CineShots
CineShots
More cinematic shots, less Reddit and mod arbitrariness. This community is for cineasts, who appreciate some great shots and movie scenes.
Perhaps these captivating CineShots will inspire fellow community members, whether they seek to revisit a beloved film, draw inspiration for their own cinematic or photographic creations, or even explore the world of photography.
Please use the following title formatting, when posting:
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Movie Name (YYYY)
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Movie Name [YYYY]
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Movie Name (YYYY) Director: XX
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Movie Name [YYYY] Director: XX
No other rules or restrictions, only simple guidelines and common sense
To ensure a positive and enjoyable experience for everyone, I have established a few simple guidelines to follow:
Authenticity: Please only share screenshots that you have personally captured from movies you were watching. This helps maintain the integrity of the content within our community.
Common Sense: Use your best judgment when sharing screenshots. I encourage you to be respectful and considerate of others, while keeping the discussion relevant and engaging.
These guidelines are designed to foster a supportive and inclusive environment where movie enthusiasts can connect and share their experiences. Let's believe in the power of constructive dialogue and value the diversity of opinions within this community!
General Code of Conduct applies to this community too:
Have a good time!
Other cinema related communities:
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Why this film still holds up in the 2020’s: Kubrick insisted on shooting EVERYTHING on camera originals. Everything was on the first generation. He refused to have generation loss. It was like the “Abbey Road” of movies.
2001’s “optical” process (as I understand it):
shoot an element behind a matte
mark the film frame
take the film out and put it in cold storage
build/paint the set that fills the outer part of the matte using the matte as reference
Put the film back in and shoot the other element of the shot
develop the film