“Any scumbags in the audience?” Joe Talbot leers at a seething Other Stage crowd by way of introducing the bovver boot chant ‘I’m Scum’. There’s a distinct sense that the outsiders have stormed the gates during IDLES’ headline set, which pits them against fellow post-punks Fontaines D.C. on the Park Stage. Perhaps the clash gives Talbot and the gang something to prove: this is a bravura show that pops with cartoonish rage and flows with compassion, righteousness… and even a few chuckles along the way.
Talbot sports a shock of pink hair; guitarist Mark Bowen a sort of sheer onesie covered in roses. The frontman proclaims of the aforementioned track: “This is for the people of Palestine and this is for you.” He repeatedly announces “Viva Palestina!”, incites a crowd to bellow “Fuck the King!” and demands a circle pit so massive it makes “the whole fucking field spin”. He almost gets his wish.
...
Most astonishing, though, is tonight’s performance of ‘Danny Nedelko’. As ever, Talbot describes the song as “a celebration of the bravery and the hard work of the immigrants who built our country”. And then something wholly unexpected (not least among the band themselves) happens. A fake life raft bearing life-jacketed dummies rears up through the audience: it bobs and weaves, lifted by countless outstretched hands that scramble to right the vessel when it upturns.
The raft, which we later learn was designed by Banksy, drifts towards the stage and Bowen reaches out to it before he flops into the crowd – an unforgettable image from a truly incendiary show. “We’ll back to back headline the Pyramid Stage in 2027,” a bloodied Talbot spits before they leave the stage. You’d better believe it.