this post was submitted on 13 Nov 2023
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The number of times it's handed me a copyright strike for recording tunes that are >400 yrs old is simply tiring. Used to be infuriating, but now I'm just tired lol
So the composition and the performance are two separate things. Sure the music was written and composed a long time ago and if you were to play your own version that would be fine. But the recording you have is not that old and has it's own copyright attached because they have transformed the public domain composition into their own performance.
The wild part for me, though, is when I basically played the basic Greensleeves on the lute from memory in a livestream, then slipped into playing Francis Cutting's version (the best, IMO, the elegance of the compound meter is just badass) after the first playthrough, again by memory, I was copyright struck after the fact twice, with a strike for each, one after the other.
TBF the proper way of doing it would be to improv it into your own direction, which I did afterwards and didn't get struck for, but it's just crazy to me how much the recording industry tries to clamp down on anyone performing anything even vaguely sounding like a preexisting recording. I contested the strikes, largely standing on principle that I was doing the performing myself and that the music itself was ancient and they were dropped.