On Sunday, the Toronto film festival will hand out its prizes and roll up its red carpet, a week after the Venice film festival did the same. This means only one thing: the start of Oscar season.
And, as the dust settles on these prestige launchpads, pundits have started to notice that there’s something remarkably similar about three of the key best actor contenders. They’re British. They’re former pin-ups now hovering around 60. And they’re all awards bridesmaids, so far unfeted by Oscar and long overdue for podium toasting.
Of the three, Ralph Fiennes looks the strongest bet. Now 61, Fiennes has won rave reviews for his performance as a troubled cardinal in classy pulp thriller Conclave, adapted from the Robert Harris bestseller and directed by Edward Berger, whose All Quiet on the Western Front won four Oscars from nine nominations two years ago (and swept the board at the Baftas).
Despite his status as one of the most acclaimed actors of the age, Fiennes hasn’t been on an Oscar shortlist for almost three decades. His nomination in breakout film Schindler’s List was unsuccessful, in part because of his youth, in part because the Academy is squeamish about appearing to actively celebrate Nazis. Then, in 1997, he lost out on the lead actor gong to Shine’s Geoffrey Rush (though The English Patient, in which Fiennes starred, did bag nine other Oscars).
“Fiennes has the perception of being overdue,” says Jenelle Riley, deputy awards and features editor at Variety. She believes he was particularly egregiously ignored for his mad chef turn in 2022’s The Menu; similar outrage met snubs for roles in The End of the Affair, The Constant Gardener, Coriolanus, A Bigger Splash and, especially, The Grand Budapest Hotel.
Awards expert Guy Lodge agrees. “Fiennes has the kind of IOU from the Academy that often translates into an overdue Oscar when the right vehicle comes along,” he says, “and the chewy, accessible dramatics of Conclave fit the bill.”