this post was submitted on 20 Dec 2023
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Trip Hop

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[–] DABDA 3 points 10 months ago (1 children)

Have loved this song since first hearing it in the movie Strange Days.

[–] macarthur_park 3 points 10 months ago (1 children)

Great movie! That whole soundtrack is awesome. I have a soft spot for Can’t Hardly Wait

[–] DABDA 3 points 10 months ago

In a different community today there was a post about Jesus Jones - Right Here Right Now which inspired to rewatch the music video for Fatboy Slim's "Right Here Right Now" (which I'm guessing you're already aware, sampled Angela Bassett in Strange Days). That combined with your post being the second connection to the movie gets me excited for my annual rewatch around New Year's Eve :)

[–] Rolando 3 points 10 months ago

https://en.wikipedia.org/wiki/Maxinquaye

In 1993, Tricky met with Martina Topley-Bird, then a teenager at Clifton College, after he saw her sitting against a wall near his house singing to herself. "That's really how it happened", she recalled. "A few weeks later, I went around to his house with some friends. We'd been drinking cider after our GCSEs. We were banging on his door, but he wasn't in. Then Mark Stewart, who lived there, came up to us and said: 'Yeah, this is Tricky's house, jump in through the window.'"[5] Tricky's lyricism had matured from raps about street violence and sex to more personal and introspective writing, but Topley-Bird described his material for Maxinquaye as "quite depressing", which he believed was because of her more privileged background: "It's just reality. She's been a student all her life, grew up in Somerset, and I don't think she's ever faced the real world. She finds it all a bit weird. But she's my best mate."

https://en.wikipedia.org/wiki/Martina_Topley-Bird

She and Tricky formed a musical partnership, and Topley-Bird collaborated with Tricky as a featured vocalist on his debut album Maxinquaye (1995)[7] (a printing error credited her as "Martine"). Almost all of her vocals on the album were recorded in a single take.[8] In describing the recording sessions, she recalled: "It was totally instinctive. There was no time to drum up an alter ego. I liked the idea that the information people needed about me was what they would hear when they put the record on. Anything else was sort of extraneous. I didn't think there was anything in my biography that would explain my musical choices."