this post was submitted on 14 Oct 2024
67 points (97.2% liked)
Asklemmy
43899 readers
1222 users here now
A loosely moderated place to ask open-ended questions
If your post meets the following criteria, it's welcome here!
- Open-ended question
- Not offensive: at this point, we do not have the bandwidth to moderate overtly political discussions. Assume best intent and be excellent to each other.
- Not regarding using or support for Lemmy: context, see the list of support communities and tools for finding communities below
- Not ad nauseam inducing: please make sure it is a question that would be new to most members
- An actual topic of discussion
Looking for support?
Looking for a community?
- Lemmyverse: community search
- sub.rehab: maps old subreddits to fediverse options, marks official as such
- [email protected]: a community for finding communities
~Icon~ ~by~ ~@Double_[email protected]~
founded 5 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
Post-hardcore. Typically 90’s old school like Fugazi and Hot Water Music, and then especially 2010s style “the wave” Touché Amore and La Dispute.
Not the 2000s style that veered into emo and Metalcore territory. Although there were some fantastic bands around that time that experimented with the classic sound, like Thrice and At The Drive In, and an obviously earlier example of that being Refused.
The combination of hardcore punk with slow and mid tempo breaks, throw in spoken sections or poetry. If it’s done right it’s just beautiful and makes you feel everything.
But if it’s done wrong, it’s so bad, don’t even bother. Honestly, for me, there’s so many 2000s-era bands that are unlistenable, and to me don’t even fit the genre as far as what came before and after them. But everything changes and people experiment with different sounds.
And it’s such a flexible genre, you have bands that take post-hardcore sensibility and turn it into indie rock, like Manchester Orchestra.
’90s*