this post was submitted on 15 Jun 2023
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Music Theory
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I think everyone will probably have their own methodology, but I tend more towards having to memorize these things to the point they're instinctual.
For me, the theory and doing it on paper is easy, where I struggle is conjuring this stuff real time when improvising.
The hack I'm using now for chord spellings is that I have all my diatonic 7th chords memorized in C. So if I need to grab a D7 arpeggio, I just need to raise the third of the Dm7 I have memorized. D - F - A - C --> D - F# - A - C.
As stupid as it sounds, having the extra syllable of "sharp" or "flat" in my head really slows down my processing, hence basing it all on modifications to the C major chords.