ShallowFocus

cross-posted from: https://lemmy.world/post/183013

This is a nice edit that I like to come back to and watch from time to time, some really powerful imagery.

Credit:

Cinematographer: Luca Bigazzi

Editor: Riccardo Fusetti

This is a nice edit that I like to come back to and watch from time to time, some really powerful imagery.

Credit:

Cinematographer: Luca Bigazzi

Editor: Riccardo Fusetti

cross-posted from: https://lemmy.world/post/182903

Anamorphic lenses with lots of crazy lighting and flares. Movie isn't out yet, we'll see how it turns out.

cross-posted from: https://lemmy.world/post/182903

Anamorphic lenses with lots of crazy lighting and flares. Movie isn't out yet, we'll see how it turns out.

Anamorphic lenses with lots of crazy lighting and flares. Movie isn't out yet, we'll see how it turns out.

cross-posted from: https://lemmy.world/post/181982

Condensation is a bitch. These were spherical Lomos. Old Russian lenses. Luckily water didn't get inside the glass elements, so we wiped them down and let them dry and went on with our day.

cross-posted from: https://lemmy.world/post/182456

This thing is a beast! Lot of improvements, some new features that were "meh" (mainly the burnt-in noise textures, why not just do that in post with more flexibility?) The operator-side menu is a nice addition. Really wish they'd give us internal ND 0.3 already though.

I 1st AC'd a Chris Brown music video a few months later and we had the 35 as A-Cam on a technocrane with a Mini as B-Cam. That was fun, the camera is nice of course and performed well, though it took us about 25 minutes to find the only D-tap port located on the bottom of the camera.

cross-posted from: https://lemmy.world/post/182139

We had fun playing with this Cartoni Lambda 25. It lets you spin the camera around quickly and easily using a wheel and momentum. Mounts to any mitchell receiver.

cross-posted from: https://lemmy.world/post/182717

This thing is awesome. For reference (probably it's most recognizable use), that's how they did some of the shots in Kendrick's "Humble" music video. They literally control it with a look-alike Xbox 360 controller.

This was also a really easy day for me to 1st AC because the focus pulls are also programmable so I basically just did lens and filter swaps.

cross-posted from: https://lemmy.world/post/182717

This thing is awesome. For reference (probably it's most recognizable use), that's how they did some of the shots in Kendrick's "Humble" music video. They literally control it with a look-alike Xbox 360 controller.

This was also a really easy day for me to 1st AC because the focus pulls are also programmable so I basically just did lens and filter swaps.

This thing is awesome. For reference (probably it's most recognizable use), that's how they did some of the shots in Kendrick's "Humble" music video. They literally control it with a look-alike Xbox 360 controller.

This was also a really easy day for me to 1st AC because the focus pulls are also programmable so I basically just did lens and filter swaps.

cross-posted from: https://lemmy.world/post/182456

This thing is a beast! Lot of improvements, some new features that were "meh" (mainly the burnt-in noise textures, why not just do that in post with more flexibility?) The operator-side menu is a nice addition. Really wish they'd give us internal ND 0.3 already though.

I 1st AC'd a Chris Brown music video a few months later and we had the 35 as A-Cam on a technocrane with a Mini as B-Cam. That was fun, the camera is nice of course and performed well, though it took us about 25 minutes to find the only D-tap port located on the bottom of the camera.