In a post-scarcity solarpunk future, I could imagine some reasonable uses, but that’s not the world we’re living in yet.
AI art has already poisoned the creative environment. I commissioned an artist for my latest solarpunk novel, and they used AI without telling me. I had to scrap that illustration. Then the next person I tried to hire claimed they could do the work without AI but in fact they could not.
All that is to say, fuck generative AI and fuck capitalism!
Two things. One. You agree that they are charging the student and therefore providing a service and thereby would need to use licensed material because they are charging for that material or its use. Why is that different that a generative AI firm providing a paid service using unlicensed training data? We're not talking about generative AI firms as individuals. They're businesses. Making money off a training set that was acquired through means that took the IP of other individuals and business without their knowledge and consent and used it to create something that they are selling as a service.
Two. There are a myriad of reasons why companies license materials and a lot of them don't include the direct use, redistribution of, or copying of any of that material. There's also a number of reasons schools license materials up to and including uniformity, consistency, and to put their spin on things so to speak. That's why you might be able to find the same art course on offer just about any higher learning institution but the one at Julliard is not going to be the same as the one at the community college of Kenosha Wisconsin. The community college can't just get a copy of the training materials used by Julliard and reproduce those exactly. What you're saying is just a gross oversimplification of the real reasons, and I feel like it might be on purpose at this point.
You seem to think for free means just take it and use it to generate revenue. That's not what it means to have something be posted on the Internet. An artist's online portfolio isn't free. That's not how that's supposed to work and you know it.
If it were these LLM'S wouldn't shy away from using music on the Internet to train their LLM's. At least one of these firms has literally said they don't do this specifically because they don't want to get into trouble with any record labels. But sure. LLM'S can steal from Getty images and the NYT and be fine. That totally makes sense.
This is a terrible one to one comparison. I can't even begin to tear this apart it's so bad. LLM'S aren't even good at writing code which is like half the reason people have to go back and fix the code they generate.
Artists don't do art because it's work. They do art because they like to create things. You code because it's work which is why you don't care.
You started with the insults when you basically claimed that artists should feel the way you do about writing code about making art. You know that's not how that works. If it makes things quicker for you, that's great. But making it "quicker" for the artist to make a piece isn't the same thing and it was disingenuous of you to claim otherwise. It's especially egregious considering that what's actually happening is non-artists are making "art" using LLM's and companies are buying that art because it's cheap thereby pushing real artists who actually are doing work out of the market entirely.
A cabinet maker might use a band saw to make his life easier but just having the band saw make the whole cabinet because it's faster? That's not how that works.