this post was submitted on 09 May 2024
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Second time I watched it, first time was during its theatrical release.

Still a very powerful movie. The slow rhythm and the cinematography create a very heavy atmosphere, fit for the universe and message the movie conveys.

Some of the shots give a Dune vibe, nice to see this so many years before the first Dune movie.

Definitely recommended if you like SF and dystopian universes

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[–] [email protected] 6 points 1 month ago (6 children)

I think it's a film where most people are being objectified and in some cases pretty senselessly murdered! Sapper Morton (Dave Bautista's character) is senselessly murdered. Joe/K attempts to senselessly murder Deckard. Joe/K is left to die on the steps at the end of the film. Ultimately, I think it's less about any kind of gender divide and more that almost everyone is just a victim of extreme capitalism. Everyone is dehumanised in the name of profits. Everyone is made to compete with everyone else for what scarce resources remain. And that's especially true for the "secondary citizens" the film largely spends its time with - replicants, women, orphans, poor people. Slaves.

If patriarchy and violence against women weren’t a problem or if the film were about those issues, then all good.

I'd go so far as to say that patriarchy, violence against women and fertility are major themes of the film. With replicants existing, we see a world where women aren't needed to create life. With overpopulation and resource scarcity, we see a world where having children is less desirable anyway. The film's larger narrative focuses on Wallace, who is very much patriarchal himself and also representative of the patriarchal ruling class in the setting, wanting to discover how to make replicants reproduce because breeding replicants would be cheaper, quicker and easier for him than building them from scratch.

Wallace is cruel, power-hungry, sadistic, and dreams of electric wombs - of a world where women aren't necessary (because he only sees them in terms of their "function") and he can play god. He's very much painted as the villain - one gory scene shows him quite literally see him cutting into where the wombs of female replicants would be because he sees their infertility as a failure and something that makes them worthless to him.

Blade Runner 2049 goes far beyond using the sad prostitute and the destitute brothel to signify dystopia; it fully integrates them into its plot and takes a deeply anti-patriarchal stance.

It feels like other options were available and, TBH, using female objectification/ownership/subordination/violence as a vehicle and marker for dystopia is perhaps lazy and trope-ish.

I don't feel like it leans into them so much that they become tropes, personally, and I don't think men fare much better either. But while women's sex appeal is commodified - quite literally with pleasure models, the most clinical, corporate name possible for sex robots - we also see combat models and blade runners commodifying violence. Some of these roles are filled by humans doing what they can to survive in a capitalist system trying to crush them; others are replicants or AI literally designed and manufactured for those roles. I don't think any of them were used as markers for a dystopia so much as being part of the fabric of the world, the story and the themes.

For me, as much as I like the film, I don’t think it’s story and point quite get to the point of making what happens to women in it feel justified in our current era.

I really don't think what happens to men in the film is much better. The film is miserable for everyone in it - it's an equal-opportunity dystopia. The only person not being crushed by the world and the system is Wallace, and not only is he the oppressor (so, y'know, not much sympathy there...) but he also doesn't come across as too happy either.

Perhaps a bit more like the story of the protagonist in BR 2049 (who’s of course male).

Joe/K might be the main character of the film but he's not special, and that's the point. His entire character arc is that he starts off feeling like any other replicant - ie, not feeling much at all because of all the emotional suppression - before daring to hope that he might be special and becoming more and more in touch with his humanity as a result. As the story progresses, he becomes convinced that he is indeed special. And then it turns out he's not, and he decides to give up his life to help someone - a woman - and that is when he really becomes special.

Almost everything that happens to Joe/K in the film is at the direction of women. His boss - the police chief - is a woman. The person who implanted his memories - and who is responsible for implanting all replicant memories - is a woman. The person who leads the replicant resistance is a woman. His direct antagonist in the film - Luv - is a woman. A lot of his emotional development comes from being prompted by Joi, a female AI. Almost everything that happens to Joe/K ultimately happens because of a woman, because they are the ones who are really playing the game around him.

I think Blade Runner 2049 is a deeply, deeply feminist film. It doesn't shy away from depictions of female objectification/ownership/subordination/violence - they are important for telling its story and getting across its themes - but it sure as hell doesn't endorse them either.

[–] [email protected] 3 points 1 month ago (2 children)

PS, @Blaze, I'd be curious to hear your thoughts on this, especially with the film being so fresh in your mind!

[–] [email protected] 2 points 1 month ago (1 children)

Thank you both for this great discussion! I'm a bit busy this week, but I'll save this comment for later and try to formulate my thoughts

[–] [email protected] 2 points 1 month ago

Of course, take your time! I think Blade Runner 2049 is such a deep and complex film that you have to let all the ideas percolate anyway.

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