this post was submitted on 02 Nov 2023
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Digital Bioacoustics

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Welcome to c/DigitalBioacoustics, a unique niche in the vast universe of online forums and digital communities. At its core, bioacoustics is the study of sound in and from living organisms, an intriguing intersection of biology and acoustics. Digital bioacoustics, an extension of this field, involves using technology to capture, analyze, and interpret these biological sounds. This community is dedicated to exploring these fascinating aspects of nature through a digital lens.

As you delve into c/DigitalBioacoustics, you'll notice it's not just another technical forum. This space transcends the usual drone of server rooms or the monotonous tap-tap of keyboards. Here, members engage in a unique fusion of natural wonders and technological prowess. Imagine a world where the rustling of leaves, the chirping of birds, and the mysterious calls of nocturnal creatures meet the precision of digital recording and analysis.

Within this domain, we, the participants, become both observers and participants in an intricate dance. Our mission is to unravel the mysteries of nature's soundtrack, decoding the language of the wild through the lens of science. This journey is not just about data and graphs; it's about connecting with the primal rhythm of life itself.

As you venture deeper, the poetic essence of our community unfolds. Nature's raw concert, from the powerful songs of mating calls to the subtle whispers of predator and prey, creates a tapestry of sounds. We juxtapose these organic melodies with the mechanical beeps and buzzes of our equipment, a reminder of the constant interplay between the natural world and our quest to understand it.

Our community embodies the spirit of curious scientists and nature enthusiasts alike, all drawn to the mystery and majesty of the natural world. In this symphonic melding of science and nature, we discover not just answers, but also new questions and a deeper appreciation for the complex beauty of our planet.

c/DigitalBioacoustics is more than a mere digital gathering place. It's a living, breathing symphony of stories, each note a discovery, each pause a moment of reflection. Here, we celebrate the intricate dance of nature and technology, the joy of discovery, and the enduring quest for understanding in a world filled with both harmony and dissonance.

For those brave enough to explore its depths, c/DigitalBioacoustics offers a journey like no other: a melding of science and art, a discovery of nature's secrets, and a celebration of the eternal dance between the wild and the wired.

Related communities:

https://lemmy.world/c/awwnverts
https://lemmy.world/c/bats
[email protected]
https://lemmy.world/c/birding
https://lemmy.world/c/capybara
https://lemmy.world/c/jellyfish
https://lemmy.world/c/nature
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https://lemmy.world/c/opossums
https://lemmy.world/c/raccoons
https://lemmy.world/c/skunks
https://lemmy.world/c/whales

Please let me know if you know of any other related communities or any other links I should add.

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[–] Haggunenons 1 points 1 year ago

Summary made by Quivr/GPT-4

This document does not detail a specific experiment, but rather it is a review and discussion of the current state of research regarding fish and their potential use of vibrational stimuli, particularly in the context of communication. The authors argue that fish, especially benthic (bottom-dwelling) and demersal (near-bottom dwelling) species, should be considered in the field of biotremology, the study of vibrations in biological systems, as well as bioacoustics, the study of sound production and perception in animals.

The authors highlight several research priorities in this area. These include the need for a standardized vocabulary to describe aquatic vibrational stimuli, basic vibrational sensitivity studies to understand what fish can sense, and the development of a standardized tank setup to reliably reproduce waves for testing. They also call for more research into the extent to which fish produce vibrations, the potential for fish to use vibrations for communication, and the impact of anthropogenic (human-caused) sources of vibration on fish.

The authors suggest that vibrations could be used by fish in tandem with, or instead of, acoustic signals, and that the effectiveness of these signals could vary depending on the type and composition of the substrate (the surface or material on or from which an organism lives, grows, or obtains its nourishment). They also propose that vibrations could be crucial for communication and environmental sensing, and could provide an additional sensory channel for fish when other modes are blocked.

The authors conclude that there is a lack of basic understanding regarding this relatively unknown sensory mode in relation to fish, and that many more empirical studies are required. They suggest that this research could be driven by the growing threat of vibrational noise in the aquatic environment, and that contributors to the soundscape may also contribute to the vibroscape, presenting an overlap in sensory worlds that is currently overlooked.

In terms of animal communication, this review suggests that vibrations could be a significant, yet under-studied, mode of communication for certain species of fish. This could have implications for our understanding of fish behavior, ecology, and conservation, particularly in the context of increasing anthropogenic noise in aquatic environments.