Brimstone

joined 7 months ago
 

© 1984 Motown

 

© 1987 Polydor

 

© 1981 Island Records

[–] Brimstone 2 points 2 months ago (1 children)

I've been listening to these guys since you posted their music a while ago. They're really good.

[–] Brimstone 1 points 2 months ago

A bit of a typical pop ballad from 80s Japan. But I like world music, so thumbs up.

[–] Brimstone 1 points 2 months ago

Interesting detour from the usual stuff, didn't know these guys.

 

© 1989 Real World Records

 

1974

 

© 1966 Capitol Records

 

© 1969 Decca Records

[–] Brimstone 0 points 3 months ago

Care to elaborate on that?

 

© 1982 Arista Records, Inc.

[–] Brimstone 1 points 3 months ago

Nice demo. But the producer was right... the song became far more interesting and edgier with a dance arrangement, in place of the initial "bossa nova" style. And popularity is not the same as quality... but I don't see this one leading the rankings either, despite how enjoyable it is.

7
submitted 4 months ago* (last edited 4 months ago) by Brimstone to c/poetry
 

Late at een, drinking the wine,

Or early in a mornin,

The set a combat them between,

To fight it in the dawnin.

"O stay at hame, my noble lord!

O stay at hame, my marrow!

My cruel brother will you betray,

On the dowy houms o Yarrow."

"O fare ye weel, my lady gaye!

O fare ye weel, my Sarah!

For I maun gae, tho I neer return

Frae the dowy banks o Yarrow."

She kissd his cheek, she kaimed his hair,

As she had done before, O;

She belted on his noble brand,

An he's awa to Yarrow.

O he's gane up yon high, high hill -

I wat he gaed wi sorrow -

An in a den spied nine armd men,

I the dowy houms o Yarrow.

"O if ye come to drink the wine,

As ye hae doon before, O?

Or if ye come to wield the brand,

On the bonny banks o Yarrow?"

"I im no come to drink the wine,

As I hae doon before, O,

But I im come to wield the brand,

On the dowy houms o Yarrow."

Four he hurt, an five he slew,

On the dowy houms o Yarrow,

Till that stubborn knight came him behind,

An ran his body thorrow.

"Gae hame, gae hame, good-brother John,

An tell your sister Sarah

To come an lift her noble lord,

Who's sleepin sound on Yarrow."

"Yestreen I dreamd a dolefu dream;

I kend there wad be sorrow;

I dremd I pu'd the heather green,

On the dowy banks o Yarrow."

She gaed up yon high, high hill -

I wat she gaed wi sorrow -

An in a den spy'd nine dead men,

On the dowy houms o Yarrow.

She kissd his cheek, she kaimd his hair,

As oft she did before, O;

She drank the red blood frae him ran,

On the dowy houms o Yarrow.

"O haud your tongue, my douchter dear,

For what needs a' this sorrow?

I'll wed you on a better lord

Than him you lost on Yarrow."

"O haud your tongue, my father dear,

An dinna grieve your Sarah;

A better lord was never born

Than him I lost on Yarrow."

"Tak hame your ousen, take hame your kye,

For they hae bred our sorrow;

I wiss that they had a' gane mad

Whan they cam first to Yarrow."

[–] Brimstone 1 points 4 months ago (1 children)

The composition is a bit AI like to me. Is it yours?

[–] Brimstone 2 points 4 months ago

The new orchestrated version is quite a lot better than this original. But its not from the '80s.

[–] Brimstone 3 points 4 months ago

We could say that Love, in fact, has quite a lot of power.

[–] Brimstone 0 points 4 months ago

Yes, she was a terrific singer. She even looks gorgeous in this performance too. No autotune, of course.

[–] Brimstone 1 points 4 months ago

Its from a record of musical poems by the finnish composer, all of great beauty and strong allure.

Barbirolli and Hallé Orchestra did an outstanding job with Sibelius, this entire offering from the 60s is a gem and I believe any casual listener should be able to notice something interesting going on. The Karelia suite, for instance, finally has the proper tempo rubato for the work and truly makes justice to the music... other conductors, and orchestras, perform like a metronome at times. This is just one of the merits of the performance, but I think its very important with this composer.

[–] Brimstone 2 points 4 months ago

Its always nice to discover good music, and a place like this, where you can share tunes with similar minded people, helps precisely with that.

The harp sounds are definitely special, but I'm very pleasantly surprised by the bass sound and tone achieved by this particular piece. The cartridge in the turntable also gives a lot of definition to the audio, but not to the point of being harsh. I think the first time I listened to this album back in the 80s, or 90s, it was recorded on standard casette... so there's quite a leap in quality this time around.

[–] Brimstone 2 points 4 months ago* (last edited 4 months ago)

Indeed, thanks for the historical note Rolando. The lyrics in english are like this (deepl.com translation)

He walks on the street

Don't say where

His brain full of heavy metal

And his liver is dead

His veins are open

And smell like formalin

It's all very distressing

Like he is in Vienna

All of Vienna

Is on heroin today

All of Vienna

Dreams with Mozambin

All of Vienna, Vienna, Vienna

Also takes cocaine

In the ball season at all

You can see all of Vienna, Vienna, Vienna

Is so wonderfully there, there, there

Cocaine and codeine

Heroin and mozambine

Make us go, go, go

There, there, one, two, three

Cocaine and codeine

Heroin and mozambine

Make us go, go, go, go, go

Three, four

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