this post was submitted on 16 Jul 2024
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I know this topic has been discussed a lot before, but in my opinion there is no simple answer to this question.

Lately, I have been a bit disappointed with my Nikon DSLR kit (D3200) and thus I've been considering an upgrade. I got it many years ago, and it is undoubtedly a great, affordable camera that produces great images. I've had lots of fun with it and I can't complain about its performance when shooting -- given ideal conditions. When I am shooting more challenging subjects, however, I feel a bit hindered by my camera body/system. The points that bother me the most are:

  1. Size. The D3200 is a very nice, compact, and lightweight DSLR, but it is still relatively big compared to modern cameras. It won't fit in a jacket pocket even without an attached lens. More current cameras with a higher image quality can be smaller than it is (but heavier). The situation is even worse for higher-end DSLRs.
  2. Autofocus. Again, the D3200 is a fantastic camera if you are just using the center focus spot using the optical viewfinder and nothing else. Live view (contrast) focus is straight up unusable, and there are only 11 (phase) focus points or so if using the viewfinder. At least that's the case with "ordinary" Nikon lenses. I don't know how it performs with higher-end lenses, like the Sigma Art line.
  3. "Low light" performance. I can't bump the ISO significantly before image degradation becomes obvious. Low light in quotes because that's the case even in fairly well-lit situations. Occasionally, I like to print on medium-sized paper (A3+), and if I need anything above ISO 400 to properly expose the image, it won't look that good printed. Of course, I can always stick to printing bright images large and save the "low light" scenes to smaller prints, so this isn't really my main concern.
  4. Custom controls. I wish I could customize the camera settings a bit more. For example, on my camera, the back button AF/AE can be set to lock the AF/AE or as a back button focus. But in image preview mode, the same button "locks" the image so it can't be deleted. Thus, you need to quit image preview before using that button to trigger autofocus again. I would like to have a dedicated AF button so I can shoot straight from image preview if the opportunity arises. Another example of customization I can't do: settings like auto-ISO and shutter speed can't be capped/limited to a certain range. Let's say I want to use auto-ISO but prevent it from going above 400 to avoid too much noise (and decrease shutter speed but risk shaky images). Or the opposite: prevent the shutter speed in aperture priority mode from going below 1/100 to avoid shaky images and then change ISO instead. Well, I can't do either at the moment. Again, a nice feature to have, but totally something I can live with.

From what I have seen, cameras nowadays have gotten pretty good and they do look like a significant upgrade from 10-15 year old bodies. I guess all popular, entry-level, modern cameras (2019-) solve at least 3 of the 4 problems I listed above, so I don't think I can go wrong with any big brand. However, I'm having a hard time deciding with so many options and sensor size/formats available. My options so far are:

  1. Nikon Z. Since I am already familiar with Nikon F lenses, I have read a lot about them and I know the strengths and weaknesses of many of those. That means I likely won't be disappointed if I switch to another system, and I want a certain lens that doesn't exist, or the optical performance is poor, or it is prohibitively expensive. The Z50, Z5, and Z6 all look amazing, and I can pick or switch between a full frame or cropped sensor easier than I would if I was stuck with a micro four thirds. They are more affordable than Sony.
  2. Sony. They seem to be fantastic cameras, with great image quality and features. Sigma and Tamron options for Nikon are likely available for Sony as well. I'm just slightly afraid that lenses might be too expensive for what they offer. Their cameras look super compact and pocketable, which is a huge plus to me. Full frame (A7iii) or cropped (A6400) are also both available for a seamless transition.
  3. Olympus. I think it is impossible to beat micro four thirds in size and affordability. It is perhaps the only system where you can get a wide angle, portrait, fast prime, macro, and telephoto that you can take everywhere in a small bag while not costing you a fortune. They also have pretty nice features, such as the "live mode"/"smartphone photography", where you can get a frame that was captured slightly before the shutter button was pressed. This must be so cool for wildlife. Olympus stabilization is also highly regarded, with people claiming it to be "gimbal-like". The E-M5 iii looks very appealing. My main concern is that I've never used a micro four thirds before and thus I don't know how much I'm letting go in image quality. I already feel that the dynamic range I get with the D3200 rocking a larger, cropped sensor could be better.

I am not considering:

  1. Canon. I completely disagree with their "no third party lenses" policy. To me, that is unacceptable.
  2. Fujifilm. There are barely any telephoto options and they are one of my favorite lens types to use.
  3. Panasonic. I like what I read about the Lumix cameras, but they seem to be behind Olympus regarding micro four third still-focused cameras (apart from the G9). And I don't know much about the L-mount.
  4. Hasselblad, Leica, etc. Too expensive. I want something that I can take with me everywhere and not worry too much if it gets damaged.

I would appreciate if you all could help me figure this out! Especially people who have used more than one modern mirrorless system or have recently transitioned from DSLR to mirrorless. Many thanks in advance!

Edited to add:

I forgot to describe how exactly I use my camera. I mostly shoot:

  1. "Lifestyle" photos, like something cool I've seen while biking to work, walking in the park, visiting museums, etc.
  2. Hiking, biking, backpacking photos, like landscape, close ups, macro, wildlife, etc.
  3. Birds of all sizes.
  4. Occasionally, street photography if there's some cool event going on.
  5. I do like to shoot video, so something that would be 4K capable would be great.
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[–] buffy 1 points 3 months ago

Yeah, you definitely start to find the spots where you need to fill in the gaps. I find that the middle of the focal range is where I notice the biggest need for primes. That 14-42mm is handling most of the “wide to normal” for me right now since I’m not doing full on portraits with this particular camera… if I was I’d probably look into something in the 35mm or 55mm super fast lenses specifically for that task.

Well, yes. I do need to find the spots where I need to fill in the gaps and this will require some (significant) experience. I'm always reading a lot about stuff, and there's too much to learn regarding photography, still. For instance, I was trying to shoot the milky way this weekend under Bortle class 2 skies. The results were good, but not exactly great. I was thinking "yeah maybe a fast and wide lens will do". Now, I've read that people actually tend to stitch mid-focal length individual shots together instead. That's when photos actually look good, not so much when using those nice, fast, wide primes like the famous Rokinon or Simga lenses. Quite the surprise to me, honestly. That is just an example to illustrate my point, which is, there is usually a right(er) answer, but rarely an easy answer.

Regarding portraits, I used to like the strong bokeh of fast primes on a DSLR since my mom got a 50mm f1.8 for my old Canon years ago, but recently I've learned to appreciate short telephotos, too. 42mm gets you ~85mm equivalent, which is quite nice, just not very creamy at those apertures. I agree with your comment that it would only make sense if you were to get a 7artisans 55mm f1.4 or something.

With birding I’ve never been able to deal with primes since things change so quickly…

Yes, I too would use the whole 150-600mm range on my Tamron/Nikon all the time for birds. I think it's a known fact that for wildlife one gets primes for increased sharpness, but knowing that you will have to crop very frequently. And when you crop to the equivalent increased focal length on the zoom, you don't get the increased sharpness advantage. It's mostly a budget game, I think.

I would also suggest start looking around for extra batteries.

Agreed. I'm looking into buying a kit from Kastar (2-4 batteries plus USB charger), which is selling for $40-$70. As a matter of fact, cheaper than a single OEM battery ($80). Go figure. On my Nikon, two batteries would last me 3-4 days outside while backpacking (in theory, ~1000 shots). The EM-1 Mark II is rated for 440 shots per battery, so I think the OEM plus 2 extra will suffice. USB-C charging is a must, because that's what I use to charge my action camera's batteries and other devices using my portable power bank. I think a kit from Kastar will do.

It’s been really nice so I can either carry a spare or just swap the low battery for a new one when I get home and not have to wait for any charging.

Also agree. On a day or half a day out shooting, I usually use half a battery, swap it when I get home, and let the other one charge. It's simply practical.

I'm waiting for my Olympus 14-42 electronic zoom to arrive, which should be here on Monday. My next steps will probably be the extra batteries. Then, a Lumix 100-300mm for wildlife (or equivalent). I'm (really) excited to see where this is gonna take me. Look at this, selling a couple of Nikon F lenses to fund a completely new system -- relatively small changes in practice and likely not changing the end result much, yet such a different approach to the hobby. I feel like this journey is going to be fun!