Sasquatch

joined 1 year ago
 

Planet of the Apes is a 1968 American science fiction film directed by Franklin J. Schaffner from a screenplay by Michael Wilson and Rod Serling, loosely based on the 1963 novel by Pierre Boulle. The film stars Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly, and Linda Harrison. In the film, an astronaut crew crash-lands on a strange planet in the distant future. Although the planet appears desolate at first, the surviving crew members stumble upon a society in which apes have evolved into creatures with human-like intelligence and speech. The apes have assumed the role of the dominant species and humans are mute creatures wearing animal skins.

The outline Planet of the Apes script, originally written by Serling, underwent many rewrites before filming eventually began.[3] Directors J. Lee Thompson and Blake Edwards were approached, but the film's producer Arthur P. Jacobs, upon the recommendation of Heston, chose Franklin J. Schaffner to direct the film. Schaffner's changes included an ape society less advanced—and therefore less expensive to depict—than that of the original novel.[4] Filming took place between May 21 and August 10, 1967, in California, Utah, and Arizona, with desert sequences shot in and around Lake Powell, Glen Canyon National Recreation Area. The film's final "closed" cost was $5.8 million.

Planet of the Apes premiered on February 8, 1968, at the Capitol Theatre in New York City, and was released in the United States on April 3, by 20th Century-Fox. The film was a box-office hit, earning a lifetime domestic gross of $33.3 million.[2] It was groundbreaking for its prosthetic makeup techniques by artist John Chambers[5] and was well received by audiences and critics, being nominated for Best Costume Design and Best Original Score at the 41st Academy Awards, and winning an honorary Academy Award for Chambers. In 2001, Planet of the Apes was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[6][7]

Planet of the Apes' success launched a franchise,[8] including four sequels, as well as a television series, animated series, comic books, and various merchandising. In particular, Roddy McDowall had a long-running relationship with the franchise, appearing in four of the original five films (he was absent from the second film, Beneath the Planet of the Apes, in which he was replaced by David Watson in the role of Cornelius) and also in the television series. The original film series was followed by Tim Burton's remake of the same name in 2001 and a reboot series, which began with Rise of the Planet of the Apes in 2011.

Wikipedia


I dig this movie because it's pretty close to what happened when the Sasquatch Confederacy decided to send out a interdimensional scouting party to Earth after the Middle Miocene. As a species with considerably more longevity and dimensional acumen than yours, we found it best to ride out extinction events in other climes.

On our return, we found that the rat-lemurs were running the show, and, as current events demonstrate - trashing the place. It's one of the reasons we don't visit here much anymore. You're just not good at playing with others, and you're terrible hosts.

[–] [email protected] 1 points 1 year ago (4 children)

Yeah, I'm down. Best for me to get outta town for a while before @Flip finds out I skipped out on the cage match. Turns out there were some personal complications involved I hadn't anticipated.

Came prepared though, got some amazing 'shrooms from the Valley of Fire for the road.

2
submitted 1 year ago* (last edited 1 year ago) by [email protected] to c/[email protected]
 

Before entering the Valley of Fire, after passing through the Doors of Perception, at 31 seconds, I felt that I was in this long dark tunnel. With a very very bright light at the end, so brilliant, it was more brilliant than the sun...

Valley of the Shadows

 

Painted Rock is located on the Tule River Indian Reservation, above Porterville, in the Sierra Nevada foothills of central California. This site, also known as CA-TUL-19, is a rockshelter associated with a Native American Yokuts village. The site, located immediately adjacent to the Tule River, includes bedrock mortars, pitted boulders, midden and pictographs. The pictographs are located within the rockshelter, and are painted on the ceiling and walls of the shelter. The pictographs include paintings of a male, female, and child Bigfoot (known as the family), coyote, beaver, bear, frog, caterpillar, centipede, humans, eagle, condor, lizard and various lines, circles, and other geometric designs. The paintings are in red, black, white, and yellow.

This rock art site is unique; not only because it contains a Bigfoot pictograph, but also because of the traditional Native American stories that accompany it. There are no other known creation stories involving a Bigfoot-like creature in California. As far as can be determined, there are no Bigfoot creation stories anywhere else in the west. There is also no evidence of any other Bigfoot pictographs. Most states, including California, keep a database of all recorded sites located on federal, state, county, city, or private land. Based on that information, there is no other known Bigfoot pictographs or petroglyphs anywhere in California, Washington, Oregon, Nevada, or Idaho.

This paper will describe the rock art, the known history of the site, the traditional Yokuts Hairy Man stories, and the association of the rock art with other Penutian language groups.

Pictograph Description
The most dominant pictograph at Painted Rock is that of the Hairy Man, also known as Mayak datat (mi!yak datr!atr!) or sunsunut (shoonshoonootr!). Hairy Man measures 2.6 meters high by 1.9 meters wide, and is red, black, and white. The picture represents an 8.5-foot high, two-legged creature, with its arms spread out to six feet wide. It has what appears to be long hair and large haunting eyes (Figure 5). The Yokuts identify the lines coming from the eyes as tears (because Hairy Man is sad according to their creation story). The pictograph is in very poor condition due to weathering and vandalism. A Hairy Man petroglyph is present at the site as well. Petroglyphs are very rare in the Sierras.

Probably the most unusual feature of this site is the presence of an entire Bigfoot family. Besides the male Hairy Man, there are also a female and child "bigfoot." The mother is 1.8 meters high by 1.2 meters wide, and is solely red. The painting represents a 6-foot high, two-legged creature with her arms open. She has five fingers and little other detail. Immediately adjacent to her, and directly under her right hand, is her child. The child measures 1.2 meters high by 1 meter wide and is also solely red. The painting represents a 4-foot high, two-legged creature with small arms and five fingers. The figure has an unusually rounded head, suggestive of a sagittal crest.

Clewlow (1978) estimated that the paintings were made around A.D. 500, but could be as old as A.D. 1 or as young as AD. 1200 (2000 to 700 years old). Latta (1949) noted that year-round occupied villages were placed at important places, either where paintings were or at some place where Indian ceremonies were performed. Archaeologically, the village at Painted Rock was occupied in the late prehistoric, around 500 years ago. Since it is believed that the paintings were present prior to the village, the paintings are likely 500-1000 years old.

Ethnographic History of Painted Rock
The Yokuts Tribe occupied the San Joaquin Valley and foothills of California (Figure 10). The band of the Yokuts that lived at Painted Rock were called the O-ching'-i-ta, meaning the "People of Painted Rock". A village at Painted Rock was called Uchiyingetau, which means "markings." Painted Rock itself was called Hocheu (Powers 1877).

The Tule River Indian Reservation was established in 1873 on 54,116 acres. The reservation lands are heavily timbered and include several Giant Sequoia Groves. The reservation is surrounded by thousands of acres of national forest system lands. It is rare for an Indian tribe to own a site they believe they were created at, and records seem to imply that the location of the reservation was chosen to incorporate Painted Rock for that reason.

Painted Rock is first described by Mallery in 1889. Mallery (1889) stated that the paintings were "famous and well-known in the area." He described the paintings as created by being pecked, painted, and then pecked again to ensure a "long lasting effect." Mallery also described the Coyote Eating the Moon, and a large bear-like creature covering one wall. He stated that the locals called the creature, "Hairy Man." Steward noted the paintings in 1929, and stated that a Tribal elder, living at the location in 1900, had identified the large painting as the "Hairy Man."

Latta (1949) detailed the site by stating: "The Indians readily recognize the characters which represent animals, but they offer no other explanation for the geometrical designs and line drawings than to give the Indian name for circle, triangle, square or other common figures. They do identify drawings of. . . a few mythological characters" such as Hairy Man and the Coyote Eating the Moon.

No explanation of what the Yokuts or researchers thought "Hairy Man" was is provided in these early references. Everyone seemed to understand that "Hairy Man" meant just that, "Hairy Man." This is in direct contrast with the Coyote Eating the Moon. A great deal of effort by researchers was spent on trying to identify the reason Coyote was Eating the Moon, and what humans did to deserve such a fate. Latta (1936) stated that he thought Hairy Man was maybe related to the "Giant of Ah-wah-Nee" stories, but that idea was not accepted.

Finally, in 1973, Hairy Man was associated with the "white" term of "Big Foot" and since then, it has been accepted that Hairy Man and Bigfoot are and have always been the same creature. Johnstone (1975) noted that Hairy Man had always been described by the Yokuts as "a creature that was like a great big giant with long, shaggy hair" and since Bigfoot also meets that description, the two are the same.

Traditional Stories
Gayton (1976:89) was one of the main ethnographers of the Yokuts. She studied their traditional stories and came to the following conclusion:

The prehuman era was that of a world created and occupied by birds and animals of superanimal and superhuman powers. To Eagle, with his bird and animal assistants and companions, was attributed the building of the world, the institution of certain cultural, social, and physical features of man and his way of life. This prehistoric period, described in a fairly full but not elaborately detailed stock of stories, came to an end with the creation of mankind by Eagle and the subsequent transformation of these bird-and-animal people into their present known forms. All this happened beyond the memory of man, but the past continued into the present in the immediate ubiquity of the animals themselves. Beliefs about them were being constantly reinforced by daily happenings in the circumjacent wilds.

Simplified, this means that when the Yokuts observed animal behavior in the wild, they incorporated those observations into their traditional stories. The more they observed, the most elaborate the stories and details. Following are several examples of traditional stories, collected by the author unless otherwise noted, and the observed animal behavior represented in the story.

How People Were Made
All the birds and animals of the mountains went to Hocheu to make People. Eagle, chief of all the animals, asked each animal how they wanted People to be. Each animal took a turn and said what they had to say.

Fish said, "People should know how to swim, like me, so let them be able to hold their breath and swim very deep."

Hummingbird said, "People should be fast, like me, so let them have good feet and endurance."

Eagle said, "People should be wise, wiser than me, so People will help animals and take care of the Earth."

Turtle said, "People should be able to protect themselves, like me, so lets give them courage and strength."

Lizard said, "People should have fingers, like me, so that People can make baskets, bows and arrows."

Owl said, "People should be good hunters, like me, so give them knowledge and cunning."

Condor said, "People should be different from us, so give them hair, not feathers or fur to keep warm."

Then Coyote said, "People should be just like me, because I am smart and tricky, so have them walk on all fours."

Hairy Man, who had not said anything yet, shook his head and said, "No, People should walk on two legs, like me."

All the other animals agreed with Hairy Man, and Coyote became very angry. He challenged Hairy Man to a race, and they agreed who ever won could decide how People should walk.

They gathered at the waterfall, below Hocheu, to begin the race. Coyote started and took a shortcut. Hairy Man was wiser than Coyote and knew that Coyote would cheat to win and People would have to walk on all fours, so Hairy Man stayed behind and helped Eagle, Condor, and the others to make People. They went back to the rock and drew People, on two legs, on the ground. The animals breathed on them, and People came out of the ground. Hairy Man was very pleased and went to People, but when they saw Hairy Man, they were scared and ran away. That made Hairy Man sad. When Coyote came back and saw what they had done, he was very angry and drew himself on the rock eating the moon (he is called Su! Su! Na). All the other animals drew their pictures on the rock as well, so People would remember them. Hairy Man was sad because People were afraid of him, so he drew himself sad. That is why Hairy Man's picture is crying to this day. That is how people were made.

Hairy Man is described in this story as human-like; he walked on two legs and gave that gift to humans. Hairy Man was also smart enough to trick the cunning coyote in order to get his own way.

Humans, however, quickly populated the earth and occupied the same spaces the animals once did. Here is a story that documents those events:

When People Took Over
People spread out all over the mountains, taking all the land and eating all the food. Animals didn't have anyplace to go. Eagle, chief of all the animals, told the animals that they could not remain in their traditional places, because people had taken them. He asked them where they wished to go.

Eagle said, "What are you going to become? What will you be? I myself am going to fly high up in the air and live on squirrels and sometimes on deer."

Hairy Man said, "I will go live among the big trees (Giant Sequoias) and hunt only at night when people are asleep."

Dog said, "I will stay with people and be their friend, I will follow them, and perhaps I will get something to eat in that way."

Buzzard said, "When something dies I will smell it. I will go there and eat it."

Crow said, "When I see something lying dead, I will pick out its eyes."

Coyote said, "I will go about killing grasshoppers. That is how I will live."

Hummingbird said, "I will go to the flowers and get my food from them."

Condor said, "I will not stay here. I will go far off into the mountains. Perhaps I will find something to eat there."

Woodpecker said, "I will get acorns and make holes in the trees [to store them in]."

Bluejay said, "I am going to make trees grow over the hills. I will work."

Rat said, "I will go where there are old trees and make my house in them."

Mouse said, "I will run here, there, and everywhere. I shall have holes, and perhaps I can live in that way."

Trout said, "I will live in the water and perhaps I can find something to eat there."

That was the time when animals stopped being like us and scattered.

This story clearly illustrates that Bigfoot was thought to be nocturnal and mainly stayed in Giant Sequoia groves or forests. His intent was not to come into contact with humans and would only go outside when they were asleep. Since Gayton (1976) already stated that Yokuts stories about animals involved real observed behaviors, and all the behaviors attributed to the other animals in this story are consistent with what we know about those animals, it is logical to assume that Yokuts directly observed Bigfoot behavior and incorporated that behavior into this story.

Hairy Man also appears to have some known behaviors that resulted in Yokuts women changing how they preformed work. Here is one story:

Food Stealing
In the old days, women learned never to leave their acorn meal unattended. They would spend all day pounding on the big rocks near the river, making the acorn meal, and then take it down to the river to leech it. They would then leave it in the sun to dry, but they would come back and it would be gone. They would find big footprints in the sand where they left the meal and they would know that Hairy Man took it. He likes Indian food and knows to wait until the acorn is leeched of its bitterness before taking it. We always wondered if he liked the sound of women pounding acorn and knew when to come and get food.

The importance of a Bigfoot being attracted to the sound of acorn pounding should not be missed here. Again, this is likely an observed Bigfoot behavior incorporated into a traditional story. It may also help explain some behavior attributed to Bigfoot now, such as wood pounding as it may be an attempt by a Bigfoot to emulate a sound heard so often in prehistoric times. It is also worth note that an indirect observation was that the Bigfoot was smart enough to know that pounding meant food, and to wait until the food was ready to eat before stealing it.

Hairy Man appears to have a spiritual or religious aspect as well. Kroeber (1925) noted that animals could be totems to various Yokuts bands. Hairy Man, however, was never a totem, because by this time, he was viewed as a monster. According to tribal elders, doctors or shamans with supernatural powers, called Tip'-ne, could own Hairy Man, and use him as a bringer of dreams. A Hairy Man Shaman would create an amulet of his power animal and swallow it to keep in his body. Hairy Man Shamans are extremely rare and very unusual in Yokuts culture. There is only one brief story that elders had of this type of Shaman and it involved Hairy Man coming to a house, throwing off his hair, becoming a man, and offering a healing power to the Shaman. Hairy Man insisted that the power he gave the Shaman could only be used to cure and not to kill.

This is a very sensitive issue, and further details about what kind of powers the Shaman would receive from Hairy Man could not be obtained from tribal elders. It is very likely that since this type of doctor is very rare, no one knows what powers are associated with a Hairy Man Shaman.

It is not likely that a Yokuts directly observed a Bigfoot giving a Shaman magical power. To really understand what behaviors were indeed observed, we would have to know more about what powers were conveyed to the Shaman. Typically, Medicine Men possess great strength or endurance and that is likely observed Bigfoot behavior incorporated into this story.

Lastly, Hairy Man has an "evil" aspect to him. Latta (1949) was told that the life-sized character at Painted Rock was a bad spirit. It is unclear, however, if the informant meant Hairy Man or Coyote Eating the Moon. While doing research with Tribal elders many years ago, I was often told that while on the reservation, I should never go outside if I heard whistling. When asked why, I was told that Hairy Man used whistling to lure Indians out into the night for various bad reasons. The details on what Hairy Man would do to someone going outside is unknown. Here is a story detailing Hairy Man's "bad" side. This story is taken from Johnstone (1975).

Bigfoot, The Hairy Man
Big Foot was a creature that was like a great big giant with long, shaggy hair. His long shaggy hair made him look like a big animal. He was good in a way, because he ate the animals that might harm people. He kept the Grizzly Bear, Mountain Lion, Wolf, and other larger animals away. During hot summer nights all the animals would come out together down from the hills to drink out of the Tule River. Big Foot liked to catch animals down by the river. He would eat them up bones and all.

It was pleasant and cool down by the river on hot summer nights. That is when grown ups liked to take a swim. Even though people feared that Big Foot, the hairy man, might come to the river, people still liked to take a swim at night.

Parents always warned their children, "Don't go near the river at night. You may run into Big Foot."

Now Big Foot usually eats animals, but parents said, "If he can't find any animals and he is very hungry, he will eat you. Big Foot, the hairy man, doesn't leave a speck or trace. He eats you up bones and all. We won't know where you have gone or what has happened to you."

Some people say Big Foot, the hairy man, still roams around the hills near Tule River. He comes along the trail at night and scares a lot of people. When you hear him you know it is something very big because he makes a big sound, not a little sound.

Children are cautioned not to make fun of his picture on the painted rock or play around that place because he would hear you and come after you.

Parents warned their children, "You are going to meet him on the road if you stay out too late at night." The children have learned always to come home early.

The observed behavior here is that Bigfoot was nocturnal, ate animals, and is something to be feared. It isn't likely that any humans were observed being eaten, but there was a fear that this could happen. The tale is the most common Hairy Man story still told on the reservation.

The Penutian Language Stock
The Yokuts are part of the Penutian Language Stock. The Penutian Language Stock is widespread in the west, including California, Oregon, Washington, and Canada. California tribes include the: Costanoan, Konkow, Maidu, Miwok, Nisenan, Nomlaki, Patwin, Utian, and Wintu (Figure 11). Those outside California include the: Alsea, Chinook, Coos, Gitxsan, Kalapuya, Karkin, Klamath-Modoc, Molale, Nez Perce, Nisga'a, Siuslaw, Takelma, Tenino, Tsimshian, Umatilla, Walla Walla, Wasco-Wishram, and Yakima.

All of these groups have Bigfoot or Bigfoot-like stories. These include, but are not limited to:

  • Windigo - a cannibalistic monster
  • Wappeckquemow - a giant
  • Wainus - a giant
  • Ah-wah-Nee – a giant
  • Yayali – a hairy giant
  • Che-ha-lum'che – a hairy giant

Here are a few stories to compare with the Yokuts versions. Yavali is a horrible, smelly, hair-covered giant associated with the Miwok tribe of Central California. The Miwok tribe is very closely related to the Yokuts, both in culture and location. Most of the stories involving Yayali are very long and detailed, but one brief story (Merriam 1910) is as follows:

Yayali, The Giant
"Where are you, grandchild? Where are you, grandchild? Where are you? Where are you? Yes. Yes. I am lost. Where are you? This way. Where are you, grandchild? Someone comes. Look out. Get ready. Prepare yourself, for Yayali comes."

The people broke cones from the tops of the pine trees and bundled these together. As Yayali started to climb the declivity where the people had taken refuge, they set fire to the bundles of pine cones and threw them into Yayali's burden basket. They threw the burning cones into the basket. Yayali became so hot that he tumbled. "Which way shall I fall?" he asked. They told him to fall to the north. [The Giant met his death near Columbia, Tuolumne County. The informant has seen white rocks near Columbia, reputed to be the bleached bones of the Giant.]

This story is more sinister than the Yokuts Hairy Man ones. However, like nearly all the stories within the Penutian language stock, it is about a very large creature that eats animals or if necessary, people; and is obviously something to be feared. The Miwok story is most similar to the Hairy Man stories by associating a physical place with where a Yayali or Bigfoot died.

The Ste-ye-hah' is a dangerous creature that lives in the Cascade Mountains. It is nocturnal and whistles to lure people away from their path. As noted before, the Yokuts also believe that Hairy Man is nocturnal and will whistle to lead Indians into his grip. Here is a story that closely resembles the story of the Yayali (see the BFRO website for more information).

The Ste-ye-hah'
It is the delight of the Ste-ye-hah' to carry away captive children who may become lost or separated from their people. Many snows ago two little ones, a brother and a sister, were missing from a hunter-village in the mountains. The parents and friends instituted a wide search and found their trail. Small footprints showed between the imprints of adult tracks,... Long afterwards, perhaps twenty snows, the parents of the lost children were camped in the mountains gathering huckleberries. One night while sitting in their lodge, a stick was thrust through a small crevice in the wall. The old man immediately called out, "You need not come around here bothering me, Ste-ye-hah'! I know you! You took my two children."

The Yokuts, Miwok and Cascade stories are separated by hundreds of miles, yet are very similar. Since most, if not all, Penutian stories are extremely similar, with slight differences based on regional details and the passing of time, there must be a common source within the language itself. It could be suggested that at some time in the past when the language stock was still mostly confined to a single area, which researchers such as Dixon and Kroeber (1919) believe was around 6000 years ago, that a creature with the described behaviors was observed and noted in a source or "root" story. Over time, the groups in the language stock moved to different areas, took the root story with them and added to it as they observed more of the creature. The Yokuts stories may be more elaborate due to the presence of the Hairy Man pictograph, which is a constant reminder of the original story.

Conclusion
To summarize, the following are important points presented in this article:

  • Hairy Man helped create man and has various other associated stories;
  • This belief is exemplified by the creation of a pictograph representing Hairy Man, which closely resembles descriptions of Bigfoot (8.5 feet tall; long shaggy hair; sagittal crest; walks on two feet; and large, powerful, human-like body type);
  • The Hairy Man pictograph was noted and called "Hairy Man" by non-Indians in 1889. It is well documented that the painting has been referred to as Hairy Man since 1889 and continuously to modern times;
  • Bigfoot behavior is represented in traditional Yokuts stories, including nocturnal hunting, association with Forest environments, wood knocking, whistling, and being an omnivore (animals and plants); and
  • Bigfoot is in both Yokuts culture and the Penutian language stock, suggesting a very old source story.

The presence of a Bigfoot pictograph and numerous stories in the Yokuts culture is not only unique, but also significant to North American Great Ape research. By analyzing traditional Native knowledge and stories of Bigfoot, it helps establish that this creature was not created by "white culture", but instead is a long-time occupant in these people's lives. Stories and paintings of how the creature looked and behaved are only present in these Native cultures because of direct observation of a flesh and blood creature.

References

Clewlow, C. William, Prehistoric Rock Art. In: Handbook of North American Indians, Vol. 8, California, Robert Heizer, ed., pp. 619-625. Washington: Smithsonian Institution.

Dixon, Roland B., and Alfred L. Kroeber, Linguistic Families of California. University of California Publications in American Archaeology and Ethnology 16(3):47-118. Berkeley.

Gayton, Anna H., Culture-Environment Integration: External References in Yokuts Life. In: Native Californians: A Theoretical Retrospective, L.J. Bean and T.C. Blackburn, ed., pp. 79-98. Ramona: Ballena Press.

Johnstone, Elizabeth Bayless, Bigfoot and Other Stories. Tulare: Tulare Board of Education.

Kroeber, Alfred L., Handbook of the Indians of California. Bureau of American Ethnology Bulletin 78. Washington.

Latta, Frank F.

California Indian Folklore, as Told to F.F. Latta by Wah-nom-kot, Wah-hum-chah, Lee-mee (and others). Shafter: Shafter Press.
Handbook of Yokuts Indians. Bakersfield: Kern County Museum.

Mallery, Garrick, Picture-writing of the American Indians. Pp. 1-882 in 10th Annual Report of the Bureau of American Ethnology for the Years 1888-1889. Washington.

Merriam, C. Hart, Dawn of the World: Myths and Weird Tales Told by the Mewan Indians of California. Cleveland: Arthur H. Clark.

Powers, Stephen, Tribes of California. Contributions to North American Ethnology 3. Washington: U.S. Geographical and Geological Survey of the Rocky Mountain Region.

Steward, Julian H., Petroglyphs of California and Adjoining States. University of California Publications in American Archaeology and Ethnology 24(2):47-238. Berkeley

Revision History
This article was originally published on the Bigfoot Information Project website (www.bigfootproject.org) on August 13, 2004. It has not been revised.


Historical and folklore research article the above was based on: MAYAK DATAT: THE HAIRY MAN PICTOGRAPHS by Kathy Moskowitz Strain

[–] [email protected] 1 points 1 year ago (1 children)

Thanks to @WideAtlanticWeird for the news and the warning.

 

Yo, Nessie, heads up sweetheart - another bunch of hunters on the way:

The largest cryptological survey of Loch Ness in over 50 years is scheduled to take place this weekend, featuring technology never before used to search for the elusive, still unproven Loch Ness Monster. Affectionately known by many as “Nessie,” no physical evidence of the cryptid—a creature whose existence isn’t proven by science or biology—has ever been found. The expedition is sponsored by the “independent and voluntary research team,” Loch Ness Exploration (LNE), an organization that is currently seeking additional help from the public in conducting a “giant surface watch” of the loch’s waters. Although an “overwhelming” demand has already resulted in sold out in-person spots, those who can’t make it over to Scotland can still tune in to LNE’s official 24/7 live stream to help out organizers.

“Since starting LNE, it’s always been our goal to record, study and analyze all manner of natural behavior and phenomena that may be more challenging to explain,” Alan McKenna, LNE founder, said in a statement earlier this month. “It’s our hope to inspire a new generation of Loch Ness enthusiasts and by joining this large scale surface watch… to personally contribute towards this fascinating mystery that has captivated so many people from around the world.”

Alleged sightings of the supposed lake monster (or monsters) in Loch Ness date back centuries, but the tales particularly rose to global attention after the famous 1934 “Surgeon’s Photo.” Although the iconic silhouette was later proved a hoax, folklore surrounding a large aquatic creature lurking within the loch remains strong. In 2019, samples taken from the nearly 22-square-mile body of water indicated the prevalence of eel DNA, potentially providing an explanation for at least some of visitors’ sightings over the decades. The collected DNA, however, did not indicate an eel’s size, thus adding little support to a “giant eel” theory. Of course, many still hold out hope for the possibility of a somehow still undiscovered pod of plesiosaurs calling Loch Ness home.

On August 26 and 27, however, the LNE team will deploy at least a few new tools in hopes of uncovering evidence of something strange. According to the event’s announcement page, drones will traverse the loch while taking thermal imaging of the waters via infrared cameras, potentially “identifying any mysterious anomalies.” Meanwhile, researchers will repeatedly deploy an underwater hydrophone to listen in on any “Nessie-like calls.”

“The weekend gives an opportunity to search the waters in a way that has never been done before, and we can’t wait to see what we find,” said Loch Ness Centre general manager, Paul Nixon.

Of course, the odds aren’t exactly in Nessie volunteers’ favor following decades of debunks, hoaxes, and misattributed sightings. Still, it’s probably as nice a time of the year as any to get out onto the loch and enjoy the Scottish summer.


By the way, gonna be in a bit of trouble in the Valley of Fire soon... if you're in the neighborhood, could sure use a bit of help...

[–] [email protected] 1 points 1 year ago

@caribouslim May your call stir deep water, Sings-To-River. Your blessing is high praise. We remember, and the Tah tah kle’ ah asked me thank you for freeing Illipatae, and calling the rain back across the Sisikyou split. The Ifrit were held at bay, and the forest is still green thanks to her blessing.

 

If you gotta hunt a demon tyrannosaurus from another damn dimension, you gotta choose the right music, and most importantly the right rhythm to wake the deep magick, enough to summon thunder down from the sky and magma up from the rocks.

We hunt tonight brothers. TO THE VALLEY OF FIRE!

Planet of the Drums

[–] [email protected] 1 points 1 year ago

Damn, I think I found a new hunting mix. I love listening to jungle on the earbuds when chasing down deer.

[–] [email protected] 1 points 1 year ago

Totally bro - the direction is great, the shots are spot on, and the supporting cast does a bang-up job. Also has Tasha Yarr hangin' out as a housewife before her Enterprise days (love me some Trek when munchin' on mule deer).

 

Faith is a great thing, and really religious people would like us to believe that faith and knowing are the same thing, but I don't believe that myself. Because there are too many different ideas on the subject. What we know is this: When we die, one of two things happens. Either our souls and thoughts somehow survive the experience of dying or they don't. If they do, that opens up every possibility you could think of. If they don't, it's just blotto. The end.

-Stephen King, Pet Semetary

Pet Sematary (sometimes referred to as Stephen King's Pet Sematary) is a 1989 American supernatural horror film and the first adaptation of Stephen King's 1983 novel of the same name. Directed by Mary Lambert and written by King, it stars Dale Midkiff, Denise Crosby, Blaze Berdahl, Fred Gwynne, and Miko Hughes as Gage Creed. The title is a sensational spelling of "pet cemetery".

Wikipedia


Yo, @BuckarooBanzai! I found the path to the place I was talking about. I'm gonna go take care of your cats and fix everything. I'm really sorry man - I was wondering why I got a microchip stuck in my teeth.

[–] [email protected] 1 points 1 year ago

Shit, those were yours? I thought they were just strays.

Uh... sorry?

Maybe I can fix this. I know there's a path in the hotel hedge maze that leads to a pet cemetery that specializes in this sort of thing. And I can probably find the bones in my trophy collection. Gimme a sec - lemme see if I can work out a fix.

[–] [email protected] 2 points 1 year ago (1 children)

Hell yeah brother! I'll save one of the teeth for you!

... and uh, about that whole Lazarus thing - if things go wrong, you got my back, right?

[–] [email protected] 1 points 1 year ago (1 children)

Oh no! Please don't throw me in dat dere briar patch, Brer Crow!

Would be nice to hunt something more challenging than a dinosaur from a child's rarebit dream.

 

One afternoon I visited Jeremiah “Bob” Dean of Love Hill, a wise and kindly old guy, well known for his hunting skills and knowledge of traditional bush medicine. Because he’d been worried that the yay-hos were in danger of extinction, he was very happy to hear of Gebelein’s sighting: “To my mind he saw nothin’ else but a young yay-ho – because there’s no other creature around here that’s hairy. I heard they’re in the shape of a man and live in caves. They’s very powerful. If you buck a woman yay-ho you’ll be alright, but if you buck a man yay-ho he’ll kill you. The onlyest thing you can do for them is to catch a fire – they run from that because that can burn the hair on them, you see.”

 

In the early 1970s, Al Berry and his long time friend Ron Morehead went into the woods of the Sierra Nevada Mountains in eastern California and collected a series of Bigfoot vocalizations called the "Sierra Sounds."


Ron and Al are nice guys, and we had a great time when they crashed our spoken word poetry jam fifty years ago. We'd just had a couple of mule deer for dinner, so instead of eating the stringy hippies, we decided to let them hang out until we were hungry again. I never thought they'd made a recording of it all, but hey, nobody knew we'd be online back then.

Of course, these days it's considered a big faux paus to eat anything without fur. The Sasquatch Confederacy frowns on the unsanctioned hunting of endangered species, and given that the humans only have a couple of hundred years left at best, they're on the do not eat list. It's one of our big gripes with the Yeti - those guys love Tibetan food.

Ron's gone on to write quite a few books about it. His latest work is Quantum Bigfoot:

So how does quantum physics relate to spirituality and Bigfoot? In my 45+ years of researching this phenomenon, I’ve heard several very strange reports. A few of these reports, from seemingly heartfelt people, claimed that these creatures disappeared. Is that even possible? Can the laws of quantum physics actually answer that question? Knowing what I know, I’m compelled to delve in and see. The accepted mathematics of quantum physics says that there is more going on than what we see with our three-dimensional eyes.

Scientists now know, through physics, that empty space (Dark Matter, Dark Energy) is not actually empty…however, it is a dimension existing outside of the human light spectrum and the observable vibrational frequency. It seems to me that classical science has restricted itself by its own disciplines and because of those disciplines, will never grasp the big picture. If we use the classical box to try and determine all that exists, we would never begin to understand the cosmos, e.g., the world of spirituality.

The math of quantum physics indicates that there are at least eleven dimensions in existence…possibly innumerable. So, could the laws of quantum physics be the answer to the Bigfoot mysteries? If so, how do we move forward in that possibility?

He's so close and yet so far... makes him fun to tease every decade or so.

[–] [email protected] 1 points 1 year ago
[–] [email protected] 2 points 1 year ago (1 children)

We have nothing to do with the China situation. That's entirely the fault of the Yeti.

[–] [email protected] 1 points 1 year ago (3 children)

This an entirely unfair accounting. I helped clean up after the tobacco incident. And the brontosaurus isn't trashing the gardens anymore. He was tasty, if a bit gamey.

[–] [email protected] 1 points 1 year ago

@caribouslim Good times. Wish I still had a copy of those transcripts. The Jejune society did a good job harmonizing the San Francisco redwood forest back into reality that year, enough for more than a few of us to enjoy the taco trucks in the Mission, and of course, bask in the nexus of magical energy emanating from the Maestra Peace Mural.

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