this post was submitted on 23 Jul 2024
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NoYank. Remove All American Media And Culture From Your Life

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Remove All American Media And Culture From Your Life

Anti-imperialist comm to help you in your personal journey of cultural anti-imperialism.

American culture has spread all over the world, it has dumbed down and impoverished our variegated pre-colonial and non-capitalist cultures. Every time you yank yourself, a bit of their culture worms its way into your mind. Sometimes it's explicit propaganda like Top Gun, but sometimes it's subtle: the contempt shown for the poor, the celebration of selfishness, the value-system of their empire.

All inputs enter the mind, are absorbed, and blossom as thoughts and deeds. Mass-produced culture dulls you and makes you a boring, mass-produced personality. And nations are losing their personality by letting one imperial power do this to them.

That the empire is doing this as a more-or-less deliberate tool of influence doesn't need stressing.

Stop doing this to yourself. Don't watch their television. Don't watch their films. Don't read their stupid news and politics: ABC and CNN and NBC and the rest. Don't be so fucking boring. You don't have to be boring and stupid. Turn off your TV. Pick up some of your country's classic books, or listen to African funk, or go to a storytelling night.

Examples of posts that are welcome

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cross-posted from: https://feddit.uk/post/15134323

Salvadoran-Mexican director Tatiana Huezo is a documentary film-maker who received great acclaim for her non-fiction work before pivoting triumphantly to drama in 2021 with Prayers for the Stolen โ€“ a heart-wrenching film, with something docu-realist in its gentleness and urgency, about children caught up in Mexican cartel violence. Now Huezo has returned to documentary with a film set in the remote village of El Eco in the central Mexican highlands. While Prayers for the Stolen was fiction with the texture of documentary, this โ€“ fascinatingly โ€“ is documentary with the look of fiction.

After a shooting period of a year and a half, Huezo and co-editor Lucrecia Gutierrez have shaped a family story so that it looks like exactly like realist drama, perhaps even drama adapted from a novel. In fact, if I didnโ€™t know that it was a documentary, I would assume that it was a drama, devised through improvisation.

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