I'm talking works by Kurt Vonnegut, Isaac Asimov, Joseph Heller, Stephen King, Art Spiegelman, Elie Wiesel, Daniel Keyes, etc. I haven't read any from these I've mentioned, I just have a bias that tells me they're overrated trash. I think it's quite common on american "classics" (not just books but also films) a certain political defeatism or instead a very liberal surface level criticism of "bad things" (Steinbeck stays winning). And then these barren ideas get louded as incredible literature classics (which makes sense as far as the rulling class's efforts for maintaining the status quo are concerned).
But as I've said this is my analysis a priori of having read such novels, but are there actually redeeming qualities on those novels that make them worthy of pursuing? I'm not that interested in style but I can see that some of the authors mentioned have that idiosyncrasy going for them. Also I'm sure some do get the problems they're writing about and maybe that analysis, even if it doesn't go all the way, is a good enough quality.
(I write this about american novels in particular but it clearly expands to other 'classics'. Unfortunately I have read stuff by that Orwell fella which is a clear perpetrator of the crimes I've mentioned. I focused on the american side because most of the 'classics' lists are filled with them (they're anglocentric in general but more american-sided))
I'm sorry if I came across like that. I'm not criticizing the literature, I'm trying to ask to those who are familiar with it if my preconceived ideas hold true since that has been my experience with other works of the kind (and even in other art forms). From that experience I know that I have to be weary particularly of louded american works, I'm not outright saying american equals bad.
With that said, have you read something from the authors I've highlighted and if so what were your thoughts on their work?
You didn't come across like that, I don't think.
It's one thing to suggest that American literature might be bad because it's American. It's another thing to query whether hyper individualist liberal values of US society lend themselves to bad literature. The prevalence of those values—or, rather, the material relations that lead to that prevalence—do lead to bad literature. And if you're not a liberal individualist, many books will get on your nerves.
It's not all bad, though. There are some great stories to get into. The gems really are worth your time.
You should be wary of trying to be erudite by using words you don't understand or you will be lauded as an exemplary dilletante others should learn from - learn what not to do, that is.
Just read the damn books and form an opinion for yourself.
thanks for the corrections
I'm annoyed by your tone. You're throwing around awfully harsh language towards authors you've never read. Why? They are lauded for a reason. (It's spelled lauded btw.)
I've read many of the authors you mentioned, and most of what I've read has been quite good.
You might not care about some of the themes because I assume you're not American, or you could just not like the style of writing. It happens.
I didn't really like Crime and Punishment by Dostoevsky. It wasn't overrated trash or without any redeeming qualities. It just wasn't my tempo.
Read what you like.
I'm annoyed by your fucking tone.
Probably because much of US culture reveals
amplified by empty marketing. It's a valid question to ask whether this is a recent trend or older. And it is an older trend, as much of even the good stuff commits the flaw the OP highlights.
Asimov, for instance, and this won't spoil the story, imagines that humans will get to space and still have capitalist corporations. I know he didn't benefit from the vantage that we have today but that's a bizarre trope. It's very liberal and possibly defeatist. Capitalism won't survive the century. By the time we colonise Mars, liberalism will be an historical curiosity for people who wonder why it took humanity so long to secure it's freedom.
OP: don't let this put you off Asimov. As Jonathan12345 suggested, the plots and characters are generally optimistic.