arken

joined 11 months ago
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[–] arken 3 points 1 day ago

Lots of greenwashing going on here too. The nordic countries are just as capitalist as anywhere else, we just had a strong labour movement in the 19th and 20th century. And sadly, a lot of what was won has been slowly whittling away in the last decades due to the complacency and inaction of the generations after.

[–] arken 4 points 3 days ago

For our younger audience: this is from when the show Cheers was popular, that's why there's a "Norm" setting.

[–] arken 0 points 1 week ago (1 children)

Well, but what does "caring" mean? It means that their well-being affects your emotions.

That would be an extremely reductive definition that doesn't really tell us much about how caring for others is actually experienced and how it manifests in the world. How would this for example explain sacrificing yourself to save another person, if the very core of caring is to create positive emotions in yourself? Dying is a pretty negative thing to experience and there will be no more positive emotions for you after that. I guess this idea that caring is in its essence transactional feels profound to people because we're so ingrained with capitalist ideology... but it's a lot more complex and multifaceted than that.

[–] arken 3 points 1 week ago (3 children)

Of course, you only ever do things because there's something in it for you,

No, sometimes you do things because you care about other people and want to help them. That you also probably feel better about yourself than you would if you did shitty things all day doesn't mean that feeling is the only and single motivation.

[–] arken 6 points 1 week ago

We hear that argument a lot, and though some people's charity may be motivated purely by egoism I don't think it applies to the majority at all. The argument assumes that if doing something makes you feel good, then that feeling must be the sole motivation for that action, which is dubious. And if we follow this logic to its natural conclusion, every action that does not make you feel bad is egoistic, and the concept becomes completely meaningless. Saving a child from falling down a cliff? Egoistic! Intervening when someone is treated unfairly? Egoistic! Giving up your chair for an elderly person on a crowded bus? Egoistic!

Let's take this last (admittedly small, everyday, non-dramatic) example. Sure, you could give up your seat purely because you want to look like a good person to others (although it's doubtful anyone would even notice). It's also possible to experience this feeling called empathy, to see an elderly person struggling to keep their balance while standing up and to want to alleviate that particular suffering. Everyone else is sitting down looking at their phones, so there's no community pressure to speak of. No one would call you out if you just pretended not to notice. And the discomfort from standing up on a really crowded bus on a bumpy road could easily outweigh that little buzz you get from doing good.

I'll go even further; it's even possible, in a scenario like this, to not even think about how it's going to make you feel or your self-image or whatever. You just want to help someone else because it's in your power to do so. If this isn't an example of not being egoistic, what would be? What would be the opposite of egoism? To act completely dispassionately?

And what about someone sacrificing their own life to save another? Striving to do good in the world does feel better, yes, but empathy is also a burden. Still, there are genuinely good people out there, that do good deeds and do not take any credit for it, even do it anonymously. And I can tell you from experience, not all of them walk around on clouds feeling like saints. Some of them even experience crippling guilt because they feel they do not do enough. How is that egoism?

[–] arken 7 points 1 week ago

Idk, I liked the Black Panther uniforms better.

[–] arken 37 points 1 week ago

Antiracist and leftist is kind of an exaggeration; rather an apolitical subculture of the British working class up until the late 70s/early 80s when the National Front infiltrated the scene. This was during the second wave of the skinhead movement, the original skinheads in the 60s were influenced by West Indian immigrants to the UK, and listened mainly to ska and jamaican music, but generally not very politically conscious or involved. Kind of a rougher offshoot of the mod subculture.

The second wave of skinheads came out of the punk movement. A lot of skins were into Oi!/streetpunk and the NF made their own version which was then called RAC (Rock against communism) but is better known these days (at least in Europe) as White Power Music.

I'm not saying there weren't leftist skinheads (Redskins and Angelic Upstarts would be a good place to start) but as a subculture, the common theme is rather working class identity and pride - which unfortunately, as we've seen, can be exploited by fascist movements as well.

[–] arken 7 points 1 week ago

But the reality I see is that they are very easily manipulated by unregulated media like TikTok

As opposed to adults?

[–] arken 13 points 2 weeks ago (2 children)

Art can be a joke, a joke can be art

[–] arken 20 points 3 weeks ago (1 children)

Well, It also works as a nice allegory for climate catastrophe.

[–] arken 1 points 3 weeks ago (1 children)

I have done plenty of research, thank you. Of course even more research never hurts.

[–] arken 3 points 3 weeks ago

The hides of giant mutated squirrels

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submitted 6 months ago* (last edited 6 months ago) by arken to c/[email protected]
 

A city freeze Get on your knees Pray for warmth and green paper. A city drought You're down and out See your trousers don't taper. Saddle up Kick your feet Ride the range of a London street Travel to a local plane Turn around and come back again.

And at the chime of the city clock Put up your road block Hang on to your crown. For a stone in a tin can Is wealth to the city man Who leaves his armour down.

Stay indoors Beneath the floors Talk with neighbours only. The games you play Make people say You're either weird or lonely. A city star Won't shine too far On account of the way you are And the beads Around your face Make you sure to fit back in place.

And at the beat of the city drum See how your friends come in twos; Or threes or more. For the sound of a busy place Is fine for a pretty face Who knows what a face is for.

The city clown Will soon fall down Without a face to hide in. And he will lose If he won't choose The one he may confide in. Sonny boy With smokes for sale Went to ground with a face so pale And never heard About the change Showed his hand and fell out of range.

In the light of a city square Find out the face that's fair Keep it by your side. When the light of the city falls You fly to the city walls Take off with your bride.

But at the chime of a city clock Put up your road block Hang on to your crown. For a stone in a tin can Is wealth to the city man Who leaves his armour down.

2
submitted 7 months ago by arken to c/doommetal
 

As far as funky turkish psych goes, this is as far as it goes - to the other, far end of the spectrum. Surprisingly listenable for an album consisting entirely of lenghty apologies to why the keyboardist haven't yet learned to play his instrument, this unexpected hit record is the brain-child of Anatolian star producer and enfant terrible Hözte Ergüynaman, who had been dreaming of exploding the boundaries of recorded music since his childhood as a goat herder on the Anatolian Plateau. When he met Paytele "Paye" Peyman at a studio session for a Bariş Manço record, aborted because Paye obviously had no knowledge of the instrument he wad hired to play, he booked a recording studio immediately and the rest is history. This reissue box-set of "Tha'rihe Rayote Thal Navd" (Mother, how I ended up here I have no idea) contains two extra disc of outtakes that cast new light on the stressful sessions and a PAYE PAYE beanie. 5/5, truly essential.

3
RET BELLPRO - S/T (lemmy.world)
submitted 11 months ago by arken to c/airecordcovers
 

This is one of those "Looks like an overlooked dirty funk classic ready to be re-discovered but actually only contains schmaltzy overproduced soul ballads and Bacharach covers"-type records that will leave you feeling really disappointed and hollow. The impeccable shred guitar from substitute teacher-turned-sex god Ret will unfortunately not make things any better. Will throw you into weeks of looping thoughts about selling your record collection and abandon record collecting as a hobby for something more productive. Absolutely essential.

1
REATO - RIP IT (lemmy.world)
submitted 11 months ago by arken to c/airecordcovers
 

"Reato", the artist name meaning "Photograph of a melting brother" in some Czech dialects, dedicated his third album entirely to short abstract vignettes each dedicated to a girl from his hometown Znojmo, of which there are only 13. Making it painfully obvious which girls of these he favours, side B should be skipped entirely. Side A however, comes highly recommended for fans of Gary Numan and Tajvor Czochov (not the one from Prajvuda, the other one). 180g vinyl with extensive liner notes. Rip it!!!

1
submitted 11 months ago by arken to c/airecordcovers
 

Abrasive and uncompromising, this groundbreaking album from the mysterious Latvian experimentalist Gattte Karret breaks new ground in self-invented yet traditional bowed goat-string zither instruments and non-traditional Latvian throat singing. Essential.

1
submitted 11 months ago* (last edited 11 months ago) by arken to c/airecordcovers
 

Impeccable reissue of brazilian flute virtuoso extraordinaire Sand Flos seminal album SOO LOC FOLE, filled to the brim with rare grooves, breezy bossa nova and understated samba excursions. Three-armed and four-handed from birth, she plays the Clarinoro exclusively, conceived in 1860 as a portugese alternative to the saxophone by inventor Adolphe Caro, Adolphe Sax' eternal rival and actual evil twin. Caro, who moved to portugal to escape the inevitable comparisons to his twin brother, became fiercely patriotic in his new country and could not stand the fact that Sax made Belgium famous as "la patrie du saxophone". Caro's Clarinoro was quickly lost and forgotten after Caro's death, everywhere but Brazil, where it was seen as the instrument of choice for the sem-tetos, the dominating subculture of brazil in the 1940s. It would be wrong to call the sound of the Clarinoro unique, as it sounds exacly like a clarinet, flugelhorn and flute combined into one instrument; this redundancy probably explains why the instrument never got popular anywhere else. 5/5, essential.

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