this post was submitted on 11 Dec 2023
294 points (95.7% liked)

solarpunk memes

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(we should be able to fit in a couple more panels, right?)

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[–] [email protected] 44 points 1 year ago

2020s: we need to redefine genocide

[–] MisterNeon 39 points 1 year ago* (last edited 1 year ago)

2000's: Invading them will make the world more peaceful.

2010's: Venture capital will never run out.

[–] HowManyNimons 37 points 1 year ago

2000s: This Shock and Awe operation will defeat terror!

2010s: Increasing scarcity increases wealth!

2020s: We can't decarbonise without oil!

[–] [email protected] 18 points 1 year ago

2020s: We have to cancel elections to save democracy.

[–] skydivekingair 10 points 1 year ago (2 children)

What is the 60s panel referencing?

[–] [email protected] 19 points 1 year ago (1 children)
[–] [email protected] 15 points 1 year ago (2 children)

Most definitely. This was a justification for destroying whole villages that the Viet Cong were using as cover to attack from / move supplies / etc. People in these villages were essentially fucked because either the Viet Cong or the Americans were going to destroy their homes.

[–] [email protected] 13 points 1 year ago (1 children)

Viet Cong might destroy the village, Americans will destroy the village …

[–] [email protected] -5 points 1 year ago

Hiding underneath a village to avoid bombs is just destroying with extra steps.

[–] [email protected] 9 points 1 year ago

Very similar to the "human shields" rhetoric we're seeing today to justify leveling whole cities in Gaza. In WWII it was, "we are bombing civilians to weaken their war machine", despite all evidence that showed strategic bombing did absolutely nothing to the war machine except galvanise the populace against the enemy and reinvigorate their commitment to winning the war.

[–] [email protected] 5 points 1 year ago (1 children)

Life is Hell by Matt Groening

[–] [email protected] 2 points 1 year ago

This makes me feel quite old. They really deserve a second life, though. They hold up really well.

It's also an odd time capsule of what Matt Groening was like as an early indie comic artist.