British Comedy

Why do sizeable swathes of the British public appear to have it in for him?

Because it's well-documented that he's a difficult-to-work-for diva, probably. It's hard to like someone who thinks their money and fame give them the right to treat others badly.

So will the sniping now stop?

We've formed an orderly queue (obviously) to each take a turn but I can't see the front or back of the line.

Like, sure, he's a massive cunt and everything, but he's also painfully unfunny and looks like a broken big toe. So not likely.

Talentless, annoying, self indulgent moron

I was blissfully unaware of him until he took over for Craig Ferguson and then I was like "So he's ripping off Graham Norton only not funny?"

This is the best summary I could come up with:

There’s talk of reviving One Man, Two Guvnors, the National Theatre’s critically lauded hit ­comedy that transferred to Broadway, winning Corden a Tony award in 2012.

And later this month, Corden will appear at London’s Old Vic in a short run of Joe Penhall’s new play, The Constituent, helmed by the ­theatre’s artistic director, Matthew Warchus.

Speaking to Kirsty Young on Desert Island Discs in 2012, Corden regretted his “spoilt brattish behaviour” at the 2008 Baftas, saying how unprepared he was for “intoxicating” fame, and recalling a lunch in which Gavin & Stacey co-star Rob Brydon tried to give him advice.

Alan Bennett also saw something in Corden when he was cast as Timms in The History Boys at the National Theatre in 2004 (later made into a 2006 film), urging him to make something of his ­natural wit.

Corden started as a theatre kid, training at Jackie Palmer Stage School in High Wycombe, Buckinghamshire – also attended by Eddie Redmayne.

Or, less sentimentally, he’s entered a form of reputational rehab – proving his worth treading the boards, a thespian galaxy away from the social media punishment beatings.

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