CleoTheWizard

joined 11 months ago
[–] CleoTheWizard 2 points 2 days ago

Another “fun” fact about that nerve is that many abdominal surgeries will move it around and the healing can make it sensitive. Had that happen to me and when I would move, it would send a very slight shooting pain through my groin and would be amplified in the genitalia region to become actual pain.

I personally found this somewhat charming and hilarious but if it hurt any worse it wouldve been my worst enemy.

[–] CleoTheWizard 7 points 2 days ago (1 children)

Hello. (Am I doing this right?)

[–] CleoTheWizard 3 points 2 days ago

That’s fair enough, thanks for the quick reply!

[–] CleoTheWizard 27 points 2 days ago

Ah that makes sense, it’s oddly suspicious they’d do this out of the blue. Though I am curious at the arbitration. Can they not include a clause that just says that the forced arbitration can be waived by them when they so choose? I feel like they would make carve outs for these big cases if they could to where they can still arbitrate on smaller cases which costs them less.

(Also updating my post text, thanks!)

[–] CleoTheWizard 3 points 2 days ago (2 children)

I’m more optimistic about that. I don’t see why the storefront or their general philosophy would change. At least not quickly. What might change is how they treat their IP. Ask yourself if you’d be okay with another half life game being just a 7/10 game. Because I think that’s what would happen.

[–] CleoTheWizard 7 points 3 days ago (1 children)

They’re trying to sell the company and have been for awhile. The problem is that without a win, no one wants to buy.

[–] CleoTheWizard 40 points 3 days ago (11 children)

For a short period, yes probably. But Bethesda is a failing studio and so is Ubisoft. EA has popular sports games but I’d guess that’s a very small portion of PC sales considering those games do poorly on the platform compared to consoles. Epic does have loads of money but not enough to float the other companies.

In my view, Microsoft and their GamePass stuff is the only real competitor that will ever take a small dent out of steams sales, mostly because of the Call of Duty titles being on there now. But in order to take 0.05% or whatever of their sales they had to: own the OS for almost every computer running steam, buy dozens of game studios, compete (and lose) in the physical console market over decades, and they had to buy not one but two of the largest studios out there. To the point where they own a significant portion of the iOS App Store that is orders of magnitude more money than PC games and still they cannot compete with steam on their own operating system.

If that doesn’t spell out how unstoppable Steam is, I don’t know what will. The thing that might actually hurt Steam is if those publishers were all GamePass exclusives. Even then, Steam would be just fine I think. Crazy.

[–] CleoTheWizard 1 points 3 days ago

I agree. But that’s a subjective stance obviously. I think since Minecraft was priced appropriately for its current value, there was no need to consider future value increasing. And on that basis they could have sold the game for more and chose not to. Still the point is that even if most people didn’t consider it, it incentivizes early purchases. If it were priced at the 1.0 build price at alpha launch, only die hard supporters would have bought it. Everyone else would wait. Same thing here.

[–] CleoTheWizard 1 points 3 days ago

You’ve just showed me why my point works. If you buy in now, your early purchase of Minecraft becomes more valuable over time as stuff is added. Therefore, buying now is better than buying later.

Whereas with his app, it’s overpriced now and will add features until that value proposition is met for more people. That discourages you from buying it and there’s no reason to buy it. Especially since it’s a subscription.

Now could he have done the Minecraft model? Yes. And since it’s a subscription, the price can go up slowly with no benefit to early adopters. I think the main reason he didn’t do that is because changing pricing this way generally doesn’t go well.

[–] CleoTheWizard 2 points 3 days ago (1 children)

Glad we’re on the same page because I found this interesting. I do think it’s getting much better especially with younger people. Even in the places I’ve been in Oklahoma, it’s more tolerant than you think. Still not great but not hellish.

And I appreciate the consideration for my experience, it’s not perfect. One of my parents is largely accepting but not fully supportive and the other is unsupportive and the relationship is tenuous. I do agree it’s getting better and somewhat quickly, but I’ve had to deal with a lot more crap coming out than what I expected to. It’s opened my eyes to what other minorities have to deal with, the micro-aggressions are very real. Even just having a parent call my partner my “friend” is a huge offense that they don’t really recognize.

Anyways that may be more than you asked for but it’s really hard to get a picture of the intolerance without directly experiencing it and I didn’t understand that beforehand.

[–] CleoTheWizard 4 points 3 days ago (4 children)

I don’t think that’s what he’s saying. You have to ask yourself a question: is offering an expensive upfront subscription for an evolving product an endorsement of assessing future value into your purchase. In my view, it isn’t and it’s not what he’s saying.

What he is saying is that to the minority who will find this a good value or who are okay donating to help them implement new features, go ahead and hit that button. Then separately he’s saying “the price will make more sense to more people as features are added” which is true but is not an endorsement of paying the current price for those promised features. At least from what’s in the article and what I’ve seen.

It’s the difference between saying that you should buy Minecraft because it will become an awesome game one day versus saying you should buy Minecraft because it’s either worth it to you now or you’re okay with helping to fund the development of future features you’ll receive. Those are very different.

[–] CleoTheWizard 1 points 5 days ago* (last edited 5 days ago)

Well color me convinced, that’s all pretty good info that I had no clue about. Forgive my skepticism, I’ve just never run into adhesive applications like that. Seems like they’ve come a long way, but due to economic pressures I’m guessing that myself and others have only ever had experiences with adhesives that are sub par. Even here I’m still curious about the properties of what Tesla is using. Especially since I’ve seen those panels be removed without heating or damage and just by pulling them off. Then again, ultimate strength of these adhesives doesn’t need to be insanely high, they just need to be durable probably. Thanks for the insight!

Edit: I went to go look this up and they are indeed using a 3M product along with a BETAMATE DuPont product, all of which seem up to snuff and are industry standard. I think now I know the adhesives are the least of the concerns with the truck, which is interesting.

 

Summary

This game is firmly in the collectathon platformer genre of games and seeks to outright revive the soul of Banjo-Kazooie and extract it into a new body. The fresh coat of paint with all new characters and modern graphical styling is an attempt to distance itself from retro aesthetics while keeping some charming aspects. Gone are the convoluted controls and returning are the random chirping noises for dialog. But is the upgrade from collecting the jiggies to ordering the pagies enough to make this title distinct? The soul of the collectathon is here, lets find out if it was worth the cost of digging it up.

Controls

I want to get this out of the way really quick and head off my review here by saying that the controls are good. They aren't amazing but since I'm going to largely be comparing this to games that just had their 25th anniversaries, I think its fair to say that controls are a real highlight for innovation here. With a similar number of buttons to the old N64 titles, we've packed in a lot of moves here and the flow is miles better. They aren't perfect however.

My main gripe is just that they seem to have mapped controls in a retro way for nostalgia reasons and it holds the game back. Rather than triggering the moves organically through context, the left trigger is again used as a face button modifier. Jump with A, high jump with LT+A. Sonar ping with Y, Sonar explosion with LT+Y. They didn't need to do that but at least the animations are short to trigger so it isn't too painful.

Characters: What did the evil Bee ever do to you?

Lets talk about characters. This is par for the course if you're talking Banjo-Kazooie parody that the game NEEDS strong characters. So does this game have them? I'd argue it does not. It isn't even that I don't find the evil capitalist bee and his duck in a jar henchman to be unlikable, its just that they lack the personality and novelty that BK had. The evil witch in those games wasn't complicated, but the rhyming of their lines and personality really got sold in the dialog. Here you just have throwaway lines galore about money puns. I don't want to say that none of the characters have personality, but its a 7/10 effort for sure.

That carriers over throughout the various worlds and main characters themselves. Banjo-Kazooie had a way with its humor of being dumb but delightful fun and really didn't stop you to embellish stupid puns. I won't harp on how I didn't find this game funny, but man when games miss the mark on charm, they really miss it by a mile. Unfortunately that's kind of the case here so don't show up for the characters.

Gameplay: It blends right in

I'll also keep this brief like the controls section. The game is good and the levels are pretty well laid out. They struggle to feel as integrated as BK though in the sense that each pagie is in its own area with its own objects. I remember how BK would use the same large centerpiece snowman for 3 or 4 jiggies, that just isn't here though. So like I said, it ends up feeling like each level is just a bunch of puzzles adjacent to each other, not cohesive at all. The themes really don't help that either as the themes only play into the gameplay of the level half of the time.

Graphical Style: It looks like it plays, alright?

The graphics in this game are actually pretty good and the game ran really well during my time with it at 1440p. That makes it a very good game to run on a steam deck and that is how I played about 50% of this game. The colors are bright and vibrant and its just a shame that it isn't more stylized. Believe it or not, I don't think the extreme crispness of the graphics help the game here. If you're especially brave though, there is an N64 graphics mode in the game which is a nice touch and brings in some of that charm.

Wrapping this up

Normally I keep my thoughts organized here but I think this game really deserves discussion so here goes. I went into this game expecting for the developers to have really done something with the formula. Lets be honest, this genre died because of a lack of innovation and intrigue. I was very surprised to play this and find that not only had the formula not really grown since the BK days of 1997, but this game had regressed it by quite a bit and I just really had to push through to finish it.

The music isn't instantly classic like Banjo-Kazooie, instead it sounds mostly generic. The characters are much the same. BK always had a splash of absurdity but it also always had grounding in its world. Lacking that grounding here is absolutely killer and so each element of this game feels separate. The enemies in BK were always interesting. The obstacles also had personality. Banjo Kazooie had me fighting two dragons on the tops of volcanoes who both thought I was there to deliver them pizza. We never get anywhere close to those heights here sadly. You'll play through this game and without exaggerating I can say that you will wonder why there are even basic level enemies in this game at all.

So what we're left with in Yooka-Laylee is a shell of what these games used to be. That isn't to say this is a bad game. It belongs in the genre 100% and its what the genre is all about. If you love collectathons and you don't want to replay BK games or want a modern version of this, I'll recommend this to you. Most people would have an alright time with this game and especially kids I think would love this if their attention can be kept by it. Those are my thoughts though, the game is decidedly average for me and I wish I could say otherwise. I respect the developers immensely for their work here. It takes a lot of work to even put most of the soul of BK into a game like this and so even if it didn't entirely land for me, I applaud them. Hopefully I feel very differently as I move onto Yooka-Laylee and the Impossible Lair.

Thanks for taking the time to read my review and let me know your thoughts in the comments!

66
submitted 5 months ago* (last edited 5 months ago) by CleoTheWizard to c/[email protected]
 

Summary

TOEM is a pretty short indie game that revolves around taking pictures in order to complete quests in connected levels. The art and customization of both your character and the game world really stand out and this is an amazing title to play on the Steam Deck.

A Camera Game???

I cannot sing high enough praises for the use of cameras in video games when done properly. Whether its Dead Rising 1 or Pokemon Snap, cameras tend to be very engaging and this game handles it in a very unique way. This game somehow blends elements of integrating the world with your camera instead of the usual way of slapping on the feature.

Most of what you'll be doing is just finding objects to snap a photo of and then doing so. The difference here is that the game both encourages and demands creativity. For instance, the photo filters and camera tripod are mechanics that must be engaged with to complete quests. The various hats your character can wear usually have gameplay elements.

I'm not creative, does this game love me?

I'm not a very creative person, I'm the type that wouldn't play this game just for the fun of taking pictures. I tend to be utilitarian in completing game objectives and yet I found myself exploring with TOEM and taking photos just for fun. There is no score on the photos and no point to taking random pics and yet there I was photographing myself with the incredibly cute characters.

You'll start this game off thinking nothing of a lot of the photos you take and by the end you're really exploring. The levels progress in complexity which lets you take more interesting photos. You'll spend time collecting photos of every adorable animal in each level. Or maybe you'll be searching for hidden clues. Maybe you'll find a wacky character and strike a pose with them. This game actually makes you want to do those things and just have dumb fun with it.

The kind of fetch quest photographers crave

To tie it all together, the quests come in to really flesh out the experience and showcase fun and inviting things to do in the world of TOEM. Each level has very unique quests that range from finding ancient cave drawings to spotting mysterious monsters. None of the quests are too hard and none take too much time or overstay their welcome. Each level of 20 or so quests can be done in less than half an hour so you always feel like you're making progress.

Final Thoughts

If any of the above concepts sound at all interesting to you, go play this game. It's a short experience and you'll spend around 5 or so hours with it, all of the time having fun pushing forward through the quests. The art is amazing, the sound is just right and often relaxing, and I don't think you'll regret your time with this one. Tell me about your experiences with cameras in other games and what you think of it here. Also pick up the free demo on steam for the game if you're interested!

 

cross-posted from: https://lemmy.world/post/12495394

TL;DR This game is still really funny with crude humor that mostly holds up and gameplay that doesn't disappoint. Its showing some age but not enough to get in the way of the fun. If you're a fan of movies from around the year 2001, this is a must play.

Introduction

An alchoholic squirrel platformer, an absurd scenario adventure, an excessive amount of swear words, a surprising amount of poop, more movie references than you can shake a stick at, and World War 2 are all shoved into a single N64 cartridge. What could go wrong?

This is a departure for Rare into a game targeted at adult audiences after producing family friedly platformers for years. Don't let the cute and cartoonish exterior of this game fool you, you're in for a ride from the moment the game boots up.

The Necessary Background

I think my enjoyment and perspective is relevant to my thoughts about this game so let me explain my biases here. As in previous reviews, this is not an attempt to talk about the game as it was 23 years ago. I'm placing this game in a modern context, especially since I never owned an N64 and wasn't apart of that era. This game is almost as old as I am, so keep that in mind.

The other disclaimer here is that I am not big on movies and tv or pop culture from this era. I'll explain more later about references, but a lot of them flew over my head. It isn't a large problem but again keep this in mind. With that out of the way...

Does the Game Play Itself?

No it doesn't. The gameplay here is fairly minimal coming off of the backs of the two Banjo-Kazooie games. No need to memorize complicated control layouts to progress. The controls here remain nearly the same throughout and lead to a pretty enjoyable, but simple, platforming experience. Most levels are fairly linear but aren't straightforward and require knowing your environment and exploring.

That isn't saying the gameplay doesn't evolve. Most of the moves you have access to come from a pad you stand on to activate. These usually change your interactions with the environment in some way. They give you a slingshot or missile launcher or maybe a bottle of booze for a scarecrow. It takes a lot of the thinking out of the game and lets you sit back and enjoy the adventure.

Previous games from the people at Rare had this feeling of a toolkit platformer where more tools were given to you but the tools you had stayed with you throughout the game. This led to complex controls and more often just meant that moves went underutilized or were shoehorned into levels. I appreciated the restraint shown here and to make use of the tools within each level only when needed.

A Squirrel and the Princess

In regards to the story, there isn't much here beyond a vague scenario given to the player. The characters and levels do a great job of telling a narrative but the core idea of the game is that many different scenarios are stiched together. It leads to a lot of varience in the atmosphere of the game.

Further backing that up is the soundtrack which, as usual, is something Rare did an amazing job with. When you enter an area made of entirely poop in the game, the main thing selling you on the disgust of it is the farts and burps in the music. And yes, I did just say that they are IN the music. I'll let you decide how to feel about that.

Conker's Great Stand Up Routine

This is the part of the discussion that makes or breaks this game for me. Is this game funny? And if so, in what way is it funny?

To answer the first question, it will be pretty subjective to you. I'll characterize the comedy by saying that it is crude and unsophisticated humor for the most part. Most of it holds up well considering comedy from the era and theres only a few things I'd say might cross the line with modern audiences. I thought most of the game was humorous, even if it didn't leave me on the floor crying from laughing.

The absurd scenarios and chracters are refreshing compared to a lot of games that play it more safely nowadays. That said, the references for movies will play into how much you enjoy your time here. For myself, I'd say that I understood a small portion of the references though even reading about them didn't make me think I'd view them the same way today.

For instance, there are short scenes where a movie scene is recreated and similar or exact lines are repeated as a reference. I found these amusing, but not funny per se. It ages similar to parody of anything else though. To give an analogy, it'd be like looking back on an SNL skit making fun of US president George Bush. You'd crack a smile, maybe laugh once or twice, but not like you would have while he was president. That being said, if Terminator, The Matrix, and Starwars are still fresh in your head you'll find this very amusing.

Wrapping Up the Red Squirrel

There isn't too much else to say about this game. Its humorous in a simple way, it looks great and sounds great, and the gameplay is varied and interesting. The game is on the shorter side so its easy to recommend this one. For those who worry about the humor side of it, play the first hour of this one and you'll know quickly if it clicks with you or not.

As a final wrap up, let me thank everyone who has been recommending me this game because I had a good time playing it. Let me know what your experience with this game was if you played it!

Feel free to check out my previous posts for write ups on other Rare games!

Banjo Kazooie Review

Banjo Tooie Review

 

cross-posted from: https://lemmy.world/post/12495394

TL;DR This game is still really funny with crude humor that mostly holds up and gameplay that doesn't disappoint. Its showing some age but not enough to get in the way of the fun. If you're a fan of movies from around the year 2001, this is a must play.

Introduction

An alchoholic squirrel platformer, an absurd scenario adventure, an excessive amount of swear words, a surprising amount of poop, more movie references than you can shake a stick at, and World War 2 are all shoved into a single N64 cartridge. What could go wrong?

This is a departure for Rare into a game targeted at adult audiences after producing family friedly platformers for years. Don't let the cute and cartoonish exterior of this game fool you, you're in for a ride from the moment the game boots up.

The Necessary Background

I think my enjoyment and perspective is relevant to my thoughts about this game so let me explain my biases here. As in previous reviews, this is not an attempt to talk about the game as it was 23 years ago. I'm placing this game in a modern context, especially since I never owned an N64 and wasn't apart of that era. This game is almost as old as I am, so keep that in mind.

The other disclaimer here is that I am not big on movies and tv or pop culture from this era. I'll explain more later about references, but a lot of them flew over my head. It isn't a large problem but again keep this in mind. With that out of the way...

Does the Game Play Itself?

No it doesn't. The gameplay here is fairly minimal coming off of the backs of the two Banjo-Kazooie games. No need to memorize complicated control layouts to progress. The controls here remain nearly the same throughout and lead to a pretty enjoyable, but simple, platforming experience. Most levels are fairly linear but aren't straightforward and require knowing your environment and exploring.

That isn't saying the gameplay doesn't evolve. Most of the moves you have access to come from a pad you stand on to activate. These usually change your interactions with the environment in some way. They give you a slingshot or missile launcher or maybe a bottle of booze for a scarecrow. It takes a lot of the thinking out of the game and lets you sit back and enjoy the adventure.

Previous games from the people at Rare had this feeling of a toolkit platformer where more tools were given to you but the tools you had stayed with you throughout the game. This led to complex controls and more often just meant that moves went underutilized or were shoehorned into levels. I appreciated the restraint shown here and to make use of the tools within each level only when needed.

A Squirrel and the Princess

In regards to the story, there isn't much here beyond a vague scenario given to the player. The characters and levels do a great job of telling a narrative but the core idea of the game is that many different scenarios are stiched together. It leads to a lot of varience in the atmosphere of the game.

Further backing that up is the soundtrack which, as usual, is something Rare did an amazing job with. When you enter an area made of entirely poop in the game, the main thing selling you on the disgust of it is the farts and burps in the music. And yes, I did just say that they are IN the music. I'll let you decide how to feel about that.

Conker's Great Stand Up Routine

This is the part of the discussion that makes or breaks this game for me. Is this game funny? And if so, in what way is it funny?

To answer the first question, it will be pretty subjective to you. I'll characterize the comedy by saying that it is crude and unsophisticated humor for the most part. Most of it holds up well considering comedy from the era and theres only a few things I'd say might cross the line with modern audiences. I thought most of the game was humorous, even if it didn't leave me on the floor crying from laughing.

The absurd scenarios and chracters are refreshing compared to a lot of games that play it more safely nowadays. That said, the references for movies will play into how much you enjoy your time here. For myself, I'd say that I understood a small portion of the references though even reading about them didn't make me think I'd view them the same way today.

For instance, there are short scenes where a movie scene is recreated and similar or exact lines are repeated as a reference. I found these amusing, but not funny per se. It ages similar to parody of anything else though. To give an analogy, it'd be like looking back on an SNL skit making fun of US president George Bush. You'd crack a smile, maybe laugh once or twice, but not like you would have while he was president. That being said, if Terminator, The Matrix, and Starwars are still fresh in your head you'll find this very amusing.

Wrapping Up the Red Squirrel

There isn't too much else to say about this game. Its humorous in a simple way, it looks great and sounds great, and the gameplay is varied and interesting. The game is on the shorter side so its easy to recommend this one. For those who worry about the humor side of it, play the first hour of this one and you'll know quickly if it clicks with you or not.

As a final wrap up, let me thank everyone who has been recommending me this game because I had a good time playing it. Let me know what your experience with this game was if you played it!

Feel free to check out my previous posts for write ups on other Rare games!

Banjo Kazooie Review

Banjo Tooie Review

 

TL;DR This game is still really funny with crude humor that mostly holds up and gameplay that doesn't disappoint. Its showing some age but not enough to get in the way of the fun. If you're a fan of movies from around the year 2001, this is a must play.

Introduction

An alchoholic squirrel platformer, an absurd scenario adventure, an excessive amount of swear words, a surprising amount of poop, more movie references than you can shake a stick at, and World War 2 are all shoved into a single N64 cartridge. What could go wrong?

This is a departure for Rare into a game targeted at adult audiences after producing family friedly platformers for years. Don't let the cute and cartoonish exterior of this game fool you, you're in for a ride from the moment the game boots up.

The Necessary Background

I think my enjoyment and perspective is relevant to my thoughts about this game so let me explain my biases here. As in previous reviews, this is not an attempt to talk about the game as it was 23 years ago. I'm placing this game in a modern context, especially since I never owned an N64 and wasn't apart of that era. This game is almost as old as I am, so keep that in mind.

The other disclaimer here is that I am not big on movies and tv or pop culture from this era. I'll explain more later about references, but a lot of them flew over my head. It isn't a large problem but again keep this in mind. With that out of the way...

Does the Game Play Itself?

No it doesn't. The gameplay here is fairly minimal coming off of the backs of the two Banjo-Kazooie games. No need to memorize complicated control layouts to progress. The controls here remain nearly the same throughout and lead to a pretty enjoyable, but simple, platforming experience. Most levels are fairly linear but aren't straightforward and require knowing your environment and exploring.

That isn't saying the gameplay doesn't evolve. Most of the moves you have access to come from a pad you stand on to activate. These usually change your interactions with the environment in some way. They give you a slingshot or missile launcher or maybe a bottle of booze for a scarecrow. It takes a lot of the thinking out of the game and lets you sit back and enjoy the adventure.

Previous games from the people at Rare had this feeling of a toolkit platformer where more tools were given to you but the tools you had stayed with you throughout the game. This led to complex controls and more often just meant that moves went underutilized or were shoehorned into levels. I appreciated the restraint shown here and to make use of the tools within each level only when needed.

A Squirrel and the Princess

In regards to the story, there isn't much here beyond a vague scenario given to the player. The characters and levels do a great job of telling a narrative but the core idea of the game is that many different scenarios are stiched together. It leads to a lot of varience in the atmosphere of the game.

Further backing that up is the soundtrack which, as usual, is something Rare did an amazing job with. When you enter an area made of entirely poop in the game, the main thing selling you on the disgust of it is the farts and burps in the music. And yes, I did just say that they are IN the music. I'll let you decide how to feel about that.

Conker's Great Stand Up Routine

This is the part of the discussion that makes or breaks this game for me. Is this game funny? And if so, in what way is it funny?

To answer the first question, it will be pretty subjective to you. I'll characterize the comedy by saying that it is crude and unsophisticated humor for the most part. Most of it holds up well considering comedy from the era and theres only a few things I'd say might cross the line with modern audiences. I thought most of the game was humorous, even if it didn't leave me on the floor crying from laughing.

The absurd scenarios and chracters are refreshing compared to a lot of games that play it more safely nowadays. That said, the references for movies will play into how much you enjoy your time here. For myself, I'd say that I understood a small portion of the references though even reading about them didn't make me think I'd view them the same way today.

For instance, there are short scenes where a movie scene is recreated and similar or exact lines are repeated as a reference. I found these amusing, but not funny per se. It ages similar to parody of anything else though. To give an analogy, it'd be like looking back on an SNL skit making fun of US president George Bush. You'd crack a smile, maybe laugh once or twice, but not like you would have while he was president. That being said, if Terminator, The Matrix, and Starwars are still fresh in your head you'll find this very amusing.

Wrapping Up the Red Squirrel

There isn't too much else to say about this game. Its humorous in a simple way, it looks great and sounds great, and the gameplay is varied and interesting. The game is on the shorter side so its easy to recommend this one. For those who worry about the humor side of it, play the first hour of this one and you'll know quickly if it clicks with you or not.

As a final wrap up, let me thank everyone who has been recommending me this game because I had a good time playing it. Let me know what your experience with this game was if you played it!

Feel free to check out my previous posts for write ups on other Rare games!

Banjo Kazooie Review

Banjo Tooie Review

 

See my Banjo-Kazooie review here

DISCLAIMER: I'll start this review with the same disclaimer I gave last time. I enjoy retro games, but this is not a review from the reference of the release date. Meaning that I will mostly be looking at this game as it stands today since I don't have the context from release (I never owned an N64). That said, I'm not going to bash it for being old constantly or make points about graphics and such.

Intro

I'll start by saying that this is obviously another legendary game that is a followup to the original which I enjoyed a lot. It says a lot that these titles are still pretty enjoyable after turning 23 years old. However, I want to use this review not to be harsh to this game but to highlight the obvious and hidden progress games have had since its release.

What is this?

This is a puzzle platformer collect-a-thon game with pretty good characters, expansive level design, graphics that still hold up, and some of the best music you'll ever hear. Tooie is mostly an expansion and extension of the ideas found in Banjo-Kazooie. The same characters appear and what exists in the first game is mostly left untouched here. Instead, new mechanics and moves are added to keep the game feeling fresh and I really enjoyed some and hated others (we'll get there).

What's there to love?

The most standout thing about the game is the music. The music here rivals Mario64 for how iconic and instantly recognizable most of the tracks are. They do a lot of the heavy work with theming without being too intricate or overbearing. The characters also do a good job of fleshing this game out into believable spaces.

In the first game, I felt like the entire game took place in a box. A small box. Here I don't have that problem and a few of the levels feel like the characters really belong there. Platforming is also pretty good which can't be said for a lot of stuff around this era. Every jump or move that I missed felt like my own fault for the most part. The variety of moves also adds a bit of much needed depth to the game which I really enjoyed. This game is easy to love but I don't think that it would convert anyone who didn't enjoy the first game since it is mostly a copy of that. Which leads me right into...

Lets get to the bad

How do I do this without making it sound like a rant? I can't. If you have nostalgia for this game, be patient with me here. Lets talk controls. In no uncertain terms, the controls are awful and unlike the first game, I don't think that playing on an original controller would fix much here.

To give an overview, basic platforming is normal controls and the trigger is a crouch button. The trigger is also how you activate your moves here. This is a limitation of the N64 controller and I respect the use made of it. But the amount of moves mapped to the C-stick is confusing. Normally it acts as camera control but once the crouch button is pressed, the one stick gets assigned to 4 separate moves for each character. And since the trigger is crouch, you must crouch each time to do each move. Thats a lot of trigger pressing and stick moving.

As a subset of controls, the people at Rare decided that Banjo-Kazooie was good but needed first person shooting to be great. Hopping on the trend at the time with this game hurts my brain because it controls horribly. And since the mapping is the same as shooters like GoldenEye, the controls are unusable for modern audiences. Is this fixed in the Xbox Live version? I don't know, but I hope so. It wouldn't be so bad if it didn't get used on every single level, but it does.

Entire first person shooter sections in a collect-a-thon were not enjoyable to me, its not what I expect from a sequel here. Worse yet, its used heavily in the bossfight at the end which is just salt in the wound.

What about the genre?

The first game really established an entire genre and I was curious to see how it would get moved forward here. I want to be clear, I find these next few items negatives but I appreciated them because they're the first missteps in this space. So what went wrong with the game style itself?

The largest sin for me is the sin of having a game about collection without self-contained levels. What I mean by that is that game objectives spill beyond the borders of each level and bleed either into the hub world or bleed into each other. A more minor sin of this kind is the kind of sin where you need to unlock something later in the game and come back to complete a level.

Modern games still have these features but they mitigate the problems by telling you that you need to wait or they give giant hints at other levels. In this game however, you might struggle at a puzzle for an hour only to find out that theres a move later that you unlock that makes this part possible.

For a good example: There is a level with a hot and cold side of a mountain. A move is given to the player to walk into hot water on the hot side of the mountain. You can press a switch in that pool to drain it, but it suggests to you that the water is just too hot. You can also turn into a snowball on the other side of the level.

So based on that info, you might search for awhile just to see if you can connect the cold side and hot side together. Or maybe you can throw your snowball self into the water. Or maybe a character can do it for you. None of those things solve your problem. What does solve your problem is pushing an ice cube off of the next level in the sky that then falls into the pool and cools it.

And this is the last thing I'll really mention bad about this game: It makes poor use of its new moves and features and is inconsistent and that's a shame. An example from the same level: there are two characters on the cold side of the mountain that need to be warmed up. One requires you to shoot fire eggs at them. The other requires you use the bird to sit on them like an egg. No indication of that move use is given. Its only ever used for eggs elsewhere. Frustrating.

So thats the gripe here. The feature creep is very real and you have too many moves doing too little in the game and it complicates the controls. They tried to do too much with this game and it hurt what was a very solid and tight experience from the first one.

Summarize Tooie To Me

Don't let the criticisms color the game too much for you if you enjoy this kind of thing or just want to revisit it. For those who have nostalgia for it, you'll overlook the annoyances pretty easily but I'd highly recommend playing on an original controller. I'd consider it almost necessary for this experience, especially for the first person sections. If you don't have nostalgia for this, I'd tell you not to take the game too seriously. Don't 100% it like I did and just sit back and enjoy the good music and fun characters and the puzzles or collectables. If you're never going to play the game though, the soundtrack is also right there for you.

If you made it this far let me know what you think of my review, I'm always eager to hear what other people did or did not enjoy about the game and I'll be active in the comments!

 

TL;DR This game is awesome and you should consider playing it if you haven't and you like retro games from this era or if you like similar collectathon games.

To preface before my opinion: Yes I did emulate this game on PC, Yes I used a modern Xbox controller for most of my playthrough, and No I do not have many references for games from this time but I will be attempting to be balanced on parts I felt did not age well.

I'll start with the good parts. If you've played Mario 64, this game is right up your alley and so is its sequel. This is one of the best 3D platformers from the era and its one that is challenging and has more personality than M64 did for me. Mostly due to the stellar characters and personalities. So much love went into crafting each characters outfit, voice, and animation even though they're so simple.

Next up, the levels. Not every level here is amazing but the same can be said of M64 (which I'll continue to reference as my main comparison game since I'm familiar with it). Each level has 10 jigsaw pieces to collect and some of them are extremely creative uses of the environment. Some are just annoying to get though and will have you overlooking them. Overall the levels are solid if not as memorable as many M64 levels are to me.

The music. Wow the music! Its very good for the era and fits right in with the classics. Even the rest of the sound design is incredible but seriously, go listen to some of the level tracks if you haven't played the game. The theming done in the music alone is very good. The rest of the sounds do a very good job of fitting right in with the art and they characterize a lot of the game. Audio-wise this is amazing for the N64.

Here's where I digress though. My overall view of the game is VERY positive so take these criticisms light. A lot of these things are parts that just didn't age so well. First off, the movement system isn't as good as other 3D platformers. Its passable. But a lot of the platforming requires button presses repeatedly. You can't walk crouched. So a series of leaves that need high jumps to go up them look like this: Stop your character in just the right spot and crouch, hit the jump button, direct the jumps movement, move a tiny bit forward on the next leaf to position, crouch, jump. Wouldn't be so bad if I could trigger it all quickly but its very hard to do that. Not to mention the swimming is really not great and wrestles with the camera constantly. And the air attack is nearly impossible to aim if you aren't flying straight or are too high or low to attack properly.

The rest of the moves are all based on the C stick. Which also controls camera. Its a nightmare with a modern controller. But again, each move takes seconds to activate and need prep time. You have an invincibility move which would be great for avoiding incoming damage. Except it takes too long to trigger so is only used for obstacles. Weird right?

And that's my final gripe that I feel is really valid. Mario 64 has a move set that gets activated mostly organically. Wall jumps and rolls and ledge grabs all work with minimal or no buttons. Meanwhile the run move here requires you stop to crouch and press the stick a specific way. And most other moves have buttons on the floor or pickups. Its confusing why they did it that way and it takes me out a bit fiddling with my controller. It doesn't feel natural and I never got to the point of pressing all of the moves without thinking.

Overall final opinion is that this game is an amazing classic that I feel most people should play if they like 3D platformers. Just be aware that its best played on older controllers and also has a few features that you may miss from modern games. But it'd be hard not to recommend this. This game is great, onto the sequel!

 

This game has a pretty interesting premise with a story centered around cults and the Cthulhu legend. I don’t know much about either so I was intrigued and since I received this game in a bundle some time ago, I wanted to give it a shot. The game is narratively focused so I’ll talk mostly about theme, art, and story as I go.

I’ll start with the look and feel of the game by saying that I have middling opinions on how this game looks. The textures are good for the most part and convey the atmosphere pretty well. The game falls apart though when it comes to animations. Everybody moves and expresses themselves worse than cardboard. Remember the canned talking animations of Skyrim? It’s that but in a narrative focused game and worse. The characters need to be believable but when someone is talking in a relaxed way while their hands do frantic motions or are frozen in front of them, it breaks a lot of the illusion. However, the rest of the art, atmosphere, and lighting looks pretty good.

When it comes to story, I won’t claim to be a narrative expert. In my playtime, I didn’t get hooked by the story at any point. The characters are trying to do that thing where they provide little detail and are therefore mysterious. That didn’t track well with me and instead they felt dull and shallow. It sucks because some of the dialog is really good but there isn’t enough of it to carry a narrative game. The best bits of story are told to you in cutscene form and this game almost seems like it’s better suited as an FMV game or similar. The biggest benefit to the story though is the multiple choices. I felt my choices were impactful and they don’t let you exhaust dialog for other options. You have one conversation and there is at least an illusion that you could’ve had many more discrete conversations.

The RPG skills are another middling feature as they help a lot of the exploration and conversational aspects of the game out and yet they’re paper thin at the same time. The game has you assigning points and yet I don’t feel that it would’ve played any differently than if I’d just picked skills at the start and nothing afterwards.

Lastly the sound is another 5/10. Sometimes it really sells the horror of a scene. But a lot of the time the same repeated music tracks take me out. And the compression used on the voices is embarrassingly bad. It harms the performances so much that I began tweaking my setup because I thought I had audio issues.

To wrap it up, I wanted to like this game and I still like aspects of it. It’s maybe worth playing if you catch it on sale or get it in a bundle. And since it’s a short experience, some of these gripes aren’t dealbreakers. I just found it to be a disappointing use of the setting and theme and I wish more could’ve been done to immerse me in the game.

If you’ve played it, I’d love to hear your thoughts on it!

view more: ‹ prev next ›