this post was submitted on 26 Feb 2024
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This isn't even close to what they're saying. It's closer to complaining about how the Yankees replaced their star pitcher with a modified howitzer.
It's not about people "wasting their time on some dumb invention," it's about how that useful invention is being used to replace jobs that people actually like doing because it'll save their bosses money. It's not even like when photography was invented or Photoshop came out and people freaked out about artists being put out of work, because those require different skill sets and opened up entirely new fields of art while also helping optimize other fields. This stuff could improve the fields that they're created for by helping people optimize their workflow to make the act of creating things easier. But that's not what they're doing. It's being used to mimic the skills of the people who enjoy doing these things so that they don't have to pay people to do it.
Even ignoring the ethical/moral aspect of this stuff being trained without permission on the work of the people it's designed to replace, the end goal isn't to increase the quality of life of people, allowing us more time to do the things we love - things like, you know, art and writing - it's to make the rich even richer and push people out of well-paying jobs.
The closest example I can think of is when Disney fired all their 2d animators and switched to 3d. They didn't do it because 3d was better. In many ways, the quality was much worse at the time. But 2d animators are unionized and 3d animators aren't, so they could get away with paying them much less. The same exact thing happened with the practical effects vs. digital effects guys in Hollywood right around the same time.
Society has always been losing jobs, the population just pivots to other specialisations. The only reason we fear it is because of our economic system that preys on it and turns it into profit, but that's an other conversation entirely.
On the subject of losing creative venues, both your examples(photography and Photoshop) show how technology didn't detract from the arts but add to it, letting the average person do much more. The same will be true for AI, I can see an inevitable boom happening in the filmmaking and animation industry, not to mention comic books and most of all indie gaming. It's in the long run empowering for the individual imo.
The economic system is what he's talking about here. That was my point. The entire conversation from the side against this stuff has always been about the economic situation of it. Without that factor, I think the only thing people would care about is whether or not their work is being used without their permission/maliciously.
As for Photoshop and photography, that's actually why I brought those up specifically. Because they were feared as things that would destroy artists' jobs and actually brought about entirely new fields of art - and also because they're the two people bring up when people argue against LLM replacing people's jobs, acting like they're just some Luddites afraid of science.
Right now, the way I see it with AI is that there are 2 distinct groups benefiting from it: those whose workflow has been improved from the use of AI, and those who think AI can get them the result of work without having to either do the work themselves or pay somebody else to do it. And thanks to the economic issues that are at the heart of this whole thing, that second group is set to harm the number of people who can spend time creating things simply because they now have to work a job that isn't creating things and no longer have the time to put towards that. So I can see AI creating a whole new art boom or a bust in equal measure. That second group is of concern to the art communities as well because they only see the destination and don't see that the journey is just as important to the act of creation, and that is already causing schisms between artists and "prompters" who think that they're just as skilled because they used a generator to make some cool stuff. People are already submitting unedited, prompted work to art and writing competitions.