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Day 276 Resurrection (self.buddhism)
submitted 1 year ago by ahimsabjorn to c/buddhism
 
 

SOME PEOPLE LIVE as though they are already dead. There are people moving around us who are consumed by their past, terrified of their future, and stuck in their anger and jealousy. They are not alive; they are just walking corpses. If you look around yourself with mindfulness, you will see people going around like zombies. Have a great deal of compassion for the people around you who are living like this. They do not know that life is accessible only in the here and now.

We must practice resurrection, and this is an everyday practice. With an in-breath, you bring your mind back to your body. In this way you become alive in the here and now. Joy, peace, and happiness are possible. You have an appointment with life, an appointment that is in the here and now.

– Tich Nhat Hanh, Your One True Home

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Yamaoka Tesshu, as a young student of Zen, visited one master after another. He called upon Dokuon of Shokoku.

Desiring to show his attainment, he said: "The mind, Buddha, and sentient beings, after all, do not exist. The true nature of phenomena is emptiness. There is no realization, no delusion, no sage, no mediocrity. There is no giving and nothing to be received."

Dokuon, who was smoking quietly, said nothing. Suddenly he whacked Yamaoka with his bamboo pipe. This made the youth quite angry.

"If nothing exists," inquired Dokuon, "where did this anger come from?"

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A young wife fell sick and was about to die. “I love you so much,” she told her husband, “I do not want to leave you. Do not go from me to any other woman. If you do, I will return as a ghost and cause you endless trouble.”

Soon the wife passed away. The husband respected her last wish for the first three months, but then he met another woman and fell in love with her. They became engaged to be married.

Immediately after the engagement a ghost appeared every night to the man, blaming him for not keeping his promise. The ghost was clever too. She told him exactly what had transpired between himself and his new sweetheart. Whenever he gave his fiancee a present, the ghost would describe it in detail. She would even repeat conversations, and it so annoyed the man that he could not sleep. Someone advised him to take his problem to a Zen master who lived close to the village. At length, in despair, the poor man went to him for help.

“Your former wife became a ghost and knows everything you do, ” commented the master. “Whatever you do or say, whatever you give your beloved, she knows. She must be a very wise ghost. Really you should admire such a ghost. The next time she appears, bargain with her. Tell her that she knows so much you can hide nothing from her, and that if she will answer you one question, you promise to break your engagement and remain single.”

“What is the question I must ask her?” inquired the man.

The master replied: “Take a large handful of soy beans and ask her exactly how many beans you hold in your hand. If she cannot tell you, you will know that she is only a figment of your imagination and will trouble you no longer.”

The next night, when the ghost appeared the man flattered her and told her that she knew everything.

“Indeed,” replied the ghost, “and I know you went to see that Zen master today.”

“And since you know so much,” demanded the man, “tell me how many beans I hold in this hand!”

There was no longer any ghost to answer the question.

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submitted 1 year ago* (last edited 1 year ago) by ahimsabjorn to c/buddhism
 
 

From Your One True Home by Tich Nhat Hanh

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AudioDharma (www.audiodharma.org)
submitted 1 year ago* (last edited 1 year ago) by [email protected] to c/buddhism
 
 

Gil Fronsdal (born 1954) is a Norwegian-born, American Buddhist teacher, writer and scholar based in Redwood City, California. He has been practicing Buddhism of the Sōtō Zen and Vipassanā sects since 1975, and is currently teaching the practice of Buddhism in the San Francisco Bay Area

He is the guiding teacher of the Insight Meditation Center (IMC) of Redwood City. He has a PhD in Buddhist Studies from Stanford University. His many dharma talks available online contain basic information on meditation and Buddhism, as well as subtle concepts of Buddhism explained at the level of the lay person.

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The master of Kennin temple was Mokurai, Silent Thunder. He had a little protege named Toyo who was only twelve years old. Toyo saw the older disciples visit the master's room each morning and evening to receive instruction in sanzen or personal guidance in which they were given koans to stop mind-wandering.

Toyo wished to do sanzen also.

"Wait a while," said Mokurai. "You are too young."

But the child insisted, so the teacher finally consented.

In the evening little Toyo went at the proper time to the threshold of Mokurai's sanzen room. He struck the gong to announce his presence, bowed respectfully three times outside the door, and went to sit before the master in respectful silence.

"You can hear the sound of two hands when they clap together," said Mokurai. "Now show me the sound of one hand."

Toyo bowed and went to his room to consider this problem. From his window he could hear the music of the geishas. "Ah, I have it!" he proclaimed.

The next evening, when his teacher asked him to illustrate the sound of one hand, Toyo began to play the music of the geishas.

"No, no," said Mokurai. "That will never do. That is not the sound of one hand. You've not got it at all."

Thinking that such music might interrupt, Toyo moved his abode to a quiet place. He meditated again. "What can the sound of one hand be?" He happened to hear some water dripping. "I have it," imagined Toyo.

When he next appeared before his teacher, Toyo imitated dripping water.

"What is that?" asked Mokurai. "That is the sound of dripping water, but not the sound of one hand. Try again."

In vain Toyo meditated to hear the sound of one hand. He heard the sighing of the wind. But the sound was rejected.

He heard the cry of an owl. This also was refused.

The sound of one hand was not the locusts.

For more than ten times Toyo visited Mokurai with different sounds. All were wrong. For almost a year he pondered what the sound of one hand might be.

At last little Toyo entered true meditation and transcended all sounds. "I could collect no more," he explained later, "so I reached the soundless sound."

Toyo had realized the sound of one hand.

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In early times in Japan, bamboo-and-paper lanterns were used with candles inside. A blind man, visiting a friend one night, was offered a lantern to carry home with him.

"I do not need a lantern," he said. "Darkness or light is all the same to me."

"I know you do not need a lantern to find your way," his friend replied, "but if you don't have one, someone else may run into you. So you must take it."

The blind man started off with the lantern and before he had walked very far someone ran squarely into him.

"Look out where you are going!" he exclaimed to the stranger. "Can't you see this lantern?"

"Your candle has burned out, brother," replied the stranger.

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A Letter To A Dying Man

Bassui wrote the following letter to one of his disciples who was about to die:

"The essence of your mind is not born, so it will never die. It is not an existence, which is perishable. It is not an emptiness, which is a mere void. It has neither color nor form. It enjoys no pleasures and suffers no pains.

"I know you are very ill. Like a good Zen student, you are facing that sickness squarely. You may not know exactly who is suffering, but question yourself: What is the essence of this mind? Think only of this. You will need no more. Covet nothing. Your end which is endless is as a snowflake dissolving in the pure air."

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When my daughter was around 5 years old, I made up a game for us to play together. I called it “the beautiful game”. We would take turns picking out one thing we could see, smell, taste, touch, or hear, that we found beautiful. It had to be something that was before us. Those things could be conventionally beautiful, such as birdsong, but it was always better for the game if we chose other things. Mundane, even ugly things. And whatever we chose, we had to give one reason — a considered reason — why we found that thing beautiful.


I enjoyed this article. Enlightenment through changed perception.

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From Your One True Home by Tich Nhat Hanh

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From Your One True Home by Tich Nhat Hanh

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From Your One True Home by Tich Nhat Hanh

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Peace Permeates (lemmy.world)
submitted 1 year ago by ahimsabjorn to c/buddhism
 
 

From Your One True Home by Tich Nhat Hanh

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Nothing to Regret (lemmy.world)
submitted 1 year ago by ahimsabjorn to c/buddhism
 
 

Day 238 from Your One True Home by Tich Nhat Hanh

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From Your True Hime by Tich Nhat Hanh

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From your one true home by Tich Nhat Hanh

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This is a video I watched a while ago, but I remember enjoying it so thought I'd share it.

https://youtu.be/PYD-Gx_9K_M

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cross-posted from: https://lemm.ee/post/2818869

I found an interesting book, Zen's Chinese Heritage, The Masters and their Teachings by Andy Ferguson. It goes through the 1st twenty-five generations of Chan masters, beginning with Bodhidharma and ending with Foyan.

The main source material for this book is the Wudeng Huiyuan (Compendium of Five Lamps), dating from the mid-1200s. This excerpt is about Shenhui, the student of Huineng, also the one believed to have written the Platform Sutra.

HEZE SHENHUI (670–762) was an eminent disciple of the Sixth Ancestor. He strongly supported and promoted Huineng’s place in Chinese Zen history. Shenhui championed the Southern school of Zen, and vociferously attacked what became widely known as the Northern school, the school associated with Yuquan Shenxiu.

Shenhui put forward two reasons for his attack on the Northern school. The first was, “The (ancestral) succession is spurious.” Attacking Shenxiu’s legitimacy as the Dharma heir of Hongren was an extension of Shenhui’s proposition that that honor belonged exclusively to Huineng. Obviously, the argument was self-serving as well, since Shenhui could thus make a claim to be the true Seventh Ancestor of the Bodhidharma line.

The second reason for attacking Shenxiu was, “(His) Dharma gate is gradual.” By this, Shenhui meant that the various “gradual” spiritual practices employed by Shenxiu, as well as other disciples of Hongren, were fundamentally at odds with what Shenhui regarded as the genuine Zen of his teacher, Huineng.

Shenhui’s life and teaching are at the center of the most hotly debated questions of Zen history and thought. He is a controversial figure who set a standard of teaching that emphasized sudden, unmediated enlightenment. This characteristic of Chinese Zen distinguishes it from other Buddhist schools. The idea of nonmediated, sudden enlightenment clearly took solid root as a centerpiece of Chinese Zen during Shenhui’s era and suffused the teachings of subsequent generations of the Southern school.

Shenhui’s Zen, expounded in the name of the Sixth Ancestor, castigated the idea of “gradual” enlightenment achieved through meditation and religious practices that were meant to realize and maintain “pure original mind.” Shenhui’s proposition, in effect, attacked not only the Northern school, but many of the practices that were part and parcel of Daoxin and Hongren’s East Mountain Zen tradition as well, including their basic outlook on meditation practice.

Scholars have documented that Daoxin, Hongren, and Hongren’s disciples variously used “gradualist” practices, practices that set religious life distinctly apart from secular life, in their practice centers. One example was Hongren’s disciple Zishou Zhishen, the founder of the Sichuan Zen school, who is believed to have heavily emphasized chanting Buddha’s name over all other practices.

Yet Shenhui has been shown to have tampered with, not to say subverted, the historical facts surrounding Huineng’s life to gain ascendancy for his “sudden” Zen ideology. Shenhui’s account of Huineng’s life contains self-serving inconsistencies. Moreover, his writings about earlier Zen development, particularly the succession of Zen ancestors beginning with Shakyamuni Buddha, contain blatant errors and contradictions.

The “Northern” school was the name applied by Shenhui to the most politically dominant and powerful stream of Zen of his era. This stream was a continuation of the East Mountain school of Hongren, as taught by his disciple Shenxiu, and by Shenxiu’s own many disciples who were spread through northern areas of the country. Shenxiu obtained unprecedented influence at the imperial court during the late seventh and early eighth centuries. Shenxiu’s disciples Puji and Yifu then carried on this influence until events overcame the school around the year 755.

Shenhui’s main attack on the Northern school occurred at a conference he staged at Great Cloud Temple in Huatai in the year 734. In that meeting, Shenhui put forth the “Exposition on Determining Right and Wrong [with respect to] Bodhidharma’s Southern school.” The conference staged a debate between Shenhui and a certain “Dharma master Chongyuan,” who defended the Northern school. Although the influence of this conference on the imperial court and public opinion is disputed, the meeting clearly laid out lines of battle between the doctrines of the southern and northern currents of Zen.

After the conference at Huatai, Shenhui proceeded to live in the northern capital city of Luoyang, where he directly confronted the Northern school by inciting opinion in public gatherings. Eventually, Shenhui was banned from Luoyang as a rabble-rouser. During the period of his banishment, historical events transpired that helped his cause. The An Lushan uprising, a catastrophically destructive rebellion against the Tang dynasty, led to the destruction of the twin capital cities of Luoyang and Changan. The areas suffering devastation were important regions of Northern school predominance. This direct destruction of the Northern school led to a vacuum of court influence that Shenhui’s followers managed to fill. Thus, the Southern school gained social and political ascendancy not simply due to a preferred religious doctrine, but as the unforeseen result of a civil war that wracked northern China during that era.

Shenhui thus founded what became known as the Heze (in Japanese, Kataku) school of Zen. The branch largely died out during the early ninth century and is not remembered as a major school. Nevertheless, the doctrine of sudden enlightenment remained a central characteristic that defined the teaching styles and cultural flavor of later Chinese Zen. In the next Zen generation, Mazu Daoyi’s Hongzhou school vigorously adopted a teaching style that expressed the “sudden” Zen outlook. That school displaced Heze’s school in influence during the ninth century, but the doctrine espoused by Shenhui had lasting influence on all subsequent generations of Zen teachers.

I've read elsewhere about more modern scholarship casting some doubt on Huineng, and the division of Northern/Southern schools. I think John McRae has written about it, but I'm going to have to search for some of his articles.

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cross-posted from: https://lemm.ee/post/2593059

I found some interesting articles from the Journal of Chan Buddhism. This is volume 1, there is a volume 2, but it's behind a paywall, or you can possibly get them if you have an institutional login...

I've only read the Repositioning Xinxing 信行 (540–594) in the Chinese Meditation Tradition. It was interesting, but I've yet to find any more information on Xinxing, but it seems he was pretty early in the Chinese Chan record.

Also I've been wanting to find more peer-reviewed journal articles on Chan, if anyone has any suggestions on where to look!

The peer-reviewed Journal of Chan Buddhism: East Asian and Global Perspectives is the first of its kind in English to specifically present academic research about Chinese Chan, Korean Sŏn, Vietnamese Thìên, and Japanese Zen Buddhism. The Journal of Chan Buddhism is an interdisciplinary or cross-disciplinary journal and will accept submissions from all academic disciplines related to the study of Chan/Sŏn/Zen Buddhism, including, but not limited to: the history of religions, literary studies, Dunhuang Chan studies, Tibetan and Tangut language Chan studies, doctrinal studies, art historical perspectives, institutional history, anthropological research, and comparative, philosophical studies. The journal also offers book reviews and translations into English of innovative research articles by eminent scholars in East Asia. The Journal of Chan Buddhism has separate area editors (e.g., Chan, Sŏn, Zen) to facilitate broad but still multifaceted coverage of Chinese Chan Studies, Korean Sŏn Studies, Vietnamese Thìên Studies, and Japanese Zen Studies.

The journal is hosted by the Buddhist Studies Forum at the University of British Columbia (UBC), funded by the Tianzhu Charitable Foundation of Guangdong Province, China, and facilitated by a Social Sciences and Humanities Research Council (SSHRC) project on Buddhism and East Asian Religions (frogbear.org) at the University of British Columbia (UBC).

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Use Time Wisely (lemmy.world)
submitted 2 years ago by ahimsabjorn to c/buddhism
 
 

From Tich Nhat Hanh’s your one true home

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Do you have a sutta you feel particularly drawn to? Please share it!

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A quote for reflection (self.buddhism)
submitted 2 years ago* (last edited 2 years ago) by ahimsabjorn to c/buddhism
 
 

Who is the Knower that knows the world but cannot itself be known? Who is the Hearer that hears the birds but cannot itself be heard? Who is the Seer that sees the clouds but cannot itself be seen? — Ken Wilber

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submitted 2 years ago* (last edited 2 years ago) by abaga129 to c/buddhism
 
 

Brief disclaimer. I'm very new to Budhhism as a whole. I started listening to podcasts and reading sutras just over one month ago and I've been practing Zen since becoming interested. I guess I'm what would be called a "Buddhist observer".

Since becoming interested in buddhism, it has really spoken to me. Every aspect of resonates with me. Well every aspect except one that seems very core to Buddhism: The concept of rebirth. I've struggled with this concept as someone who is very non-spiritual and skeptical of something that I cannot observe personally or read trustworthy un-biased accounts of.

This morning while sitting zazen, an interesting thought occured to me. I know we are supposed to let thoughts go when sitting zazen, but I just couldnt seem to let this one go so I followed it through. What if rebirth is not being reborn in the physical sense nor the spiritual, but rather we are reborn through our friends and family, and those that we have some sort of impact on in our lifetime. When we die we still live in the memories of those that care about us, although their perception of us is a different us than what we saw ourselves as.

This seemed profound to me, so I decided to follow it further. If we are reborn in the memories of others, then part of ourselves is carried through to the individuals that they have an impact on. This would be an endless cycle of rebirth. Then I thought of the story of The Buddha recalling memories from all of his previous lives and realized one could interpret this as having insight into the memories of people that had a profound impact on them, and their memories, and so on.

The last connection that I could make to what I've learned of buddhism so far is the last of the five rememberences. "My only true possession is my actions.". The five rememberences is what really awed me about Buddhism to begin with and I realized that our actions are what people remember us by. Therefore our rebirths are a made purely from our actions.

I wonder if this could be taken further and what other links this idea could have to buddhism.

Im creating this post just because I want to see how others feel about this idea. I want to humble myself before those that have been practicing for many years so that I can learn. Thanks for reading!

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Seeing Beneath The Surface (www.hillsidehermitage.org)
submitted 2 years ago by ichimokuclown to c/buddhism
 
 

“Hunger is the foremost illness; Determinations are the foremost dis-ease. For one knowing this, as it really is; Nibbāna is the foremost ease.” – Dhp 203

New essay on the seven perceptions of great fruit and benefit, by Ajahn Ñāṇamoli

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