Music Theory
A community to discuss the technical workings of music.
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#Rules
1. Stay on topic. All posts must relate to music theory.
2. Civility. Disagreements and discussion are great, but hostility, insults, and so on aren't. Any critiques should be focused on ideas, never on individual users.
3. No homework help on specific assignments. It is against the Academic Honesty Policy of most schools and courses. Our subscribers generally dislike this kind of behavior. Please ask your IRL teacher/tutor for homework help instead. It's important that we get such posts taken down ASAP, so in addition to reporting, please report such posts.
4. Don't make this place annoying. Memes and so forth are fine, but mods reserve the right to remove inappropriate or overposted material.
5. Promotion. Promotion of one's content is allowed, provided it is not excessive or mindless. If you regularly post your content but do not otherwise interact with the community, you will be banned. If you link to something that costs money, you must say so in your post.
#Related communities:
- Composer
- Song-a-Week
- Musicology
- Ethnomusicology
- Historically Informed Performance Practice (HIPP)
- Piano Discussion
- Classical Music
- Jazz
- Harpsichord
Regarding moderation and reporting: https://join-lemmy.org/docs/users/04-moderation.html
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Now the party begins!
I'm having a hard time finding his post in /r/classicalmusic about it where he and I got into it a bit. It was frustrating, of course.
But most importantly, he holds classical music in such contempt while at the same time trying to appear that not only is he knowledgeable about classical music but that he likes it and is sympathetic toward it. None of that is true. As you note, many of his off-hand comments betray his ignorance as well.
There was a weird phenomenon a number of years ago where it seemed like computer science types were positioning themselves as the top experts in every single field of study because they could dash off a Python script in an afternoon to solve the most difficult problems in all these fields. It doesn't seem as bad anymore but back in the day, whew!, it was a sight to behold! Anyway, Neely seems to have a bit of that about him, classical music can be best explained in terms of jazz and where it can't, it's not worth thinking about anyway.
Yeah, it's just some basic research or maybe even paying attention in class. Oops, he went to Berklee so who knows what he "learned" there!
Adam is always full of surprises!