazarus" 4:38
  14. "One Is For" 1:36
  15. "Run My Way Runway" 2:20
  16. "I've Lost The Reason" 5:17
  17. "The White Noise Revisited"

Discogs

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

Listen: https://songwhip.com/kate-bush/hounds-of-love-1985

Hounds of Love is the fifth studio album by English singer-songwriter Kate Bush, released on 16 September 1985 by EMI Records. It was a commercial success and marked a return to the public eye for Bush after the relatively low sales of her previous album, 1982's The Dreaming. The album's lead single, "Running Up That Hill (A Deal with God)", became one of Bush's biggest hits, reaching number 3 in the UK upon release and later giving Bush her second number 1 UK single in June 2022. The album's first side produced three further singles, "Cloudbusting", "Hounds of Love", and "The Big Sky".

The album was a critical and commercial success, and is considered one of Bush's best albums. It has been praised for its innovative production, Bush's vocal performances, and its exploration of themes such as love, loss, and the natural world. In 2011, Hounds of Love was ranked number 22 on Q magazine's list of the "50 Best Albums of the 1980s". In 2012, it was voted number 28 on Rolling Stone magazine's list of the "500 Greatest Albums of All Time".

The album is divided into two halves: the first side, "Hounds of Love", is a rock-oriented concept album about a woman who escapes from her suburban life and embarks on a journey of self-discovery. The second side, "The Ninth Wave", is a more atmospheric and experimental piece that tells the story of a woman who is shipwrecked and stranded at sea.

Hounds of Love is a highly ambitious and eclectic album that showcases Bush's wide range of musical and artistic talents. It is a landmark album in her career and one of the most important albums of the 1980s.

Side one: Hounds of Love

  1. "Running Up That Hill (A Deal with God)" 5:03
  2. "Hounds of Love" 3:02
  3. "The Big Sky" 4:41
  4. "Mother Stands for Comfort" 3:07
  5. "Cloudbusting" 5:10
    Side two: The Ninth Wave
  6. "And Dream of Sheep" 2:45
  7. "Under Ice" 2:21
  8. "Waking the Witch" 4:18
  9. "Watching You Without Me" 4:06
  10. "Jig of Life" 4:04
  11. "Hello Earth" 6:13
  12. "The Morning Fog"

Discogs: https://www.discogs.com/master/28680-Kate-Bush-Hounds-Of-Love

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

Listen: https://songwhip.com/janelle-monae/the-age-of-pleasure

Fourth studio album by American musician Janelle Monáe, released on June 9, 2023, on Atlantic Records. The Age of Pleasure, is a celebration of all things sensual and joyful. The album is a departure from Monáe's previous work, which often explored themes of oppression and resistance. On The Age of Pleasure, Monáe is free to express her love of life and all that it has to offer.

  1. “Float” Feat. Seun Kuti And Egypt 80
  2. “Champagne Shit”
  3. “Black Sugar Beach”
  4. “Phenomenal” Feat. Doechii
  5. “Haute”
  6. “Ooh La La” Feat. Grace Jones
  7. “Lipstick Lover”
  8. “The Rush” Feat. Amaarae and Nia Long
  9. “The French 75” Feat. Sister Nancy
  10. “Water Slide”
  11. “Know Better” Feat. CKay
  12. “Paid In Pleasure”
  13. “Only Have Eyes 42”
  14. “A Dry Red”

Discogs: https://www.discogs.com/master/3126717-Janelle-Mon%C3%A1e-The-Age-Of-Pleasure-

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submitted 1 year ago* (last edited 1 year ago) by flux to c/albums
 

Listen: https://songwhip.com/motorhead/ace-of-spades-1980

In honor of the new platform I figure we start off with a classic. The Fourth studio album by British rock band Motörhead, released in October 1980 via Bronze Records. It is the band's most commercially successful album, peaking at number four on the UK Albums Chart and reaching gold status in the UK by March 1981.

Side A

  1. "Ace of Spades" 2:48
  2. "Love Me Like a Reptile" 3:23
  3. "Shoot You in the Back" 2:39
  4. "Live to Win" 3:37
  5. "Fast and Loose" 3:23
  6. "(We Are) the Road Crew" 3:13 Side B
  7. "Fire, Fire" 2:44
  8. "Jailbait" 3:33
  9. "Dance" 2:38
  10. "Bite the Bullet" 1:38
  11. "The Chase Is Better Than the Catch" 4:18
  12. "The Hammer"

Buy: https://www.discogs.com/master/38512-Mot%C3%B6rhead-Ace-Of-Spades

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